Well, what a difference a day (or a few hours) makes. I really want to jump right into this weeks discussion with my fabulous Scandal roundtablers, but here’s the short of it: as we saw last week, Edison in one day implied that Olivia was, as the title of the episode indicated, a criminal, a whore, an idiot, and a liar, and then backpedaled so far into “I love you!” within an hour that he should really contact The Guinness Book of World Records.
Kendra James, Jordan St. John, T.F Charlton, Johnathan Fields, Zach Stafford and Loree Lamour join me to dissect what in the world is going on.
It’s Scandal Thursday! A brief reminder of the drill: Each week, Joe and Kendra will provide a Friday Scandal recap the day after the newest episode airs. The next Thursday a longer roundtable discussion of the episode is posted featuring Joe, Kendra, and a variety of guests commenters. This week’s recap is provided by me, Kendra, who, in full disclosure, enjoys the show but has a little less tolerance for some of its more outlandish situations.
Like how characters seemingly up and change personalities at the drop of a hat.
Spoilers for Scandal 2.11 “A Criminal, A Whore, An Idiot, And A Liar” are below the cut! Continue reading →
It looks like the people in this group are chatty–but also rather astute. Fabulous combination, if I do say so myself. If you need to reacquaint yourself with last week’s plot–Scandal 2.10 “One for the Dog” take a read here. This roundtable is to serve as an insight into the actions of the previous episode, so you go in refreshed and omniscient as I feel when I finish editing these.
In addition to Kendra James and me, joining us we have Loree Lamour, Zach Stafford, T.F. Charlton, Johnathan Fields, and Jordan St. John. And boy, we have quite the analysis for you, so I’m going to let you, the reader, get to it!
And remember! Spoilers lie below the cut. Spoil-y Spoilers.
Every week, your resident entertainment buffs (that is to say…Kendra James and I) will recap the plot of Scandal. Then, the following Thursday morning, we will invite some Racialicious friends in for an in-depth discussion of the previous episode’s events, their implications, and thoughts of what’s to come.
MAJOR Plot Spoilers for Scandal 2.10, “One for the Dog,” after the jump. You’ve been warned…
Spoiler Alert: If you didn’t watch last week’s episode of Scandal, do not read any further.
While Shonda Rhime’s “Scandal” has become a reliable source of Twitter water-cooler talk every Thursday night, last week’s episode especially touched a nerve, after this scene between our protagonist, high-powered problem-solver Olivia Pope (Kerry Washington) and President Fitzgerald Grant (Tony Goldwyn):
“I’m feeling a little Sally Hemings-Thomas Jefferson about all this,” Olivia told Fitz, who looked about as stunned as many shows reacted online.
So what to make of this in a broader context? As the season finale approaches Thursday, Guest Contributors T.F. Charlton and Arrianna Conerly Coleman weigh in on this special Roundtable. Continue reading →
But in going from the wilds of YouTube to Pharrell Wiliams’ i am OTHER channel and now to serving as co-executive producer and writer on a broadcast television show, Rae becomes the first notable web creator to complete the circuit. This brings pressure on multiple fronts: not only does she become, for better or worse, a test run for creators and executives looking to see how her style and fanbase translate to a “mainstream” stage, but you have to figure no small percentage of ABG fans will seek reassurance that the comedy that drew them to that show survives the migration.
On the other hand, with Rae making the airwaves not long after Mindy Kaling’s own ascension, we also have to ask ourselves: how much does progress need to be progressive? –AG
Writer/director/actor Tyler Perry. Photo via rollingout.com
All of the things I had grown accustomed to in the US were engaged often and early in my move to South Africa. I felt right at home after experiencing housing discrimination in my apartment search. Seeing airports filled with white travelers, while bus stations overflowed with folks who looked like me. It all seemed so familiar. South Africa was a long way from being post-racial. I could deal with that. I came from that.
What was pleasantly surprising was the level of activist engagement of the South African people. The documentaries I had seen were capturing something real. From service delivery protests to pushback against Wal-Mart’s acquisition of South Africa’s largest retailer, the people were not afraid to protest—nonviolently and otherwise.
South Africans won’t let you off the hook easily. In my role directing programming between the largest American trade union and its counterparts in West African, more than a few meetings with partners ended with tough questions about U.S. foreign policy and my employer’s take on positions supported by the American government. One had to be quick on the toes to navigate queries on Palestine, Israel, and Cuba. The activist community in which I had to engage expected that I would be able to respond to issues and concerns in and outside of Africa. As the only G20 member on the continent, politics beyond its borders mattered to my South African counterparts.
With the above in mind, I was wholly unprepared to be faced with the popularity of Tyler Perry in South Africa. Continue reading →
“I’ve always felt that women, in a general sense, have never supported other women the way they should…I think it’s a shame, but to me, it is what it is.”
Sherman-Palladino, who says she has never met Rhimes before, went on to say that with the increased demands on showrunners–particularly while getting a new program on the air–there’s no room for criticism among peers. “I wouldn’t do it. I wouldn’t go after another woman. I, frankly, wouldn’t go after another showrunner,” she said.
Showrunner-to-showrunner professional courtesies aside–think how awkward running into each other in the ladies’ room at the Emmys will be!–Sherman-Palladino’s assessment of the situation, not to mention her assertion of victimhood, is utterly facile and self-serving.