Tag Archives: Saving Face

Butterflies, Slumdogs, And Tiger Moms: Asian American Women And The Rescue Narrative

By Guest Contributor Sayantani DasGupta

“Can we try it more mysterious, with that mystique from the East?

… Channel a late night sex chat ad

… Maybe go back further into your heritage … A little more ethnic.”

Remember those racist-alicious ads from Michigan senatorial candidate Pete Hoekstra, the ones where the docile, limpid eyed, bike-riding Asian woman thanked “Debbie Spend It Now” for spending so much American money that she singlehandedly ruined the U.S. economy while giving more jobs to China? Well, that Sinophobic Super Bowl ad promptly inspired several spoofs including this one from Funny or Die, and this clever one from Kristina Wong that I found recently on Disgrasian.

In it, Wong plays an actress obviously starring in a “Debbie Spend it Now”-type commercial. The disembodied (presumably white, male) director’s voice is off-camera, insisting that Wong play her role with more ethnic “authenticity.” At one point, he asks her to read the lines like her mother might. When Wong delivers the lines in an American accent, the frustrated director corrects, “But that’s the same as you read it last time, is that how your mother talks?” Wong nods, deadpan. “She was born in San Francisco.” Later, he reminds Wong that she is “in a rice paddy.” To which she exclaims, “Oh, I thought we were in Runyon Canyon.”

Kristina Wong’s spoof speaks to the continued conflation of Asian American and Asian identity. No matter how many years, or generations, we’ve been in this country, we Asian Americans remain ‘contingent citizens’ and ‘perpetual foreigners.’ (You’ve heard the question: “Where are you from? … No, where are you really from?”)

Wong’s spoof also speaks to the sexualized, passive tropes surrounding Asian American womanhood. In a recent talk I gave for Wellesley College’s GenerAsians Magazine, I suggested that three tropes still seem to encapsulate much of how Asian American women continue to be perceived:

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Afternoon Open Thread: The 2012 Oscars

By Arturo R. García

Academy Awards? More like Academy of Awkward.

But seriously, what kind of group spends nearly all of 210 minutes squeeing over love letters to movie houses from the 1910s and silent movies?

Oh. Never mind.

That study by the Los Angeles Times, which revealed (or confirmed) that the Oscars electorate is 77 percent male and nearly 100 percent white, gives us the only context in which Billy Crystal’s return as the show’s host could possibly be explained. Otherwise, he couldn’t have been more of a creative anachronist if he’d showed up cosplaying Tyrion Lannister.
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