We wanted to save this video for Friday, but in light of Macklemore winning Best Rap Album and then tweeting his apologies to Kendrick Lamar, this video exploring white privilege in the hip hop community is worth a listen. Longtime community member El Guante is joined by The Big Cats, Rapper Hooks, and Chantz Erolin break down why Macklemore’s race isn’t the problem, but how defenses designed to ignore racism continue to harm the community. Lyrics after the jump.
By Chelsea Upton originally posted at Not A Neophyte
In the “Ay Shawty 3.0″ video, a soft lense captures Kitty’s flower halo as she walks through a field, sundress and all. For the “rap game Taylor Swift” this imagery is not uncommon. The coy femininity — eyes darting away from the camera while she leisurely spits rhymes — are part of what made her breakthrough, “Okay Cupid,” such a massive Internet sensation. “Okay Cupid” was a disconcerting juxtaposition of teenage girl iconography and veiled suggestions, Kitty rapping about receiving three a.m. thirst calls from men, while she and her friends lounge in a room decorated with Hello Kitty and various heart shapes. The success of “Okay Cupid” (and perhaps, Kitty in general) is attributed to novelty, with a young, innocent-looking white girl rapping about cocaine with a carefully-placed bow in her hair. Kitty was 19 when “Okay Cupid” was released, but her refusal to talk about her age led people to speculate that she was younger.
By Guest Contributor Scot Nakagawa; originally published at ChangeLab
I’ve often pondered the question, why are white people so touchy about being called out for racism?
I know some of you will say that racism is much more than the hurtful prejudice of a marginal few. Agreed. Racism is also inherited structural and political inequity by race resulting in persistent poverty, health disparities, and deficits of opportunity in communities of color. And as with all kinds of oppression, racism is ultimately kept in place by violence and the threat of violence (think in terms of lynchings, cross-burnings, KKK raids, etc. throughout our history). Simple prejudice seems pretty minor by comparison.
However, the powerful effect of white people’s touchiness on this subject should not to be underestimated. In fact, I think it goes hand in hand with the threat of violence in perpetuating racism.
For instance, racial inequality nowadays relies more heavily on the intimidation and violence of the war on drugs and immigration enforcement than on the terrorism of vigilante groups. But, racist immigration and drug enforcement policies are founded on the widespread popularity of racial stereotypes that falsely criminalize black men as the source of the illegal drug problem in the U.S., and immigrants of color as drains on our economy. In other words, ordinary prejudice is as much a part of the oppressive equation for communities of color as violence and intimidation, and the fact that these ordinary forms of prejudice are expressed through major public institutions is possible because we deny that these stereotypes are grounded in prejudice at all.
We need to marginalize ordinary racist stereotypes and behavior, and this starts with calling racism out, even when those guilty of it get touchy because they are unable to recognize their acts as racist.
But, why so touchy?
At the risk of sparking a sh*t storm, here are a couple of proposals.
by Anonymous Guest Contributors
We—two white men—write this letter conscious of the fact that the color of our skin means we will likely be taken more seriously. We write this knowing that because people of color are thought to be too biased to speak objectively on issues of race, our perspective in this context will be privileged. We write this aware of the history of colonization, genocide, and slavery upon which this country stands, which has created this oppressive reality.
We write this letter to the organizers and participants (ourselves included) of #OccupyWallStreet out of great love for humanity and for the collective struggles being waged to save it. We write this letter because of our support for this nascent movement, in the hopes that with some self-reflection and adjustment, it may come to truly represent “the 99%” and realize its full potential.
#OccupyWallStreet has shown itself to be a potent force. The movement—which we consider ourselves part of—has already won great victories. New occupations spring up across the continent every day, and the movement for true democracy and radical social change is gathering steam worldwide.
According to the main websites associated with #OccupyWallStreet, it is “one people, united,” a “leaderless resistance movement with people of many colors, genders and political persuasions,” and an “open, participatory and horizontally organized process.” In other words, it professes to be the universal protest against the greed and corruption rampant in our society, open for anyone to join and shape.
