by Racialicious special correspondent Wendi Muse
After Latoya wrote the excellent article “Know Your Place, Woman: BET’s Meet the Faith on Black Marriage,” I decided to do a little additional research by checking out the BET site for the show with the all the questionable content. I ended up reading very little on Meet the Faith. In fact, the one thing that stood out to me about the site was actually a random distraction . . .
Toward the bottom of the page regarding a segment on black beauty, I noticed a survey entitled “Korean or Black Owned?” The caption read:
For the most part, Black haircare products didn’t exist until Madame C.J. Walker introduced her Wonderful Hair Grower in the early 1900s. Today, there are still very few products and equipment made for or sold by Blacks.
For such a loaded topic, there were only two simple questions:
1. There are two beauty supply stores next to each other. One is Korean-owned and sells your shampoo for $10. The other is Black-owned and sells your shampoo for $12. Where would you buy your shampoo? The Black-Owned Store or The Korean-Owned Store?
2. If the Korean-owned shop sold items $2 to $3 higher, where do you think the average Korean customer would shop? The Black-Owned Store or The Korean-Owned Store?
I immediately felt the urge to look into what had compelled this very basic set of questions and find some answers. Carmen raised a question of her own back in December, “Do Korean-Americans Control the Black Hair Market?” prompting readers to check out Aron Ranen’s documentary Black Hair and leaving them to render their own judgment on the issue. Half a year later, however, I find myself asking less about the prospect of Korean market dominance in the black haircare industry, and more about the process of seeking an answer to the inquiry itself. What methods have we used to publicly examine this market dominance and what effect have they had on the respective communities involved?
First and foremost, there is the film by Ranen. Black Hair is a documentary created to bring attention to the plight of people of African descent who attempt to manufacture and/or distribute black hair care products within the black community as they face considerable adversity in a market now controlled by Korean immigrants and their families. While some, including members of the Black Owned Beauty Supply Association (BOBSA), see the film, as absolute truth, I find that it could be quite easily interpreted as an open attack on Koreans. I understand quite clearly that the film is a powerful form of advocacy for keeping money spent and earned by African-Americans in the black community, but I question the need for Ranen’s clear manipulation of an already troubled case of ethnic disunity between American blacks and Korean immigrants as a means to push the “buy black” agenda.
During an interview with NPR, Ranen is asked whether or not his film creates “an environment that shows Korean proprietors as the enemy.” In defense of his work, he answers simply that he does not want to be a “hater,” but instead he wants to be a “motivator.” Yet I can’t help but consider his attempt to “motivate” the black community suspect. By publicly picking at old wounds between Koreans and African-Americans, Ranen has tapped into an increasingly lucrative market for the press: inter-ethnic conflict. The American media can’t get enough of it. Stories about people of color fighting other people of color, even if their initial disagreement has little to do with race or ethnic background, always make headline news, often yielding skewed and/or distorted results. Asian-American activist Helen Zia discusses this phenomenon in her book Asian American Dreams with regard to the L.A. Riots: Continue reading