by Guest Contributor CVT, originally published at Choptensils
My brother is a screenwriter in LA. Has a couple movies to his credit, and he just got what could be his “big break” as he sits down to write – what should be – a “major summer blockbuster” type movie. This is the kind of movie that will likely get a whole lot of hype, splash his name all over the place, and – hopefully – turn into a bunch of work (and cash). And – being on the “inside” as I am – I just got a copy of his first draft.
So I’m reading his script, trying to just let myself jump in, imagine it as a film; looking for highlights and lowlights to give him some feedback for his next re-write prior to turning it in to the producers and all that kind of thing . . . and, well . . . something struck me – right off the bat – that felt a little odd . . .
As far as details go – I’m not really going to give you more than that – because this is my brother, it’s his original work, and I’m not trying to throw him under the bus or get him in trouble with his producers or future employers – so no other identifying information will go out there. But let’s just say the “odd” ness involved race. Specifically, Asian people. Which just so happens to be our race.
It was nothing major – certainly not offensive, really – but it was a form of following the same Hollywood-esque patterns of who gets to “count” – and who doesn’t. You can probably guess whether or not the Asian people “counted” or not. Read the Post Of Hollywood and ‘the American People’: How Status Quo is Maintained