But a quick survey of the movement so far shows that that the good intentions outlined do not reflect the reality of the situation. Continue reading
by Guest Contributor Paula, originally published at Heart, Mind, and Seoul
Just last month I was on a flight where I was on the receiving end of blatant racism. I have no doubt in my mind that the manner in which this particular airline employee (a white woman) spoke to me and treated me was a direct result of the color of my skin. As I am wont to do when it comes to processing the acts of racism that I am subjected to, I felt the immediate pull to name and claim my own responsibility in the situation. I know this undoubtedly is the result of being socialized from the collective culture who repeatedly and authoritatively tells me and other people of color that our experiences with racism actually have nothing to do with race at all and it’s a notion that I find imposed upon me on an all too regular basis.
Luckily, I had the good fortune of traveling with a friend who helped keep my perspective in check. My gut knew that this flight attendant’s behavior was racist, but I still found myself trying to make excuses for her. I was pissed. Both at her, and at myself for not calling her out right then and there. Then again, she did threaten to take my bag off the plane if I didn’t do what she said (although my friend heard that it was me the employee was threatening to remove from the plane), so I promptly obliged and sat down in my seat.
With a highly critical letter already half composed in my brain (which I did write when I got home), I looked across the aisle to my friend and said “Gee, I’m thinkin’ she would have never treated or spoken to S. (my husband, who is white) that way.”
Fast forward to the following month. Last week my family and I were on a return flight finding ourselves in the same predicament that I was in just several weeks before: trying to position and accommodate our airline approved carry-on luggage in the already crammed overhead compartments. Like my flight a month before, it was full and the overhead space was at a premium. Even though my husband’s luggage didn’t fit (just like mine didn’t quite fit when I was on my flight), he didn’t find himself on the receiving end of yelling, scolding and condescending behavior. Rather, two flight attendants made triple the amount of attempts on behalf of him and his luggage that I made with my mine – attempts mind you which were met with hostility and a threat to have my suitcase (or me, as the case may be) removed from the plane.
Admittedly, these events were not truly identical in that not only did we have different flight attendants, but that my family was on a completely different airline than the one I flew on last month. I get that. But that doesn’t change the facts of how I was treated and how my husband was treated. I wish I could tell you that these events happened in isolation and that our family has never experienced another situation similar to these. But of course we all know that not to be the case. I am aware of it. My husband is aware of it and our kids, ages 9 and (nearly) 7 years are fully aware of it as well. Continue reading
Seung had been told, all his life, more or less, that he was not allowed to marry someone like me.
Pronunciation aside, it hadn’t occurred to me that Seung and I made a mismatched couple. Mixed-race yes, but I couldn’t fathom that my race could make me the “wrong kind of girl” for anyone.
Yes, it was white privilege that blinded me to the fact I might be the bottom of the barrel on someone else’s race card.
Perhaps even more so because I have been listening to the dialogue about how to make America more post-racial — mostly as it pertains to black and white culture — for so long that it never occurred to me that an Asian immigrant family might cry foul when their son fell in love with an all-American girl like me. [...]
This man I had woken up with earlier in the day now seemed like a stranger to me. Specifically, he seemed like someone of another culture that I didn’t know or understand. Which was in fact true, because as much as we had in common, I was completely unaware of what it meant to grow up Asian-American — both in his home and in the outside world. [...]
Using my words, gently and respectfully, in many, many, many subsequent conversations about how I felt did in fact lead Seung Yong and I to marry — with the full support of all our parents.
But it was only through continuous dialogue — at the dinner table with friends who could advise us, and using calm voices in the bedroom with one another, and keeping an open mind on the couch at the therapist’s office — that we were able to find a way to make our familial cultures meet in the middle at our mutual American one.
—“His parents said, ‘Not with a white girl’,” Dianne Farr writing for CNN’s Defining America series
(Image Credit: CNN)
(Thanks to reader Mickey for the tip!)
by guest contributor Brigitte, originally published at Make Fetch Happen
Do you remember when Vogue India hit the stands and Australian model Gemma Ward was front and center flanked by two presumably Indian models in what I like to call “the coveted Beyonce spot?” All I could do was laugh at how predictable that move was on the editors part.
In the months since that launch last year, Vogue India has featured a dazzling array of Bollywood actresses and models on the cover. It’s as if to say, “yeah, we thought the cover on that premiere issue was lame too but we fully intend to make up for it!”
