We can’t have anything, can we? Not one scrap of dignity. Not one little bit…
Tag: New York Times
By Guest Contributor Ellen Oh, cross-posted from Hello Ello
When I do my diversity presentation for high schools, I open with this chart:
It’s an immediate attention grabber. Why? Because this highlights the gap in diversity of caucasian and POC authors. This is an informal survey taken by author Roxanne Gay that breaks out authors reviewed by the NYT in 2011 by race. Nearly 90% are caucasian. This by no means shows a complete breakdown of publishing. But I would venture to say that a more accurate number of published books might even further compound the gap between caucasian authors and POC authors.
Take Pinky. In 1974, her father, Jimmy Edwards, was a 22-year-old sailor aboard a United…
By Andrea Plaid
You would think that 70,000 people asking for the exact same thing would change someone’s mind, right?
Not if you’re the New York Times.
On April 23, members of Applied Research Center’s Drop The I-Word (DTIW) Campaign (in full disclosure: I work as the campaign’s new manager), its partners, and its supporters gathered at the newspaper’s headquarters in Times Square with the 70,000-strong petition asking the Grey Lady to get with the times and eliminate using the word “illegals” and “illegal immigrant(s)” in its reporting of undocumented immigrants. Pulitzer Prize-winning journalist Jose Antonio Vargas, co-founder of partnering organization Define American, and Fernando Chavez, son of the late Cesar Chavez, delivered the petition that was started by Chavez’s widow, Helen, at MoveOn.org (another DTIW partner). The petition’s delivery took place on the 20th anniversary of the social-justice activist’s death.
Video activist Jay Smooth captured the action and explains the context of the campaign:
When Michelle Obama revealed the “secret” to her workout for perfectly toned arms, it became national news. This revelation, however, did not quell the debate and fascination over the gender politics surrounding this particular body part, as CNN and Fitness magazine are two of the many outlets that use Michelle’s arms as the ideal goal of suggested workout plans. Michelle has gracefully weathered the storm of public attention about her workout regimen by turning health and fitness into one of her defining public issues, with the “Let’s Move!” campaign. But the story about Michelle’s arms is not an innocent case of celebrity flattery or fitness gossip; it is part and parcel of the American public’s obsessive concern with the public presentation of Ms. Obama’s body.
By Guest Contributor Sayantani DasGupta
I just saw the most problematic image on Facebook. It was a photo of four blonde female pilots in combat gear with the caption, Hey Taliban, look up in the sky! Your women can’t drive, but ours CAN!
Despite the issues I have with militarism, or this country’s campaigns in Iraq and Afghanistan, I’m all for cheering for female pilots (yea, bada&& flying ladies!). What I can’t just can’t stand by and let slide is this “your women are oppressed, but ours are awesome” rhetoric, a rhetoric which only illuminates how–both actually and metaphorically–racism, xenophobia, and imperialism so often play out on women’s bodies around the world.
To me, this photo represents how blithely and blindly women from the Global North allow ourselves to be used as (actual and metaphorical) weapons of war against women from the Global South. In fact, that offensive caption isn’t significantly different from comments I’ve been hearing this week like, “These are countries where women have very little value.”
Sadly, the place where I’ve been hearing such phrases isn’t on some conservative TV program or website (where I think that all-woman pilot photo originated), but rather, on the PBS film Half the Sky: Turning Oppression into Opportunity for Women, a well-publicized neo-liberal “odyssey through Asia and Africa” hosted by everyone’s favorite white savior New York Times reporter, Nikolas Kristof.
Read the Post “Your Women Are Oppressed, But Ours Are Awesome”: How Nicholas Kristof And Half The Sky Use Women Against Each Other
By Guest Contributor Dr. Tanisha C. Ford
A New York Times Magazine spread titled “Class Acts,” featuring six professors styled in designer fashions, recently resurfaced in the social media sphere largely due to the media’s budding interest in fashion in unexpected workplaces. Initially, I was thrilled to see the NYT acknowledge that we professors could be stylish, too. But, as I removed my rose-colored Burberry glasses to examine the slide show again, I saw that there were no professors that looked like me. No professors of color.
I instantly took to my Twitter and Facebook pages to post the “Class Acts” spread for my diverse group of colleagues to weigh in on. Their responses ranged from a sarcastic “… apparently black professors can’t be fashionable” to an admonishing “A truly pathetically pale slide show … shame on you NYTimes.” I felt vindicated that they shared my concerns that faculty of color were not represented. We began comprising our own list of “fierce and fly” faculty of color, including (but certainly not limited to) Mimi Thi Nguyen, Darlene Clark Hine, Davarian Baldwin, Amrita Chakrabarti Myers, Siobhan Carter-David, Treva Lindsey, and Jeffrey O.G. Ogbar.
But even after our insightful social-media venting session, I was still bothered by the spread. And it wasn’t simply because “we” weren’t included. It was because the spread ignored the battles related to dress and adornment that African Americans have endured, both inside and outside of the academy. A brief look at major moments in Black history reveals how battles over race, class, and adornment have majorly influenced mainstream American fashion trends.