by Guest Contributor Nonso Christian Ugbode
A good rumor is like a wild forest fire. It comes and goes mostly on its own grand will and terrorizes most in its presence, firefighters and rumormongers alike. The frenzy of speculation around Tyler Perry’s stated or implied sexuality is such a rumor, a sea of loud crackles and hazardous smoke, so forgive me for keeping my distance. Fire burns. This statement is about something different, albeit adjacent. After a viewing of Perry’s “Why Did I get Married, Too?” one cannot help but be struck by its somewhat blatant and unchecked homophobic moments. From “boys-being-boys” to boys in drag jumping out of cakes for no apparent reason the film strikes a discordant chord in some instances of comedy that mostly comes across as coded homophobia.
A good critique should always come with a healthy dose of confession, so here are a few to color your reading. My perspective is one of a black man in search of true love. “That all-consuming, can’t-live-without you love,” (forgive the borrowed phrase dear Carrie Bradshaw.) The kind of marriage I seek is expressly banned in about forty-one states in this great union of ours, and New York just barely legalized it. So aside from being an idealist I am also a bit of a fantasist. Suffice it to say that when I look at depictions of love, Black love in particular, I seek mirrors of myself by habit. Tyler Perry is the main focus here only because he has the biggest mirror – one that if it is not going to pay me any compliments should at least not distort my reflection. That’s all I’m saying.
With two movies in this vein under his belt, a look inside the contemporary Black marriage one might say, Perry has succeeded in saying absolutely nothing about Black gay marriage. Much has been explored when it comes to the committed heterosexual Black relationship; the physical cheating, the emotional cheating, the wanting the baby, the not wanting the baby, the death of the baby, the emotional and physical abuse, etc. And beyond the pathology one manages to glimpse quite a few moments of bliss; which is what keeps me coming back to the franchise maybe. The love portrayed for example between Louis Gossett Jr. and Cicely Tyson in the sequel is moving. And in all that exploration there is not a mention of girls who marry each other, or boys who are committed to one other, and how wonderful that might be. Not a sentence. Now this is of course expected, as it is status quo. If the president is allowed to have a constantly “evolving” perspective on the “issue.” Well, we can all also pretend it’s nothing to speak up about, I guess.
So beyond being a martyr for the cause the least one could expect from Perry would be not to put down being gay, right? Well, here come the spoilers. Read the Post Why Did I Get So “Sensateeve”?: Homophobia and Tyler Perry’s Black Marriage Franchise