Compiled by Andrea (AJ) Plaid
Racializen and playwright Shawn Harris will premiere her play, Tulpa, or Anne and Me, this Thursday, June 2, at NYC’s Robert Moss Theater, the eco-friendly performance space located at 440 Lafayette Street in Manhattan. The show starts at 6PM.
Tulpa, or Anne&Me explores a strange friendship that begins with an artist whose lonely world gets turned upside down when Anne Hathaway crawls out of her television. As their friendship blossoms, they begin to examine how race impacts their lives as women, as friends, and as human beings.
The 90-minute show will also run on these dates:
- Friday, June 3rd @ 4:00PM
- Thursday, June 16 at 8:00PM
- Sunday, June 19th @ 8:15PM
The play’s proceeds will benefit the anti-racism organization People’s Institute for Survival and Beyond. While anticipating the show, you can follow behind-the-scenes convos about it, check out the show’s musical inspirations, and much more here and here!
Aside from the fact that Ashley Judd has no clue about Hip-Hop as an art form and a culture, her comment shows an underlying prejudice towards black men. She says that Snoop and Diddy’s participation in YouthAIDS raised a red flag for her. If she knew anything about Hip-Hop or maybe even had a conversation with either one of these men, she’d know that neither condone rape or create violent music (at least not in the last decade), both are intelligent and savvy media moguls, and both are fathers (each has a least one daughter). So why wouldn’t they use their star power and influence to spread the message to young people, and especially the Hip-Hop community, about the importance of HIV/AIDS prevention? Shouldn’t they be lauded? If their music is so sexually irresponsible, isn’t it a good thing that they are talking about safe sex considering that HIV/AIDS transmission rates are so much higher among African-Americans
What’s particularly dangerous is the use of the phrase “rape culture” in this context. In the wake of the Cleveland, Texas rape case
, we have seen how stereotypes of sexually aggressive black men spin out of control and dredge up historical beliefs of black men being rapists. This is the latest incarnation with Ashley Judd, a well-respected advocate for maternal health and women and girls, attacking Hip-Hop. Commercial Hip-Hop is misogynous. So is underground shit. Rock, metal, house, R&B, techno, etc. all have misogynous and violent content. But none is as popular, commercially viable, or controversial. There’s a difference between talking about the music as being misogynous and honestly deconstructing what’s behind that, and saying Hip-Hop as a whole promotes “rape culture.” It shows a lack of understanding of the diversity of Hip-Hop and the commercial decisions that shape how it is sold and capitalized upon (and who makes those decisions).
I know that she is promoting a book and people think it’s a publicity stunt. I don’t know…maybe it is, generally speaking we as listeners and consumers of Hip-Hop (at least her definition of it) aren’t her main audience. As a publicist and communications strategist, I think that’s idiotic and shortsighted but I’m also not a big supporter of the idea that all publicity, even bad, is good publicity. If that’s the case then mission accomplished…now people who didn’t know or care about her memoir think she is a racist dumbass. Or some people think she is speaking out about negative imagery of women in Hip-Hop and pop culture. That depends on your point of view. What I do believe is that Ms. Judd wants to advance the discussion of attitudes that lead to sexual assault and rape since she experienced sexual abuse. Yet this is hardly a constructive way to do it.
I have looked closely at the feedback I have received about those two paragraphs, and absolutely see your points, and I fully capitulate to your rightness, and again humbly offer my heartfelt amends for not having been able to see the fault in my writing, and not having anticipated it would be painful for so many. Crucial words are missing that could have made a giant difference. It should have read: “Some hip-hop, and some rap, is abusive. Some of it is part of the contemporary soundtrack misogyny (which, of course, is multi-sonic). Some of it promotes the rape culture so pervasive in our world…..” Also, I, ideally, would have anticipated that some folks would see only representations of those two paragraphs, and not be familiar with the whole book, my work, and my message. I should have been clear in them that I include hip-hop and rap as part of a much larger problem. It is beyond unfortunate that I am talking about some, for example, of Snoop Dogs’ lyrics, an assumption has been spread I was talking about every single artist in both genres. That is false and distorted. Here, I am again aware that it would be impossible for me to get this “exactly right.” Some will find fault, no matter how careful I am, no matter what my intentions.
Easily the most ludicrous thing about the Twitter wars has been the perpetuation of the ridiculous accusation I am blaming two musical genres for poverty, AIDS, and the whole of rape culture. Please, people. Seriously? It’s beneath all of us that this even merits a comment. Gender inequality and rape culture were here a long before the birth of the genres and rage everywhere. Someone pointed out American history includes extensive white patriarchal rape. I’d add genocide, too, but that is another essay.
Regarding what is happening on Twitter:
Thumbs Up: In those 2 paragraphs, I was addressing gender and gender only. However, the outcry focused so much on race (and at times class) that it was naive of me to assume that everyone knew I was discussing only gender. My favorite feminist teachers, such as bell hooks and Gloria Steinem, would probably have admonished me, as they write that gender, class, and race are inextricably bound in the conversation about gender equality. My amends for thinking you could read my mind and know I was only talking about gender. I understand why you were offended.
“Why don’t we [help] end rape culture instead of getting mad that we’re getting called out on it?”
Race, Culture, and Identity in a Colorstruck World