Tag Archives: white

On Tyra: Biracial Women Who Hate Their Other Side

by Latoya Peterson

Checking my Clutch feeds, I stumbled across this video from the Tyra show*. Literally, the title of the post sums it up. It’s about biracial folks who hate one side or the other.

The video is 32 minutes long.

The video features Jenna, who is half black and half white, who denies her blackness; Tabitha, who is half latina and half white, who denies her whiteness; Jaselle, who is black and Puerto Rican, who denies her PR heritage; and Sohn (her segment was not included in the video I watched.)

While Tyra focused more on Jenna for the majority of the segments, but the other guests actually brought up some really good points about race and identity.

Jenna appears to have been a ratings ploy – she espouses extreme hatred of other blacks, denies of all positive aspects of her non-white heritage, reaffirms stereotypes as truth, explains a preference for a “white” way of living, proudly displays three rebel flags (using the customary “get over it, it’s heritage not hate, it’s in the past” defenses without any acknowledgment of her own contradiction) and even has a photo of her in makeshift Klan gear.

[One of the Clutch commenters called her a sighted Clayton Bigsby. Was Chapelle's art imitating life? Or was that skit based on a true story?]

Yeah…moving on. Continue reading

Being Married to a Black Woman is *Really* Exasperating!

by Guest Contributor SLB, originally posted at PostBourgie

I know it’s a little late to be bringing up Lakeview Terrace. Typically, reviews for feature films appear in publications the week the film opens. But let’s be real here: despite its Week 1 box office triumph, Lakeview Terrace is the kind of film you wait a week or two to see… at a matinee showing. And that’s exactly what I did. Frankly, though, I’m fairly certain I would’ve been better off waiting on the DVD release or the bad BET overdub on basic cable (You know it’s coming… in 2011).

But I’ve digressed.

I can’t imagine what drew audiences to this bizarre race film last weekend. Was it director Neil Labute’s arthouse reputation as a skilled provocateur? Was it the involvement of Will-and-Jada’s profitable Overbrook Productions? Was it Kerry Washington’s alleged “hotness?” Or was it simply that surefire, time-honored Sam Jackson delivery of the classic trailer line, “Ah’m the POE-LEASE! You HAVE to do what I say!”?

Maybe it was a little of everything. For me, morbid curiosity was the driving force. I took stock of the premise: black cop terrorizes the interracial couple who move in next door, simply because he’s anti-miscegenation and protected by the badge, and I decided that there was no way this could be executed well. But I certainly wanted to see folks try.

I’ll give you the short version of events here and please note that from this point on, there will be HEAVY SPOILERS. So if you still intend to support Will, Jada, Sam, Kerry, or Patrick Wilson with your box office dollars, STOP READING NOW. Continue reading

True Blood. Tired Stereotypes.

by Guest Contributor Tami, originally published at What Tami Said

Why is it that television writers, who are capable of creating story lines beyond our wildest imaginings, still can’t paint black characters that rise above tired stereotypes?

I’m hooked on Alan Ball’s (Six Feet Under, American Beauty) new HBO series, True Blood. The drama, based on the Sookie Stackhouse series of books by Charlaine Harris, centers on Sookie, a waitress in fictional Bon Temps, Louisiana. In the world of True Blood, vampires are “out” and fighting for their rights as American citizens. TruBlood, a new synthetic product produced by a Japanese company, means proud vampire Americans can get the nutrition they need without, well, you know, offing anyone. Now, the living dead and the living rub elbows at night, much to the chagrin of conservative citizens, and religious and political leaders, who don’t feel minorities should receive “special” rights.

Continue reading

Film Festival Pick: Irish Twins

by Latoya Peterson

Last night, I watched the best of the DC Shorts film festival, which featured a week of short films from around the globe.

The last film of the evening was called Irish Twins, written and directed by Ryder and Shiloh Strong.

