“Now, I know Shakespeare’s a dead white guy. But he knows his shit, so we can overlook that.” — Mr. Morgan, in 10 Things I Hate About You
Ever since one of my mother’s boyfriend’s pressed a copy of Othello into my ten year old hands, I’ve been semi-obsessed with untangling the dynamics of Shakespeare. I love remakes, and the 90s was rich with them, including O, 10 Things I Hate About You, and Romeo + Juliet. And as I get older, there is so much more to tangle with. The roles of race in Shakespeare (I’ve read at least four interpretations of Othello); ethnicity/religion (where do we even start with Shylock?) are always ripe for exploration. And recently, I’ve read about anti-colonalist interpretations of The Tempest and queer interpretations of Othello. So the themes can be endlessly explored and remixed.
So I was thrilled to be offered a spot discussing The Shakespeare Theatre Company’s interpretation of Much Ado Without Nothing – SET IN CUBA!
The set was gorgeous, the production well played, and I would love someone more versed in Cuban politics than I to check it out and report back.
In the meantime, here’s the schedule for the symposium:
Sunday, December 11, 2011
Shakespeare Theatre Company Audience Enrichment Manager, Hannah J Hessel Read the Post “Gender Skirmish”: On Pop Culture and Much Ado About Nothing