Tag Archives: stereotypes

The Brazil Files: Not So FIERCE – America’s Next Top Model Goes to Brazil

By Racialicious Special Correspondent Wendi Muse

Considering that I am presently living in Brazil, everyone and their mother sent me emails to alert me that this year the America’s Next Top Model “exotic” location was going to be São Paulo, Brazil. Of course, I was on it like white on rice.

I have previously covered ANTM’s behavioral faux-pas (read: extreme insensitivity in relation to the respective racial/ethnic/national identities and/or sexual orientations of the contestants, just to name one of many problems), but I felt the need to take another stab at their culturally-oriented failures considering I am living here in Brazil, visit São Paulo every other weekend, and could safely say, before even watching it, that it was going to end up a hot mess.

In light of the fact that some of the comments made during the show were quite obnoxious, I decided to return the favor. I say let’s squelch fire with fire, ladies. And no, I am not talking about the burning sensation during a Brazilian wax, which seemed to be about the only thing this season’s gaggle of beauties knew about the country that over 196,000,000 people call home.

I have decided to write a little ditty about my take on the show. Check out the clips to see for yourself. Footnotes are provided for additional information. I would have set it to the beat of “the Girl from Ipanema,” but I was too tired from watching the stereotypes and stupidity unfold before me to actually do that. Here goes:

In São Paulo, samba’s not the really the thing. (1)

But hey, at least the girls got flip flops with bling. (2)

Oh and Spanish, speak it they do not. (3)

And in São Paulo, it’s hardly ever hot. (4)

So if you really wanted a sun burn or a tan,

You should have gone to beaches of Rio, a clip of which they ran. (5)

And though capoeirista Eddy speaks quite clear,

They decided to run subtitles as not to offend our AMERICAN ENGLISH ONLY ear. (6)

And Carmen Miranda— for the eyes she’s a feast.

Yet too bad home girl is actually PORTUGUESE. Continue reading

Don Cherry’s Xenophobic Remarks on Ovechkin Should Not Be Tolerated

by Guest Contributor Jehanzeb Dar, originally published at Broken Mystic

Someone needs to call Don Cherry out on his childish xenophobic rants. Regarded as a legendary ice hockey analyst and Canadian icon, Don Cherry is known for his often inflammatory and controversial remarks, but it seems that the general public recurrently lets his ethnocentric diatribes slide rather than holding him accountable.

For years, Cherry has been characterizing European players as “cowards” for not understanding the “Canadian way” of hockey. When asked to comment on why he didn’t have any European players on his junior team, he said, “They call me a racist because I don’t want any Europeans coming to play for my Ice Dogs. If a kid comes over here and becomes a Canadian, I’ll put him on in a minute. But I will not parachute him in so that he can grab the money and run.” Cherry took similar jabs at the dazzling Czech center, Jaromir Jagr, accusing him of being “everything that’s wrong with the NHL. He gets hit, he goes down and stays there. Get up!” In the same interview, Cherry compared Jagr to another hockey legend, Tim Horton, a player who, according to Cherry, would stay on the ice and finish his shift even if “blood would be coming down his face.” Apparently, Cherry thinks only Canadians know how to play “tough.”

So what’s eating at Don Cherry these days? See number 8 on the Washington Capitals, a remarkably talented Russian left-winger named Alexander Ovechkin. Actually, to say he is “remarkably talented” is an understatement. The guy is a magician with the puck and arguably the most exciting player to watch in the NHL today. Playing in his fourth season, Ovechkin not only led the league in goals, but he has also earned his place in the pantheon of hockey superstars. Cherry’s beef? Ovechkin’s goal celebrations are too “over-the-top.” That’s right. Ovechkin’s enthusiasm is too much for Cherry’s “Canadian” standards.

On CBC’s Hockey Night in Canada, Cherry complained that Ovechkin was acting like “those goofy soccer guys” by “jumping up and down” after scoring goals. In pure dogmatic fashion, Cherry pointed at the screen and lectured Canadian kids not to act like Ovechkin. Instead, he tells kids that they should behave the “Canadian way” and act like Joe Thornton, Joe Sakic, Brendan Shanahan, Jarome Iginla, and Bobby Orr (all Canadian-born players). I didn’t realize the NHL had a “Canadians only” stamp on it.

What’s more disturbing is how ethnocentric and racist Cherry’s presentation is. He shows clips of dark-skinned international soccer players jubilantly celebrating on the field, calls them “goofs” and says, “Look at this! This is what we want our hockey players to act with?” Then he shows clips of Ovechkin’s celebrations and yammers, “Look at this! Does he not remind you of a soccer player?” For those who missed it, here is the clip:

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How to market a black man without being racist: America, we’ll get there

By Guest Contributor The Elahater, originally published at hate on me

So for about the 467th time since November, I heard news once again that some company was marketing a product or doing something that is racially insensitive when trying to capitalize on the election of Barack Obama as president. Cause it’s happened before. Yea, many times. Ad nauseam, I believe is how they call it. So who’s the culprit this time?

obamachia

Yeah, they made a Chia-Pet Obama version (special edition, it says!) which depicts his natural black hair growing out like what some say is a green ‘fro. After complaints and bad press, Walgreens, et. al. pulled the product.