The film’s synopsis reads:

Born within a year of each other, Michael and Seamus Sullivan have become very different men. On the eve of their father’s funeral, Seamus drags Michael to the local pub in their small, logging community of northern California.

He attempts to convince his brother that they must take their father’s ashes to Ireland in tribute.

Of course, it isn’t long before Seamus’ true intentions are revealed, when his involvement with a group of local drug dealers becomes impossible to avoid, and Michael must confront how much he is willing to sacrifice for his Irish twin.

But what compelled me most about the film (outside of great pacing and drama) was the discussion of Irish identity. (Warning: Mild dialogue spoilers ahead, explicit language.)

Continue reading

White People Like taking credit from Asians: Who is Myles Valentin?

by Guest Contributor Restructure!, originally published at Restructure

#11 Asian girls” is the all-time most popular post of web-phenomenon Stuff White People Like, but it was written by Filipino-Canadian Myles Valentin, not White-Canadian Christian Lander. While Christian Lander received a $350,000 advance and receives royalties for his book, Stuff White People Like: the Definitive Guide to the Unique Taste of Millions, Myles Valentin is living paycheck to paycheck in East Vancouver.

Myles Valentin has written #11 Asian girls, #15 Yoga, #30 Wrigley Field, #31 Snowboarding, #44 Public Radio, #45 Asian Fusion Food, #56 Lawyers, #57 Juno, #66 Divorce, and #74 Oscar Parties. However, Valentin is rarely mentioned in articles about the blog Stuff White People Like, except being credited as Christian Lander’s Filipino friend. Even Racialicious, an anti-racist blog about race written from the perspectives of people of colour, credits Christian Lander as the “The Man behind Stuff White People Like” and makes no mention of Myles Valentin.

While it is true that Lander wrote 90.7% of the full list and Valentin wrote only 9.3% (89.1% and 10.9% respectively before the official book deal announcement), it nevertheless seems unfair that Valentin received no book deal, is rarely mentioned, has never been interviewed, and is not the co-author of the book that spawned from the blog. A white man receives 100% credit for roughly 90% of a blog, and his friend, an Asian man, receives 0% credit for roughly 10% of the blog.

This may appear only slightly unfair to some, but what if it was a white man that received 100% credit for roughly 90% of a blog, and his friend, another white man, that received 0% credit for roughly 10% of the blog? Ceteris paribus, we expect that everyone should get their fair share, even if the inequality is not tremendous. If Valentin was a white man, we would expect him to sue for his share of the profit, and we would not disagree with the lawsuit as a means to uphold “meritocracy” and protect white man’s intellectual property.

Asians are stereotyped as uncreative, lacking a sense of humour, and as people who are unable to criticize social conventions. When an Asian writes successful satire of white culture, why is his contribution forgotten?

Christian Lander’s name may go down in Web 2.0 history, but will anyone remember the name Myles Valentin? Will white people still ask, “Where are all the bloggers of color?

Edited to Add:

CORRECTION: Valentin’s monetary gain from the Stuff White People Like brand is greater than 0%. According to the LA Times’ interview with Lander, Valentin receives all the ad revenue from blog. According to Valentin, he uses this money for horse-racing. Lander gives Valentin credit as the co-blogger of Stuff White People Like, but the mainstream media portrays Valentin as (just) Christian Lander’s Filipino friend and inspiration.
– Restructure

Judd Apatow and the Art of White Masculinity

by Guest Contributor Marisol LeBron, originally published at Post Pomo Nuyorican Homo

“That shit is SO fuckin’ homo”

So I finally saw Pineapple Express this weekend and throughout the whole movie the men around me were constantly expressing how “fucking gay” the movie was. I left there thinking about the two very different displays of masculinity I had just witnessed in the movie theater. The men in the audience, who were mostly young men of color in their late-teens/early-twenties, were attempting to (re)affirm their masculinity through homophobic and sexist comments in response to the perceived lack of masculinity they saw on the screen. On the screen however the cast of Pineapple Express (most of whom are white men with the exception of Craig Robinson) were celebrating their homosocial (but not homosexual) affection for each other and their outsider status as members of the informal economy. I thought about the ways that homosociality functions not only in Pineapple Express but in Judd Apatow movies generally as a comment on the state of contemporary white masculinity in American society.

