In addition to race and class dynamics, other issues from our real-world culture persist in Palmares Três. Even in a city run by women, teen motherhood continues to be stigmatized. One character in the book is the son of a woman who had him when she was 16. Although eighteen years have passed, both the son and mother, who has become a talented and sought-after designer, still face prejudice from those around them. In fact, in a city where people live to age 250, anyone under age 30 are treated with condescension, if not disdain. Enki’s popularity among both young and old people threatens the smooth and unchallenged reign of the Aunties and the Queen. And, with Enki as Summer King, June (and the rest of the city) start to realize that deceit bubbles beneath the beauty of Palmares Três.
So poverty and inequality are not eliminated under matriarchal rule. But Johnson’s matriarchy changes some of the ways people regard sexuality. People love and lust after for whomever they want, regardless of gender. June’s mother was first married to a man. Less than a year after his death, she marries a woman. No one bats an eye except June, who is furious at her mother’s rapid remarriage. At his first public appearance as Summer King, Enki and June’s best friend Gil meet and are immediately smitten. Their romance becomes constant fodder for the gossip feeds, but again no one questions their pairing.
The Summer Prince doesn’t push readers to think about real-world injustices like Tankborn, Partials orTruancy do. Instead, it was only when I emerged from Johnson’s beautifully written pages that I began to reflect on some of the similarities (and differences) between her world and this one. I can see YA readers, particularly YA girl readers, enjoying The Summer Prince, but it might take some prodding to connect the world and underlying injustices of Palmares Três to real-world issues of race, class, stigma and power.
— “Can a Society Run by Women Still Be a Dystopia?” by Victoria Law via Bitch Magazine
June, our heroine, is likably complex. She’s headstrong and confident, frequently referring to herself as “the best artist in Palmares Tres,” but she’s also believable as a slightly naive kid who hasn’t had to look outside the bubble of her privileged life as the stepdaughter of a government official. That life, of squabbling with her mother, working on cheeky performance-art stunts and hanging around with her best friend, Gil, changes dramatically when Gil falls in love with the newly elected Summer King Enki, a young man from the algae-farming slums.
It’s an unexpected twist in a novel full of them. Yes, this is a YA-dystopia-love-triangle story, but how unusual to see the heroine become the third wheel to a sensitively depicted gay relationship. And how deliciously unusual to read a YA dystopia that’s comfortable with ambiguity and nuance. This is a book that doesn’t condescend. Gil, June and Enki find themselves having to tread carefully as they work out their own answers to a host of questions about love, art, technology, tradition — even sex. Slightly bratty teenager June matures noticeably over the course of the narrative, becoming much more understanding of the adults in her life and what drives them. And even though one of the central conflicts in the book is a standard faceoff between the youth of Palmares Tres and the somewhat ossified ruling class, even the villains come off as understandable in the end.
— “Samba, Spiderbots And ‘Summer’ Love In Far-Future Brazil,” by Petra Mayer of NPR