I don’t know about the rest of the haters here at HateOnMe, but I’m getting tired of having to explain to companies, public officials and everyone else putting themselves out there about what they shouldn’t do or say or market or joke about when it comes to the president and his race. So I’m not gonna do it this time.

I had thought this would happen, that confusions about what people “can” and “can’t” say about the prez would come about. And I guess I was right. One commentator points out in light of “Chia-Gate:”

The Chia Obama has now become the latest part of the debate on how to market, and talk about Obama, without being racist. The smallest slipup in making an Obama caricature of any kind brings on racist charges, despite claims of a “post-racial” nation after the election victory

People don’t know how to market and even talk about Obama because they’re more concerned about not being called a racist than actually being a racist. And I can’t hate on just these companies and those that market their products (although it’s obvious that many don’t have people of color in board meetings), ’cause they’re just a reflection of a good chunk of society anyway.

It’s just like your friend who may not know much about your ethnic background: they say some shit, you call them out on it, they apologize and retract and they learn not to say that thing again. If they’re jerks they’ll think in their minds, “Damn, you’re sensitive. Whatever.” BUT if they’re humble about the fact they don’t know what it’s like to be Black/Latino/Asian/Middle Eastern/Gay etc. etc. in America today, they’ll shut up and listen to you.

And I mean really listen. Listen with an attitude of wanting to learn something rather than one of “I know more/How can I disprove what is being said to me?” Stop appropriating the space and allow others to educate you for a minute.

Trust me: we’ve heard them.

Rihanna, Sasha and Malia

by Guest Contributor M.Dot, originally published at Model Minority

A couple of weeks ago, 50 Cent conceded that Rihanna getting beat by Chris Brown wasn’t real to him. James Montgomery of MTV News writes,

“After I saw the photograph, that wasn’t funny anymore,” 50 said. “I didn’t have any information on it. You’re just going on what the public actually had. It shifts the whole thing. Even if you’re saying you’re in a dysfunctional relationship, I understand that. There’s a point when you’re already past a woman fighting you back. You look at [the picture], and it’s obviously past that point. There’s some issues there that definitely gotta be addressed. Not to take any shots at Chris or Rihanna or take sides in any way, [but] it’s really not cool. It’s not funny anymore, so there will definitely be no more reference to that from me in any way.”

Why is a picture needed in order to convey the seriousness of the topic?

In many ways, I think that it wasn’t real for many people.

According to The Domestic Violence Institute, Black women comprise 8% of the U.S. population but in 2005 accounted for 22% of the intimate partner homicide victims and 42% of all female victims of intimate partner homicide.

African Americans account for a disproportionate number of intimate partner homicides. In 2005, African Americans accounted for almost 1/3 of the intimate partner homicides in this country.

According to a survey conducted by Tufts University,

- Approximately 40% of Black women report coercive contact of a sexual nature by age 18.
- The number one killer of African-American women ages 15 to 34 is homicide at the hands of a current or former intimate partner
- In a study of African-American sexual assault survivors, only 17% reported the assault to police

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‘Aqua Teen’ Joins Hipster Racism Force

By Special Correspondent Arturo R. García

athf1

Look, I don’t expect anything progressive out of Adult Swim. But when it’s good, it can be really good (“The Venture Brothers,” “Metalocalypse”) and when it’s bad it can be really bad (“Squidbillies,” “Tim And Eric”).

And then you get Sunday night’s Aqua Teen Hunger Force.

Again, I don’t expect anything, you know, intelligent out of this show. But “Shake Like Me” … well, my roommate put it best once it was done: “You didn’t need those brain cells, anyway.”

athf2The episode started “normally” enough: for whatever reason, a construction company was dumping radioactive waste near the titular trio’s New Jersey pad. While he was complaining about it, Master Shake was bitten by an irradiated black man. At which point his tone changes to brown, an afro grows atop his head, and his pink straw grows to a disproportionate length. In no time, Shake greets people with “all heezy in the sheezy.” And he can’t swim.

See, it’s funny because he was “turning black,” and that’s what black people say and do! Get it?! LULZ

At the urge of another afro’ed character, Boxy Brown, Shake forgoes his “slave name” in favor of Mocha Shaka Khan, and sees marked improvement as both a rapper and a basketball player. It’s only thanks to a “Blackcine” cooked up by Frylock, the brains of the outfit that he’s restored to his normal ridiculous state.

Defenders of the show will point out that the episode is “okay” because Frylock is voiced by a POC, voice-actor Carey Means, and that it was “obviously” satire. My problem is, like the other instances we’ve highlighted over the past month or so, it’s not good satire. It made “Family Guy” look nuanced and thoughtful by comparison. Was there humor in Master Shake being reduced to a stereotype? Possibly. The problem was, nobody reacted to him like he was one. The show took more half-assed shots at Frylock’s liberal guilt while accepting Shake’s “blackness.”