Anytime I think about that launch I wonder if an African country will ever get its own Vogue. Maybe a Vogue Nigeria or a South African Vogue.
I’ve debated back and forth on message boards about who would be chosen for the imaginary inagural cover. Legendary Iman? Alek Wek? Liya? Oluchi? Gemma in a safari hat?
I read an article in The Times last week about Oluchi in which she was quoted as saying that top magazines in South Africa (like Glamour and GQ) refuse to put blacks on their covers. This in a country that is 79% black.
“As a Nigerian and an African I have done so much in my career to represent everything African in Western countries. There is a diverse group of people in South Africa, be it black, white, Asian. …If you pick up Vogue India everything about it, from the first page to the last, is very Indian…I would like to see that in South Africa. They [magazines] need to embrace diversity and show more love …It doesn’t give me joy to pick up a copy of South African GQ and feel like I’m reading American GQ.”
This saddens me. I recall seeing the cover of South African ELLE once with a dark skinned woman on the cover and for months I tried to find an issue at various newsstands only to come up empty. I was dying to know if the cover I saw was an anomoly. So far, I’m not willing to pony up the $90 or so for a subscription to find out.
Back to my magazine fantasy…I picture two covers. The first one featuring a mix of models from all over the continent with Iman or Liya Kebede, Alek Wek or Ajuma to show the very different types of African beauty. My second thought has editors mixing it up a bit more with the likes of a Jourdan Dunn, Emanuela dePaula, Chanel Iman, Chrystelle Saint-Louis Augustin, or Damaris Lewis to illustrate how there isn’t a corner of the world that hasn’t been touched by this so called dark continent’s beauty and influence.
Seriously, I could ponder this for hours. I am so much more satisfied by made up magazines than by their real conterparts. Maybe there’s an editor out there dreaming of this launch too, and of Gemma Ward posing on an elephant for the cover.
by Carmen Van Kerckhove and Latoya Peterson
The latest fake memoir scandal erupted last week. Margaret B. Jones’ critically acclaimed book “Love and Consequences,” about a half white, half Native American girl’s experiences with sexual abuse, foster care, and gang violence, turned out to be a complete fabrication. Not only did Margaret Seltzer (her real name) actually grow up with her white biological family in well-to-do neighborhood, but she even faked the foundation she supposedly started to end gang violence. Latoya and Carmen had an IM conversation about it…
Carmen: It’s funny because just a few days before I this story broke, I had been thinking about this very issue while skimming some book reviews
in Elle. Why is it that these literary memoirs about people with fucked-up lives are written by white folks? Is there something about a white person experiencing this kind of dysfunction that seems unusual or abnormal? Whereas if a person of color wrote something similar, it would strike people as par for the course? And therefore less marketable?
Latoya: Def – it’s all about the fucked up lives of white people, I guess because they just assume minorities are fucked up so there is nothing special about that. I was reading ABW, and one of her guest bloggers mentioned how Felicia “Snoop” Pearson of The Wire has a book about her life and experiences…that didn’t get nearly as much press. And, I’ll agree, probably not a $100K advance either.
But that’s neither here or there.
My question is why did no one pick up the phone and verify the basics of her account? The publishing industry wants to act like they publish too many books to check – but they can’t take 30 minutes to call the Child Welfare department or whatever state organization is in charge of child care and verify she was there from xxxx – xxxx?
Carmen: Seriously. And if you think about how long the life cycle of a book is (can take 2 or 3 years to actually get published) – there is plenty of time for some basic fact-checking.
I was really struck by the fact that she chose to identify as half Native-American, half white, when in real life she’s just white. What did you make of that?
Latoya: Minority street cred?
Maybe she was trying to find the most oppressed group to identify with?
I’m just confused about the whole situation. The biggest thing I’m wondering about – if these were people she knew through her work, why didn’t she publish their memoirs? Or a book about her experiences? Or an anthology of their stories? Why did she feel the need to internalize their suffering and insert herself into the narrative?
Carmen: Who knows – maybe her agent told her that would be an easier sell? Not saying she has no blame/say in the matter, but there are people other than her involved in this project, I’m sure.
It is amazing though, that after Oprah ripped James Frey a new asshole on (inter)national television, that publishers wouldn’t take at least some basic precautions to prevent a similar debacle. Continue reading