Rev. Al Sharpton’s National Action Network called for a national boycott Tuesday of action figures based on the controversial and blood-soaked slavery revenge flick Django Unchained. A 10-doll assortment of characters from the film was going for $299 on Amazon Tuesday.
“Selling this doll is highly offensive to our ancestors and the African American community,” Rev. K.W. Tulloss, NAC’s president in Los Angeles, told the Daily News. “The movie is for adults, but these are action figures that appeal to children. We don’t want other individuals to utilize them for their entertainment, to make a mockery of slavery.”
First of all, Django Unchained could’ve gone horribly wrong. However brilliant a director, Quentin Tarantino is famous amongst people of color for fetishizing African-American culture, and his liberal use of the N-word in Pulp Fiction and Jackie Brown still rankles folks 15 years after the fact. Tarantino injecting a Blaxploitation-style baadassss freed slave into his vision of the antebellum South could’ve been disastrous. The director’s recent comments about Roots, which he has described as “inauthentic” also raised the eyebrows of many filmgoers who were already nervous about what his slavery narrative would bring. Any crass, gratuitous depiction of Whites raping actress Kerry Washington in a popcorn movie, and “Django Unchained” would’ve been a wrap.
But that’s not what happened. Instead, the Oscar-winning Jamie Foxx plays Django as a gunslinging superhero, the fastest gun in the West.
–Miles Marshall Lewis, Ebony
“When you look at Roots, nothing about it rings true in the storytelling, and none of the performances ring true for me either,” says Tarantino. “I didn’t see it when it first came on, but when I did I couldn’t get over how oversimplified they made everything about that time. It didn’t move me because it claimed to be something it wasn’t.”
While many white directors might shy away from criticizing such an iconic symbol of African-American culture, Tarantino doesn’t hold back. He’s confident in his knowledge of a time and subject most people know little about and would rather forget. He was also savvy enough to bring Hudlin on board. “There were times when I’d be filming a scene and really getting into it and Reg would just say, ‘Hey is this the story you wanted to tell?’ He’d bring the focus back if I got too carried away.”
–Alison Samuels, The Daily Beast
by Latoya Peterson
Last week, the internet was in a tizzy over Aliya S. King’s article for Vibe. The piece, titled the Mean Girls of Morehouse, explored how Morehouse’s change in dress code was really a reaction to a small group of genderqueer students on campus. The article dove into the lives of these students on campus. Vibe and King were both blasted for attacking Morehouse, a bastion of the black community, and a video was quickly uploaded to the internet showing a spirited discussion at Morehouse around the content of the article, exploring everything from lack of queer perspective to the representation of Morehouse.
However, through this whole debate, two things have stood out to me:
1. We aren’t hearing very much from those profiled.
2. Most of the conversation has swirled around representation – but what about solidarity? Particularly among groups of color? Continue reading
The Bloods have a strict policy against domestic violence. That’s what a 16-year-old male affiliate proudly told me last year before a weekly “gang awareness” meeting of about fifteen teens, most of them Crips, Bloods or Latin Kings, at a high school in Castle Hill, the Bronx. That week, the topic was domestic violence, and several members of the group, including the 16-year-old, said that hitting a woman was never acceptable. Others argued that there were situations where it just couldn’t be helped.
The conversation turned to an article I had written about domestic violence in the hip hop industry for Vibe. The rapper Big Pun grew up near the high school, and his devastating abuse of his wife (which started when the couple was just 16) was described in the piece. “I heard she cheated on him,” said the only young woman in the group, and others repeated some of the many rumors that swirled around Pun’s wife when she told her story (up until then she had been Soundview’s favorite widow). Several people enthusiastically launched into scenarios where it was OK to hit a woman. There were many. The bottom line: sometimes you’ve got to teach a woman a lesson if she gets out of line. It sounded like a man’s responsibility.
In the midst of the rationalizing, one usually talkative young man stood up and walked out. When he returned twenty minutes later, he quietly told the group that his aunt had recently been murdered by her abusive boyfriend. Continue reading