by Racialicious special correspondent Wendi Muse
(. . . Continued from Part 1)
The hypothetical situation I posed above is clearly as far-fetched as Jensen’s advocacy of ending masculinity, but in the long run, especially with so many supporters of the eradication of race and the installation of colorblind institutions, could an erasure of race as we know it lead to an altering of our fantasies and their portrayal on screen?
My answer is a definite yes.
Without a doubt, the use of race in fantasy scenarios aids the process of arousal. Taboo elements in porn assist in the option of living vicariously through the actors/performers on-screen. Particularly with regard to race, as one’s race is basically immutable, certain attributes assigned to the actors’ respective sexual prowess or lack thereof are also seen as immutable, rendering porn actors/actresses of color mere props in a fantasy, just like whips, chains, or clamps would be in an S&M flick. Their race, as set by the film’s theme or as interpreted by the viewer, becomes a vehicle for the fantasy, used solely for the sake of helping the viewer achieve orgasm. Race becomes a fetish element, if you will, and porn writers, producers, and the actors involved use essentialization as a key part—without it, the fantasy of interracial sex dissolves.
The very fact that interracial porn is a genre in itself is telling. With porn categories often catered to the specifics needs (or assumed needs) of its viewers, sex between a black man and an Asian-American woman, as an example, becomes comparable to sex between a dom and a sub, simply another image to fulfill the sexual desires of the audience, though through considerably dehumanizing means. For example, just as women in straight porn films are often degraded, usually supplying self-deprecating speeches to mirror the verbal abuse of her male partner, interracial porn performers must do the same, often spouting out racist rhetoric that would make a Neo-Nazi blush, solely to bolster the element of fantasy.
Stereotypes replace basic dialogue, with the characters often addressing each other in race-based sexual terms, most particularly those which employ synecdoche (i.e. a black man may be referred to simply as “big black d*ck” or, as commonly seen in films featuring American men with Brazilian female sex partners, a Latina may be referred to solely by the size and shape of her bottom). And just as in “mono-racial” porn, third person becomes the most common form of address, with the actors often self-narrating, giving some of the actions a more disturbing meaning if the dialogue is racist (i.e. lines like “watch me make this Asian b*tch my little Geisha whore”). Violence is often combined with sex in hardcore interracial porn, closely correlating with mono-racial porn, yet when added with racism and verbal abuse, interracial sex in porn takes on a unique meaning, that being mainly that in order to have proper sex with someone of a different race, or to enjoy that fantasy, defilement is essential. And again much like its mono-racial counterpart, interracial porn employs exaggeration as a device to enhance scenarios further, though in a racial context, often with stereotypes, race-based monikers, and objectification at a heightened level. Even the racial differences themselves are greatly exaggerated and, many times, inaccurate (much like mainstream Hollywood films), with people of color fitting a specific and predictable description physically (Latinas tend to have dark hair, olive skin tones, and physical proportions that weigh heavily on the lower half, black actors/actresses usually have dark skin as to provide a color contrast with their non-black sex partner, etc), transforming race into not only a prop, as mentioned previously, but also as a costume and a landscape upon which the cinematographic foundation relies for stability. Continue reading