Tag Archives: Shemar Moore

In Or Out: On Keanu, Akira, and expectations for multiracial actors

By Guest Contributor Monique Jones, cross-posted from moniqueblog

If you’ve been following the news surrounding Akira, you might have heard that Keanu Reeves was circling the film and probably would have been cast in the role of Kaneda. But Reeves has dropped out of the film. Also, according to CinemaBlend, a big chunk of the staff on the movie have been let go and the previsualization department has been shut down. However, WB says the movie is still in development in the following statement:

Production on Akira has not halted or been shut down, as the film has not yet been greenlit and is still very much in the development stage. The exploratory process is crucial to a project of this magnitude, and we will continue to sculpt our approach to making the best possible film.

Reeves, whose background includes Hawaiian and Chinese heritages, may have been considered by the studio execs and/or the casting agent over “Akira” to be a good pick for the film because of this. Racebending.com seems to think so. However, Racebending explains their hesitance to see Reeves cast as Kaneda:

We can sort of see why Warner Bros. would want to go with one of their previously established stars–Reeves is arguably Warner Bros. biggest actor of Asian descent (granted, only 2% of WB films from 2000 to 2009 had an Asian lead, and they were mostly Asian nationals like Jet Li and Rain.)

At the same time, it’s unsatisfactory to see Reeves (who has played white characters, multiethnic characters, and even Siddhartha) default to Hollywood’s only go-to actor when they need to find someone to portray an Asian lead character. Hollywood isn’t exactly hard at work to discover this generation’s next hot “Keanu.”

For Asian American actors who aren’t Keanu Reeves, opportunities to play lead characters continue to be few and far between. Will Warner Bros. exceed expectations and cast an Asian American actor alongside Reeves to play Tetsuo? Can a $230 million Akira project that barely resembles the source material make enough to make a profit?

Now, I understand what Racebending is saying here. They would like to see Asian/Asian-American actors who aren’t the typical Hollywood type cast in the film adaptation of one of the biggest Asian art exports ever. They are also slightly annoyed at Reeves being constantly picked for these types of roles instead of Hollywood execs trying to find someone new. To be clear, I’m not knocking what Racebending’s opinion on the matter is; they are, after all, an Asian-American group and I’m African-American, a person on the fringes. And their opinion is partly the impetus behind my epic Akira Asian shortlist posts, because it does get tiring to see the same people get cast over and over again. But something that I noticed in the comments section of various movie websites paints a different picture about Keanu-gate. Yes, the commenters are just as annoyed as Racebending, but there’s a large number of people who think Reeves is white and white only, thereby not suitable for the role.

This wave of dissention from commenters raises the issue about the murky state of biracial or multi-racial actors and actresses in Hollywood. Some are thought of as a representation of one race while others are viewed almost like an “all-purpose” type person; both ideologies have a bit of error in them. The statement also raises an even bigger question–what is Hollywood’s role in our race perceptions?

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The Hollywood Shuffle – On Our Radar, 2011

by Latoya Peterson

Mindy Kaling Book Cover

Much is afoot in Hollywood.

According to Vulture, Mindy Kaling’s future on The Office is uncertain. Kaling is both talent and a writer-director; while she may remain in her onstage role, it is unclear whether she will continue to write for the show. In the meantime, Kaling is staying busy with other film roles, her book project (pictured above) and attempting to woo Rainn Wilson toward an Orson Wells biopic by promising blackface. (Joke explained here.)

HBO believes in Treme – it’s been renewed for a third season.

NBC has cancelled Outsourced and the Event. Since Undercovers was also cancelled, what does this mean for NBC’s “More Colorful” promotion? And how will this impact their perception of minority fronted shows?

Stacy Dash returns to the small screen in the Queen Latifah-produced romantic comedy scripted series Single Ladies. She is joined by Lisa Raye, and Charity Shea as the token white friend. Mixed Media Watch ahead: Shea’s character is in a relationship with a black man – and all is not what it seems.

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