For those of you who might not know who Judd Apatow is, he’s the writer and/or producer of many of the successful “Frat Pack” movies including: Pineapple Express, Step Brothers, Forgetting Sarah Marshall, Walk Hard: The Dewey Cox Story, Superbad, Knocked Up, Talladega Nights, The 40 Year Old Virgin, and Anchorman. He’s was also the Executive Producer of the cult TV show Freaks and Geeks on NBC.

Yeah, he’s that guy. Continue reading

Interracial Dating: Grudgingly Heading Toward Acceptance

by Latoya Peterson

This is my second contribution to the interracial dating series. I originally wasn’t going to contribute after the intro post as my experience in this area is extremely limited. But, since we aren’t having the conversations I want to have, I’ll take a crack at it. I’m going to come off as a jerk, and I’m okay with this. Feel free to pose any questions you like in the comments, but I am going to ask that you refrain from making assumptions about my friends. If you want to know something, ask. – LDP


My best friend dates white girls.

It’s still painful for me to type that. Just the words, staring me in the face on the screen is like me pouring salt on a five year old wound. How the hell did that even happen?

Things weren’t always this way. Back in high school, I started kicking it with the guy who would eventually become best male friend (hereafter referred to as Bestboy). At the time, we bonded over a mutual love of reading, rock music, and dying our hair ridiculous colors normally only found in packs of Kool-aid. Bestboy was busy exploring his identity as a burgeoning black intellectual with a skateboard and back then his common refrain when it came to relations with the opposite sex was that he “dated the rainbow.” He found my insistence on dating within the race puzzling, I found his dating outside of it equally strange. But, as adolescents are wont to do, these minor disagreements were laid aside in favor of discussing more pressing matters like how many people could fit into a Honda Hatchback on the way home from HFStival.

Time passed, we graduated, and me and Bestboy kept in touch. Our hobbies grew in the same direction and we reunited around mutual adoration of art and anime. There was only one thing that became a quiet little undertone to many of our conversations. Over the last few years, the “rainbow” Bestboy spoke of had faded into one color: white.

Now, at this point, many of you may be wondering why I care about these things at all. Why do I care who my best friend dates? What does it matter the race of his partner as long as he is happy?

In a perfect world, these things wouldn’t matter. Love would just be love.

But the world isn’t perfect and these things do matter.

Love doesn’t occur in a vacuum. Continue reading

Quoted: Priyamvada Gopal on Vogue Italia’s Black Issue

The real problem is less the absence of non-white faces from the media than the repeated underlining of “whiteness” as universally relevant even within the already “special” domain of women’s interests. A quick survey of columnists writing on “women’s issues” in the British media underscores this. Hardly any are non-white, while those that are will be invariably positioned as specialists on “multicultural”, “Muslim” or “black” issues. Put simply, white people have ordinary lives and concerns while non-white people have “issues”. “White” is content-free; everybody else is marked by their ethnicity. [...]

Fashion, of course, has long relied on non-white women – the multitudes of farm and factory workers who pluck the cotton, tend the silkworms, weave the fabrics and sew the garments. Their invisibility and ongoing exploitation by the industry is not going to be addressed by a proliferation of Tyras and Naomis. Nor are difficult issues of ethnic divisions and social marginalisation about to be sorted by special issues which only render whiteness further invisible and, hence, unquestionably normative. Maybe it is time now for a “white issue” with a focus, for once, on “whiteness”, what underlies its privileges and internal divisions, and how it perpetuates itself as a norm, one so entrenched that it has the power to render everything else a separate issue.

— Priyamvada Gopal, the Guardian’s Comment is Free, “Vogue: all white now?”