Which, from the impression I’ve gotten over the years, is perfectly fine for what I’ve imagined to be the show’s target demo: kids who ran around quoting the “porch monkey” bit from “Clerks 2″ to their black friends asking, “It’s funny, right? Isn’t it funny?” It’s not absurdist, it’s not smart, it’s not comedy. It is, as the kids say, EPIC FAIL. And to that line of comedy, only one response is appropriate:

athf3

Apparently, “Slanty Eyes” Photos are The New Pink

by Guest Contributor Jenn Fang, originally published at Reappropriate

A few months back, Miley Cyrus (a Disney Channel ingenue better known for pop-star alter ego, Hannah Montanah, whom she transforms into by donning a blonde wig — wait, isn’t that the storyline of the Jem cartoon?) raised a blogosphere uproar for this picture of her (centre) at a party where she and her friends pulled their eyes back in a ludicrous “imitation” of slanted Asian eyes.

miley slant eyes

The Organization of Chinese Americans (OCA) released a statement criticizing Cyrus.

The photograph of Miley Cyrus and other individuals slanting their eyes currently circulating the Internet is offensive to the Asian Pacific American community and sets a terrible example for her many young fans. This image falls within a long and unfortunate history of people mocking and denigrating individuals of Asian descent.

“Not only has Miley Cyrus and the other individuals in the photograph encouraged and legitimized the taunting and mocking of people of Asian descent, she has also insulted her many Asian Pacific American fans,” said George Wu, executive director of OCA.


Cyrus issued an official apology
, but also wrote on her blog that she was only “making goofy faces” and was not intentionally “making fun of any ethnicity”. Clearly, Cyrus did not fully grasp the context of her “goofy face” — yellowface makeup, including prosthetics that have purposely slanted eyes have been used in historical and contemporary media to disguise White actors as villainous or buffoonish Asian caricatures.

In the mid-1960’s, British actor Christopher Lee wore yellow makeup and invisible tape on his eyes to portray the insidious Dr. Fu Manchu, an infamous character who originated many of today’s modern anti-Asian stereotypes. (Inset shows Lee today, without makeup).
christopher lee fu manchu

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Defiance: How Jews Depict Jews Within a Larger Context

by Guest Contributor Matt Egan

Starring Liev Schrieber and Daniel Craig, directed by Edward Zwick, Defiance tells the story of the Bielskis, Jews who fought the Nazis in the woods of what is now Belarus. Zwick is Jewish. Schreiber is Jewish and has done a number of Jewish-themed projects lately, including the relatively unsuccessful adaptation of the novel Everything is Illuminated and starring on Broadway as Alan Berg in a revival of Talk Radio. I found Defiance moving, but also entertaining. It swells with action in the best tradition of Hollywood. For some people, this is a problem. The most commonly expressed fear of directors making films about the Holocaust is that they will trivialize and exploit the tragedy. Ralph Seliger complains about historical inaccuracies and that the Bielskis are cheapened as “the image of Hollywood heroes.” My concern is different. There were six Holocaust films out at one time, but given the history of how Hollywood has depicted Jews and the Holocaust – and the way in which I understand antisemitism as shaping that depiction – Defiance was the only one I had any interest in seeing.

Perhaps embarrassed by the number of Holocaust movies out at once, Humorist Joel Stein wrote a satirical column in December for the LA Times a short while back that parodies the common myth that The Jews run Hollywood:

As a proud Jew, I want America to know about our accomplishment. Yes, we control Hollywood. Without us, you’d be flipping between “The 700 Club” and “Davey and Goliath” on TV all day.

So I’ve taken it upon myself to re-convince America that Jews run Hollywood by launching a public relations campaign, because that’s what we do best. I’m weighing several slogans, including: “Hollywood: More Jewish than ever!”; “Hollywood: From the people who brought you the Bible”; and “Hollywood: If you enjoy TV and movies, then you probably like Jews after all.”

I thought that the piece was funny and subversively camp. However, I’m also concerned he’s playing with fire. It was no surprise to me when the top Google hit for Stein’s piece was a white supremacist website. Continue reading

Arr the Singre Ragies

by Guest Contributor Jen, originally published at Disgrasian

When I was at Yale, Mixed Company had the reputation of being the “funny singing group.” You know, as opposed to the “hot singing group” (that would have been the Baker’s Dozen, or the “BD’s” for men, and Something Extra, aka “Sextra,” for women) or the “serious singing group” (Red Hot + Blue) or the “angry feminist group” (The New Blue, to which I belonged).

But that was a long-ass time ago, kiddies. And my-oh-my how things have changed, as evidenced by Mixed Company’s current YouTube parody
of Beyoncé’s “Single Ladies”:

Does the world really need another “Single Ladies” spoof? Or, for that matter, more pedestrian rice jokes? Don’t get me wrong, we rove a good lice joke. And of coulse we rove it rong time. We just don’t rove these ones.

Now, if you’ll excuse me, I’ve gotta go make the rice and make it nice, and then shoot myself in the face for actually having to sit through that.