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Tag: The Grio
September 11th is often remembered as one of those moments where we all came together as Americans in response to a horrific attack on our nation’s soil. However, the truth is more complicated. The enduring legacy of racism prevents many people from being considered as full Americans, and the years after the attack were marred with prejudice and hatred toward American citizens who were suddenly marked as different. We spend this day in remembrance, not only for those who performed everyday acts of heroism, and not only for those who lost their lives, but also remembering the way in which Americans have failed each other – for allowing an attack from terrorists to call into question our ideals as a nation. We may have lost the Twin Towers, but we did not lose who we are.
So, in true American fashion, we will continue to fight to be heard, ensuring that everyone’s American story is told.
Since many people were caught in the wave of backlash and discrimination post-9/11, the Sikh Coalition asked people to send in their videos about how discrimination has impacted their lives.
Shawn Singh talks about how suddenly, post 9/11, it impacted his understanding of his Sikh Identity:
Kevin Harrington talked about discriminatory treatment at the New York City Transit Authority – despite the fact that he helped to evacuate people on 9/11, Harrington was approached in 2004 and told he could not continue working in passenger service because of his turban:
Rabia Said remembers being 8 years old and being told by a pastor and by the police that her clothing was why she was targeted racial profiling:
Race, gender and class aside, it is important to note several Duke students sincerely felt…
No doubt the Oscars’ overlooking of black industry players this year will come in for sharp criticism, accompanied by hand-wringing and amorphous pledges to do better. Yet the ensuing platitudes are likely to omit a very important detail: with a few notable exceptions, 2010 was a figurative wasteland for black cinema.
By no means should this imply that quality black films do not exist — plenty do, and the industry is replete with examples of excellent movies with black actors and directors at the helm. The principal problem is that for every emotional Eve’s Bayou or Precious, there’s a proportionately farcical Soul Plane or a Lottery Ticket. In short, much of what is considered marketable fare in Hollywood skews toward the comedic or romantic variety with an urban (and often buffoonish) flavor. While many laudable and noteworthy independent black films (such as the little-seen Night Catches Us) do get made, they often debut to minuscule audiences, virtually non-existent industry buzz and sharply limited distribution. Many have talented yet unknown actors and directors that lack name recognition and track record that brings in audiences. Suffice to say, most well-made black movies are hard-pressed to find financial success and mainstream accolades.
It’s not difficult to fathom why. A thoughtful 2009 New York Times article accurately detailed the state of contemporary black cinema and what continues to hamper its development. Despite the commercial and critical successes of Mr. Washington, Ms. Berry and especially Will Smith — all of whom have enjoyed a variety of roles that steadfastly defy stereotyping — Hollywood continues to view black moviegoers through a woefully circumscribed prism. To them, black movies are less mainstream products than they are niche. And let’s be frank: the overwhelming majority of black consumers give them ample reason for doing so.
– Javier E. David, The Grio