By Guest Contributor Kiana Fleming The OWN channel aired the world premiere of the 2011…
To start, I’m going to veer ever so slightly off the usual topic to suggest some Scandal-related viewing pleasure. Oprah’s Next Chapter did a whole special on Shonda Rhimes, Kerry Washington, and Judy Smith called “The Real Olivia Pope.” Although it premiered in November last year (bad TV Editor), it holds some great tidbits. Not to mention all the rah-rahs I cheered at this quartet’s fabulosity. I never realized how very true to life it is that someone like Olivia and only Olivia, handles everyone’s public problems. Fun fact: Fitz is based on George Bush, Sr. Partially…obviously.
This week, Johnathan Fields, Jordan St. John, and Kendra James discuss episode 2.17, “Snake in the Garden” Spoilers ahead!
by Guest Contributor Jesse Singal, originally published at CampusProgress.org
Newbos: The Rise of America’s New Black Overclass, a one-hour CNBC documentary examining megarich black entrepreneurs which premiered last night, comes at an odd time. Hosted by Lee Hawkins of The Wall Street Journal (who is also a CNBC contributor), the show emphasizes the tremendous successes a select group of African-Americans have had in the sports and entertainment industries, but does so during a period in which African-Americans as a whole—along with just about every other demographic—are suffering immensely as a result of the United States’ collapsing economy. Why, then, focus an hour on stories of stratospheric accomplishment, some of which have as much to do with freakish distributions of natural talent as business savvy? Don’t we have more important things to learn about race and wealth, especially given that African-Americans were disproportionately affected by the subprime mortgage crisis?
Newbos could have overcome these troublesome questions if it had explained something novel about how race and wealth interact in America, or if it had advanced some bold new argument about what it means to be rich and African-American. Unfortunately, it does neither. In many regards, Newbos instead follows in the footsteps of the chronically ill and chronically myopic economic reporting that failed to predict the current collapse (a lot of which emanated from, ahem, CNBC). This reporting—which often looked more like cheerleading—was fixated on success stories, treated “millionaires created” as one of the only meaningful economic metrics, and decided not to bother tackling that whole pesky inequality thing. Newbos, despite the occasional noteworthy nugget, makes all the same blunders: It celebrates black entrepreneurship and focuses on some of the obstacles that very successful African-Americans must overcome, but refuses to face or address any of the real issues related to wealth distribution and race. Read the Post Meet the Newbos
by Carmen Van Kerckhove Did any of you catch Friday’s episode of the Oprah show?…
by guest contributor Nina
Over two days this week, Oprah dedicated her show to a Town Hall Meeting to address misogyny in hip-hop. All this as a result of Don Imus’ “nappy headed ho” comment, and his trite excuse that black women are called these names by their own men. I was interested to see how Oprah would handle this matter since she has long come under fire for not having hip-hop artists on her show and she has said that she does not appreciate the degradation of women in hip-hop music.
The first show aired on Monday and was entitled “Now What?” It consisted of panel of black men and women, including a former CBS executive, two journalists, two author/magazine editors, activist Al Sharpton and the artist, India Arie. The second show on Tuesday entitled “The Hip-Hop Community Responds” was made up of a much smaller panel, Russell Simmons and Dr. Ben Chavis of the Hip-Hop Action Network, record executive Kevin Liles, and the rapper Common. There were no women on this second panel and there certainly were no female artists whose careers are built on their overt sexuality (L’il Kim, Foxy Brown, Khia etc.). Nor were there any of the female video performers who so willingly prance around in thongs and bikini tops pouring Cristal down their bodies while shaking their “bump, bump, bumps.” Female students from Spelman College attended both shows by satellite from their campus.
[Note from Carmen: Oprah has actually had Karinne “Superhead” Steffans on the show before to talk about the objectification of women, believe it or not.]
All the panelists (except the Spelman students) seemed to talk in circles around the issues and used far too many metaphors (Dr. Robin Smith’s “you feed someone garbage, eventually it starts to taste good”) to address the issue of female degradation in the hip-hop world. The world of which they spoke was of course mainstream hip-hop-rap videos you see on MTV/BET (both owned by Viacom) or songs you hear on commercial radio stations (many owned by ClearChannel). But there were some strong comments. Diane Weathers, former editor of Essence magazine called for Snoop Dogg to lose his contract due not only to his lyrics and videos but his side hustle as a pornographer.
Stanley Crouch called the hip-hop music world a minstrel show and said he would not allow these “clowns” to relinquish their responsibility due to the poverty and crime that they came up in. Panelists on the second show continued with the metaphors. Common stated that hip-hop, at only 30 years old, was just a child that needed tending to by its parents. Common has certainly evolved into a conscious artist since his first few albums contained plenty of bitches and hos and one song in particular where he talked about shooting a homosexual. Russell Simmons insisted that he mentored many artists during his reign at DefJam and while he would not censor what a poet wanted to say since it was a reflection of their own experiences, he was constantly guiding artists to learn more and be more and perhaps present themselves in a different way. The Spelman girls got very frustrated, particularly with the second show’s panel. One woman stated that rap music informs the way the world feels about black women and that there was a lack of accountability from the panelists. The women demanded that the problem be acknowledged and that steps be taken towards a solution. They even offered to work with the panelists towards that solution. Read the Post Oprah’s town hall meetings on misogyny in hip hop
by Carmen Van Kerckhove
This is the last in my series breaking down the top trends in race and pop culture of 2006. If you missed it, check out Monday’s trends 10 through 8 and yesterday’s trends 7 through 4 . Here’s the final list:
10. Race-swapping undercover experiments
9. Hipster racism
8. The continuing obsession with interracial relationships
7. The new minstrel show
6. Racism on college campuses
5. Fear of a Latino takeover
4. The return of the white man’s burden
3. Colorface everywhere!
2. Celebrity racial slurs
1. Race baiting
3. Colorface everywhere!
It seemed like blackface, brownface and yellowface was everywhere in 2006, even in the most unexpected places. Some of these blackface incidents we’ve already covered. For example, Kate Moss in blackface for The Independent’s Africa issue, the many “ghetto parties” and blackface incidents included in racism on college campuses and the Tyra Banks Show episode where she had Angela Nissel go on dates with three men both as a black woman and as a white woman .
Liberal blogs Firedoglake and Billmon (who has since stopped blogging) both decided to use blackface images to mock people they didn’t like/respect. Firedoglake blacked up a photo of Joseph Lieberman in a post accusing him of race-baiting. Billmon blacked up a photo of CNN’s Wolf Blitzer after he complained about Lynne Cheney being uncooperative during an interview. Both issued the standard “I’m sorry you’re offended but I’m just so brave and un-PC” apologies, leading ebogjonson to create a flowchart for those bloggers asking themselves if they should use blackface on their blog. In case you were wondering, if you answer yes to being white, the answer is “STOP! You CANNOT use blackface EVER under any circumstances.” Also, be sure to check out Kai Chang’s series on racism in the liberal blogosphere .
A movie based on the 1970s TV series “Kung Fu” is in the works. As you probably know, biracial Asian/white protagonist Kwai Chang Caine was played by David Carradine in the series. And he’s been milking the virtual yellowface gig ever since, from his role in Kill Bill to his stupid Yellowbook.com commercials. The question is, which white guy are they going to get to play Kwai Chang Caine in the movie version? Who has enough “Asian flavor?” I’m putting my money on Steven Seagal. 😉 Read the Post The 10 biggest race and pop culture trends of 2006: Part 3 of 3