Tag Archives: Once Upon A Time

The Racialicious Entertainment Roundup: Nov. 10-22

By Arturo R. García, Joseph Lamour, and Kendra James

You might notice a slight title change this week as we change the format of the weekly roundup ever so slightly. Instead of just television, we’ll expanding into the broader definition of entertainment–music, movies, theatre, and TV. Because sometimes you just need a place to devote a paragraph or two to Lin-Manuel Miranda. (Or maybe that’s just Kendra.)

Psy, Hammer Style: At some point you had to wonder not only when the “Gangnam Style” craze would be put to bed, but whether Psy himself, who accidentally horsey-stepped his way into YouTube history, would get the last word on his meme like Rick Astley did three Thanksgiving Day Parades ago. And then this happened at the American Music Awards last Sunday:


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The Racialicious TV Round-up: Oct. 28-Nov. 8

By Guest Contributor Kendra James

Jamie Chung as Mulan on “Once Upon A Time.” Image via seat42f.com

The Roundup’s missed a few weeks due to NYCC, Hurricane Sandy and a weird flu bug, so, in addition to weekly news, we’ll be catching up with our favorite shows over the next few round-ups. As if I’d let a new season of The Vampire Diaries pass without comment.

Thanks for bearing with a shorter edition this week while we dive into our DVRs and I try and figure out why I love Nashville so much.
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The Racialicious TV Roundup: Sept. 10-14

By Guest Contributor Kendra James

“Kicking Television,” by Daniel Horacio Agostini, via Creative Commons.

Ah, Fall. Colorful leaves, riding boots, pumpkin spice lattes, and a brand-new season of television. After a summer break, the Racialicious Weekly TV Roundup is back!

A quick review: The Weekly TV Roundup exists because there are stories we want to share with you each week that we don’t necessarily have time to write about in length,. The three of us don’t watch everything, but this is where you’re likely to hear about shows from Dance Moms to Arrow to Downton Abbey. Think of it as your digest-sized compilation of race and pop culture on television.

This week the world is blessed with the premiere of two Ryan Murphy shows (oh joy), and we have a few newsbites to catch up with from the summer months, so without further ado …
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The Evolution of Snow White

By Guest Contributors Paul and Renee, cross-posted from Fangs For The Fantasy

One of the newest trends we’re seeing in speculative fiction is the revisiting of fairy tales, especially in a modern setting–they’re almost a unique sub-genre of the Urban Fantasy and Fantasy genres.

And, in many ways, this is very important to do as fairy tales are some of the very first stories many of us are exposed to as children. Unfortunately, they’re also very old stories–and contain a lot of very old and sadly prevalent tropes that have stayed with us over the years. Generations of children have grown up with stories of helpless princesses, passively waiting for a handsome (and anonymous–after all, any man will do if he’s in the right place at the right time) prince to save them from abject peril. There is no question that this iconic image–repeated over and over in fairy tales, has had a profound effect on our culture, our society, and our view of gender roles, and there have been numerous excellent posts deconstructing the damaging messages of fairy tales.

There is no fairy tale that can be considered more centre stage than Snow White and the Seven Dwarfs. An ancient tale, it rose to prominence when it became Disney’s first full-length animated movie and was forever cemented front and centre as not just a fairy tale–but the fairy tale. The ultimate tale of the protagonist–poor, helpless, sweet and oh-so-fair Snow White is attacked by her evil stepmother, while she helplessly sings to wildlife and eventually resides in a glass coffin to be rescued.

This is clearly an image that needs challenging–and, appropriately, Snow White is front and centre of the fairy tales that are being revised for the modern world. Between Once Upon A Time, Mirror Mirror, and Snow White and the Huntsman, we see a very different princess. The modern Snow White does not lay in glass coffins awaiting rescue. Her reaction is to attack, not to run away in fright, or maybe sing a little ditty to bluebirds. The modern Snow White kicks arse, she wields a sword, actively hunts down the Evil Queen, and she stands shoulder-to-shoulder with her Prince Charming.

One of the things that we love most about Once Upon a Time is that, while Mary Margaret may be the soggiest lettuce in town, Snow White is a highwaywoman, a fighter, and a swashbuckler–every bit Prince James’s equal. Snow White is no longer a prize to be claimed, no longer an object to be won, and no longer a passive element in what is supposed to be her own story. And if she needs rescuing, she is quite capable of rescuing herself, thank you very much.

This is both so very needed and very empowering. It’s powerful to not only create new stories that empower marginalised bodies, but re-examine these old tropes and challenge them in a way that not only sets a new paradigm but highlights how wrong the old paradigm was.

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