by Guest Contributor Tami, originally published at What Tami Said
I love series finales–even the not-so-good ones, even the ones tied to shows in dire need of being put out of their misery, even ones for shows I never really watched in the first place. Series finales evoke this nostalgic, high school graduationesque, joyous/sad feeling of tying loose ends, wrapping up and moving on. They are like little gifts to loyal watchers of a program. A chance to achieve closure with beloved (or not-so-beloved) characters. But with its finale last night, the groundbreaking show “The L Word” once again managed to conquer new territory, by being the most annoying and unsatisying television series finale in recent memory. (After Ellen called the debacle “lame, lacking and legacy tarnishing.” Bwah!)
I came to the show during season two, after deciding to watch some episodes On Demand to see what all the fuss was about. The fuss, of course, was about the first mainstream television program to center around lesbian characters and relationships.
Wikipedia describes “The L Word’s” first season thusly:
Season 1 was first aired in the United States on January 18, 2004, on Showtime and featured 13 episodes presenting several entwined storylines. Set in West Hollywood, the series first introduces Bette Porter and Tina Kennard, a couple with a seven-year relationship who want to have a child. Tina eventually becomes pregnant through artificial insemination but has a miscarriage during episode 1.09: Luck, next time. Later in the series, Bette develops an affair with Candace Jewell, which Tina learns of during the season finale. 
The pilot introduced a coming out/love triangle storyline involving Tina and Bette’s neighbor, Tim Haspel, his new-in-town girlfriend, Jenny Schecter, and Marina Ferrer. Marina is part of Tina and Bette’s circle of friends, and owns the neighborhood café, The Planet, which serves as the group’s hang-out and focal point for the show. The season also introduces Shane McCutcheon, an androgynous, highly-sexual hairstylist and serial heart-breaker; Alice Pieszecki, a girly, bisexual journalist looking for love in any way she can, and Dana Fairbanks, a professional tennis player who is still in the closet and torn between pursuing her career and finding love. In the first season, Dana falls for a sous-chef named Lara Perkins whose
sexuality is questioned by the group until Lara has an unexpected meeting with Dana in the locker room.
I’m a straight girl, but I couldn’t resist the great, soapy plotlines of this show. (Betrayal, intrigue, kidnapped babies, fatal illnesses, lost fortunes…Dallas and Dynasty have nothing on “The L Word.”) Add to the high drama (and comedy) awesome fashion, and I’m hooked. “The L Word” was a great, guilty pleasure.
That said, I’ve always had a bit of a love/hate relationship with the show. Continue reading