It looks like the people in this group are chatty–but also rather astute. Fabulous combination, if I do say so myself. If you need to reacquaint yourself with last week’s plot–Scandal 2.10 “One for the Dog” take a read here. This roundtable is to serve as an insight into the actions of the previous episode, so you go in refreshed and omniscient as I feel when I finish editing these.
In addition to Kendra James and me, joining us we have Loree Lamour, Zach Stafford, T.F. Charlton, Johnathan Fields, and Jordan St. John. And boy, we have quite the analysis for you, so I’m going to let you, the reader, get to it!
And remember! Spoilers lie below the cut. Spoil-y Spoilers.
Every week, your resident entertainment buffs (that is to say…Kendra James and I) will recap the plot of Scandal. Then, the following Thursday morning, we will invite some Racialicious friends in for an in-depth discussion of the previous episode’s events, their implications, and thoughts of what’s to come.
MAJOR Plot Spoilers for Scandal 2.10, “One for the Dog,” after the jump. You’ve been warned…
Spoiler Alert: If you didn’t watch last week’s episode of Scandal, do not read any further.
While Shonda Rhime’s “Scandal” has become a reliable source of Twitter water-cooler talk every Thursday night, last week’s episode especially touched a nerve, after this scene between our protagonist, high-powered problem-solver Olivia Pope (Kerry Washington) and President Fitzgerald Grant (Tony Goldwyn):
“I’m feeling a little Sally Hemings-Thomas Jefferson about all this,” Olivia told Fitz, who looked about as stunned as many shows reacted online.
So what to make of this in a broader context? As the season finale approaches Thursday, Guest Contributors T.F. Charlton and Arrianna Conerly Coleman weigh in on this special Roundtable. Continue reading →
But in going from the wilds of YouTube to Pharrell Wiliams’ i am OTHER channel and now to serving as co-executive producer and writer on a broadcast television show, Rae becomes the first notable web creator to complete the circuit. This brings pressure on multiple fronts: not only does she become, for better or worse, a test run for creators and executives looking to see how her style and fanbase translate to a “mainstream” stage, but you have to figure no small percentage of ABG fans will seek reassurance that the comedy that drew them to that show survives the migration.
On the other hand, with Rae making the airwaves not long after Mindy Kaling’s own ascension, we also have to ask ourselves: how much does progress need to be progressive? –AG
“I’ve always felt that women, in a general sense, have never supported other women the way they should…I think it’s a shame, but to me, it is what it is.”
Sherman-Palladino, who says she has never met Rhimes before, went on to say that with the increased demands on showrunners–particularly while getting a new program on the air–there’s no room for criticism among peers. “I wouldn’t do it. I wouldn’t go after another woman. I, frankly, wouldn’t go after another showrunner,” she said.
Showrunner-to-showrunner professional courtesies aside–think how awkward running into each other in the ladies’ room at the Emmys will be!–Sherman-Palladino’s assessment of the situation, not to mention her assertion of victimhood, is utterly facile and self-serving.
If you’re a regular R reader, you’ve been noticing that quite a bit of the stuff on TV–and by “stuff,” I mean “how characters of color have been treated”– has given us the blues while we’re not giving side-eye to what’s on the tiny screen. It’s hard to be optimistic given everything, but dare I say that network television might be listening? It’s pilot season, and if you’ve been out of the loop and hadn’t heard about some of the more diverse bits of new casting, I’ve got you covered.
The news of Lucy Liu as Watson on CBS’ Elementary was the first of a few announcements that piqued my interest this spring. BBC’s Sherlock fandom went predictably ballistic over: first, the news of an American Sherlock Holmes story (forgetting en masse, I suppose, that House has existed for eight years now); then the casting of a female in the Watson role; finally. that the wardrobe department would dare put Holmes (Johnny Lee Miller) in a scarf “so similar” to the BBC’s version’s. (you thinkI’m joking?)