Top image from Anina Bennett’s “Boilerplate.”
We first noticed science-fiction author MD Marie and her steampunk style when she discussed “The Saints of Winter Valley,” her multi-cultural steampunk story featuring four women of color, during Friday’s Black Panel. Naturally, we hopped over to her booth and got more details.
Where You Can Find Her: Booth 1623
Where You Can Find Her Online: Saints Of Winter Valley Twitter feed and Facebook page.
What’s The Story?: “It is steampunk, even though it’s futuristic,” Marie says about Saints, which is set in the year 2118. “The story is post-global warming, so people have reverted back to a simpler, but extravagant time, because resources are scant. Most of the planet is underwater because of global warming. The United States is actually divided into two separate countries.”
On the future of multicultural steampunk: “I see it going very far. It’s kind of touch-and-go with the general audience, but in the steampunk genre, it’s very popular. My characters, my story, are very popular. I see it getting stronger, and going very far. I just need everybody to catch up with us.”
By Arturo R. García
This year, we expanded our coverage at San Diego Comic-Con to bring you more panels, more interviews, and more images from pop culture’s weekend-long prom. Kicking us off: a roundup of all but one of the panels I attended, in Storified form. I’ll have a recap of Rep. John Lewis’ (D-GA) appearance on Wednesday, along with some extra material.
Also, to clarify one item from the Black Panel recap, there really was a “Black Spider-Man” there who was not cosplaying Miles Morales. He was ahead of me in the line to ask questions of the panel:
By Kendra James
Well, it’s that time of year again!
Under the cut you’ll find the panels and presentations for Thursday and Friday at San Diego Comic Con 2013. Arturo and I will be live-tweeting panels throughout the four days (follow the official Racialicious account @Racialicious, Art @aboynamedart, and myself @wriglied to stay on top of things), and providing wrap ups and pictures afterwards. Asterisked events indicate things we’re definitely planning on attending, while the others are recommendations that just look interesting or fun.
If you’re just planning on wandering around and you happen to see either of us don’t hesitate to say hello! For my part, I’ll be the exhausted looking Black girl dressed as either a Captain America USO girl, a Teen Wolf lacrosse player, Maxine from Batman Beyond, or Indiana Jones.
Let us know in the comments if you have questions for specific panels via the comments, and stay tuned for Saturday and Sunday programming coming later today.
By Guest Contributor Ay-leen The Peacemaker, cross-posted from Beyond Victoriana
Visiting Roger Williams University last Tuesday was an amazing opportunity and a great pleasure to present there. Dr. Jeffrey Meriwether, along with professors Laura D’Amore, Charlotte Carrington, Sargon Donabed, and Debra Mulligan were all immensely welcoming and kind.
That morning, Dr. D’Amore picked me up from the Inn, and she explained that the university has started a new social-justice initiative to embrace the historical impact of its founder. That fall, they had their Social Justice Week to initiate conversations across campus. The History department in particular wanted to contribute to this new venture in innovative ways; hence, the invitation to speak at their campus.
During my visit, I gave presentations to Dr. Carrington’s American History (where they just started a unit on African-Americans during the American War for Independence) and Dr. Donabed’s History of Religion courses (where they are currently studying Western perceptions of indigenous practices versus indigenous perspectives themselves). Afterward, I held “office hours” in the department lounge for students to come and talk about steampunk and ended up having a long, involved discussions about cosplay, Legend of Korra, and Fullmetal Alchemist. Then came my public lecture at 5PM — and look, I have evidence that it happened!
So, this morning I woke up to two emails about the exact same thing: Some nonsense-filled thread talking about “how to not offend people” when it comes to multicultural steampunk. And a cursory glance through the emails proved to me once more how impossible it is to talk to white people who don’t want to change their minds about what offensiveness is and what not to do.
While I am certainly pleased that there are people who are aware of the racial implications of what they do–even in some fuzzy way that they can’t articulate–I am also aware that there are a ton of people, shall I say, “looking for offense,” or rather, the chance to be aghast by some perceived limitation of their actions and options. There are white fans of steampunk who will set up strawman arguments about how fans of color actively look for offense (e.g. racism and appropriation), so much so that other poor folks are walking on eggshells every time they move.
“I can’t wear a pith helmet,” they will whine, “because then it would be colonialist and thus offensive!”
“I can’t wear a kimono,” another set will whine, “because then it would offend Asian people!”
“I can’t incorporate gypsy styles,” some more will whine, “because then I’d be accused of appropriation!”
Can we even consider the absurdity of these statements?
By Guest Contributor Jaymee Goh, cross-posted from Silver Goggles
It’s the first Friday of the month, all over again! Time for another steampunk POC interview, and today, Nivi Hicks of Salt Lake City, UT, claims the spotlight! Nivi’s been seen in her Bombay steampunk outfit, and her style threads influences from South Asia and the Middle East. She’s also one of the organizers of SaltCity Steamfest. Without further ado, Nivi Hicks!
How do you do steampunk? Or how do you steampunk or how do you participate in steampunk? Or what steampunk media do you do (lit, fashion, events)?
I’m a steampunk enthusiast and supporter within my community here in Utah. Events, fashions, icons–you name it, I try to support it. I’ve even taken up the reigns with a group of fellow steampunkians to create Utah’s first ever Steampunk Convention, SaltCity Steamfest. Eventually, I would like to expand into fashion as a model more.
When asked “what is steampunk?!” what do *you* say?
My escape that lets me dress pretty without having to live to a cookie-cutter expectation (like cosplay can do). It’s what happens when you take the industrial revolution, lengthen it, add steroids, a more exciting history and technical output, some lace, and fantasy–va-la!
By Guest Contributor Hodson, cross-posted from Beyond Victoriana
Note: This article is also available to read in Spanish on El Investigador’s website / Este artículo está disponible para leer en español. Thanks go out to El Investigador’s Editor-in-Chief Araceli Rodríguez, and magazine writers Hodson and Miguel for their time and effort in getting this piece together for Beyond Victoriana.
There are many reasons why the Victorian era is considered the Golden Age of the British Empire. Not only the economic and social stability came at a time where social inequalities were as big as scientific advances, but the huge explosion of advances in production, communications, and transportation allowed the existence of a global colonial government facilitated by the ability to improve the response time of all regional governments.
At a time when the great modern empires grew and spread across five continents populated by man, Victorianism quickly became the spirit of the time. The idea of progress and mastery of time through greater efficiency in transport and production was a constant among all the nations of the world, and those who had the power to launch big technology and conquest ventures had secured a bright future in the international area.
The Victorian era was undoubtedly the light bulb that shines light upon this century. It was the time when big government combined a vision of the future and the present into an immediate moment that inspired prosperity and development.
For those living in First World countries, it is easy to imagine a glorious past that never ceased to be, and it is done through an alternate technologically advanced reality. Whether it’s a world of steam or of world war, to imagine that moment of past glory is not a particularly difficult endeavor.