Tag Archives: tv

The Scandal Roundtable 2.12: “Truth Or Consequences”

Hosted by Joseph Lamour

Instead of an intro I think we should look at a preview for the next episode because, I mean, Good Lord.

Fitz, calm down.

Let’s get to talking about the events (first discussed in last week’s recap) that led up to Fitz hating his First Lady so much even though he cheated on her. T.F., I’m definitely sailing slowly towards Team Mellie. I mean, all that’s keeping me on Team Olitz at this point are…you know…abs.

Loree Lamour, Johnathan Fields, Jordan St. John, T.F. Charlton, and Zach Stafford join me to dissect the issues.

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Scandal Recap 2.12: “Truth Or Consequences”

by Joseph Lamour

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If you missed last night’s episode,  all of the White Hat Brigade knows most of Scandal’s huge secrets–and don’t you worry… I won’t discuss it till we’re under the cut. Spoiler alert if you haven’t seen it yet: a character is indignant about something–I hope I didn’t give too much away! As we all know, Scandal is all about these secrets and how they simultaneously enrich and ruin everyone in Northwest DC.

A lot happened in this episode, so let’s get to it!

The breakdown: Each week, Kendra or I will provide a Friday Scandal recap the day after the newest episode airs. The next Thursday morning a longer roundtable discussion of the episode is posted featuring Joe, Kendra, and a variety of guest commenters.

Spoilers for Scandal 2.12: “Truth Or Consequences” are under the cut.

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Introducing The Scandal Recap and Roundtable

by Fashion and Entertainment Editor Joseph Lamour

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Every week, your resident entertainment buffs (that is to say…Kendra James and I) will recap the plot of Scandal. Then, the following Thursday morning, we will invite some Racialicious friends in for an in-depth discussion of the previous episode’s events, their implications, and thoughts of what’s to come.

MAJOR Plot Spoilers for Scandal 2.10, “One for the Dog,” after the jump. You’ve been warned…

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The Walking Dead Roundtable 3.6: “Hounded”

Hosted By Fashion and Entertainment Editor Joseph Lamour

In this week’s Walking Dead, we see Michonne proving why she’s so badass, yet again; we are reminded why Merle is oh so creepy; and we are shown, yet again, that Andrea is not thinking clearly enough in a world where people drag around dead bodies on leashes, keep their decaying loved ones in barns, and men shoot their best friends in the face to protect them from everyone. Carly Mitchell, Kiki Smith, and Jeannie Chan join me to analyze the whos, whats, and whys of this zombie world we see this week.

*I’ll let River Song say what we don’t want in the comments this time:

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Race + The Walking Dead: Why Michonne Matters

“The Walking Dead’s” Michonne, as played by Danai Gurira (L) and portrayed in the original comic. (R)

By Guest Contributors Renee and Sparky

At the end of season two, The Walking Dead finally introduced Michonne, a character who fans have highly anticipated. Without doubt, Michonne is a favorite of fans of the original Walking Dead comic-book for her fearlessness, fierceness, and sheer strength of will.  Though she does have her moments of vulnerability, Michonne can always be counted on to have [our hero] Rick’s back and to be a staunch ally.

SPOILERS FOR THE SHOW AND COMIC ARE UNDER THE CUT

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On Our Radar: Upcoming Shows And Hollywood News

The Mindy Project is coming! The trailer is here:

So far, I am excited about the writing, and it’s great time slot (post-New Girl); not so excited about the default casting choices thus far. Mindy’s in yet another world where the main characters are white and the people of color are backgrounds, extra, or sassy moments of funny. Hopefully, Mindy makes that a part of the plot, instead of yet another oversight–but the Collider interview makes me think that isn’t going to happen. [Wetpaint, Collider]

I loved, loved, loved Gabrielle Union’s weed-smoking, video game-playing real estate agent in Think Like a Man, but she only had a few moments to shine. Now, she’s got a new show called Being Mary Jane, exploring a successful black television anchor with a less successful lovelife. Sounds promising, but this kind of show is all about the execution. [Shadow & Act, Ebony]

The CW is developing a series on Battle Royale. Yes, we already called Racebending. And they are not going in a direction that could get them banned from TV, which means we should all blow the dust off our DVDs. Also in the news set: Ringer is done, but Sarah Michelle Gellar is welcome to stay with the network. [Deadline Hollywood]

And: John Leguizamo is back with a new TV pilot called Only Fools and Horses. [Deadline] Chris Rock and Deshawn Raw team up for a sketch comedy series. [Shadow and Act] Nelsan Ellis (b.k.a. Lafayette from True Blood) is set to play MLK in Lee Daniels new film The Butler. [Deadline Hollywood] Women and Hollywood posted a great interview with Aurora Guerrero, the writer/director of Mosquita y Mari. [Women and Hollywood]

Louis C.K. Bucks Casting Trends With Susan Kelechi Watson


Sometimes, I really, really love Louis C.K. He is far from perfect, but he tends to keep things interesting. His bit on “Being White” is one of the top search results when you search his name, and he’s throwing some wrenches into pricing and comedy shows.

Interestingly, as we are dealing with the oh-so-tedious, faux-feminist ideas that criticizing shows like Bunheads and Girls for their lack of diversity is selling out women, Louis C.K. (after tweeting his support of Lena Dunham), decides to exercise his right to cast whoever the hell he wants in his created universe – which resulted in Susan Kelechi Watson being the mother of his children. Huffington Post recaps what was on Jimmy Kimmel:

On “Jimmy Kimmel Live” (Weeknights, 12 a.m. ET on ABC), he was asked about his decision to cast African-American actress Susan Kelechi Watson as his ex-wife and mother of his daughters in Season 3.

C.K. conceded that his TV daughters are “extremely white,” but said that race didn’t really factor into his decision to cast Watson in the role of their mom.

“If the character works for the show, I don’t care about the racial,” the show’s creator, writer, director and star said.

And yet…

Plus, there was another reason he went with a black actress.

To C.K., it’s all about line delivery. “When a black woman tells you to get a job, it’s just more … ” he explained with a laugh.

While my eye did a little twitch at that last bit (can we ever have anything?), Louis C.K.’s decision is a little bit of relief after a long season of whitewashing justifications.