Tag: New York Times

September 22, 2014 / / SMH
December 12, 2013 / / links

You will make out that apartheid was just some sort of evil mystical space disease that suddenly fell from the heavens and settled on all of us, had us all, black or white, in its thrall, until Mandela appeared from the ether to redeem us. You will try to make Mandela a Magic Negro and you will fail. You will say that Mandela stood above all for forgiveness whilst scuttling swiftly over the details of the perversity that he had the grace to forgive.

You will try to make out that apartheid was some horrid spontaneous historical aberration, and not the logical culmination of centuries of imperial arrogance. Yes, you will try that too. You will imply or audaciously state that its evils ended the day Mandela stepped out of jail. You will fold your hands and say the blacks have no-one to blame now but themselves.

Well, try hard as you like, and you’ll fail. Because Mandela was about politics and he was about race and he was about freedom and he was even about force, and he did what he felt he had to do and given the current economic inequality in South Africa he might even have died thinking he didn’t do nearly enough of it.

I’ll be 34 this year and we’re only beginning to see a change in the scenery when it comes to diversity and the fantastic. A recent UCLA study found that even though racial and gender diversity in television remains appallingly low, more diverse shows bring higher audiences while less diverse ones struggle. Meanwhile, some major networks may finally be getting the message. At this year’s annual Fox Broadcasting confab, titled “Seizing Opportunities,” the underlying theme was more diversity equals more money. Speaking to an invitation-only crowd of executives, producers, agents and media coalitions, Fox COO Joe Earley said this about welcoming more diverse shows: “Not only are you going to have more chances of a show being made here, more chances of a show being a success on TV, more chances of making it into syndication, more chances of a show selling globally and making you millions of dollars, but you are going to bring more viewers to our air and keep us in business.”

Cultural critics have rightly decried whitewashing in the name of social justice. Networks are now beginning to see dollar signs where they once imagined dearth. But beyond money and morality, diverse programming is also a question of quality. “Racist writing is a craft issue,” the poet Kwame Dawes said at this year’s AWP conference. “A racist stereotype is a cliché. It’s been done. Quite a bit. It’s a craft failure.”

Without an understanding of culture, power and history, diversity is useless; it’s blackface. And television has often given us nothing but that: cheap stand-ins and tokens to up their numbers and check off boxes.

Read the Post The Racialicious Links Roundup 12.12.13: Nelson Mandela, New York’s Poor, Black Republicans and more

June 26, 2013 / / books

By Guest Contributor Ellen Oh, cross-posted from Hello Ello

When I do my diversity presentation for high schools, I open with this chart:

It’s an immediate attention grabber. Why? Because this highlights the gap in diversity of caucasian and POC authors. This is an informal survey taken by author Roxanne Gay that breaks out authors reviewed by the NYT in 2011 by race. Nearly 90% are caucasian. This by no means shows a complete breakdown of publishing. But I would venture to say that a more accurate number of published books might even further compound the gap between caucasian authors and POC authors.

Read the Post Why Being a POC Author Sucks Sometimes

April 26, 2013 / / activism

By Andrea Plaid

You would think that 70,000 people asking for the exact same thing would change someone’s mind, right?

Not if you’re the New York Times.

On April 23, members of Applied Research Center’s Drop The I-Word (DTIW) Campaign (in full disclosure: I work as the campaign’s new manager), its partners, and its supporters gathered at the newspaper’s headquarters in Times Square with the 70,000-strong petition asking the Grey Lady to get with the times and eliminate using the word “illegals” and “illegal immigrant(s)” in its reporting of undocumented immigrants. Pulitzer Prize-winning journalist Jose Antonio Vargas, co-founder of partnering organization Define American, and Fernando Chavez, son of the late Cesar Chavez, delivered the petition that was started by Chavez’s widow, Helen, at MoveOn.org (another DTIW partner). The petition’s delivery took place on the 20th anniversary of the social-justice activist’s death.

Video activist Jay Smooth captured the action and explains the context of the campaign:

Read the Post The New York Times Refuses To Drop The I-Word (VIDEO)

January 28, 2013 / / beauty
First Lady Michelle Obama. Via thedailybeast.com

When Michelle Obama revealed the “secret” to her workout for perfectly toned arms, it became national news. This revelation, however, did not quell the debate and fascination over the gender politics surrounding this particular body part, as CNN and Fitness magazine are two of the many outlets that use Michelle’s arms as the ideal goal of suggested workout plans. Michelle has gracefully weathered the storm of public attention about her workout regimen by turning health and fitness into one of her defining public issues, with the “Let’s Move!” campaign. But the story about Michelle’s arms is not an innocent case of celebrity flattery or fitness gossip; it is part and parcel of the American public’s obsessive concern with the public presentation of Ms. Obama’s body.

Read the Post Book Excerpt: On Michelle Obama, Body Language, And Love’s Revolution

October 8, 2012 / / Africa

By Guest Contributor Sayantani DasGupta

I just saw the most problematic image on Facebook. It was a photo of four blonde female pilots in combat gear with the caption, Hey Taliban, look up in the sky! Your women can’t drive, but ours CAN!

Despite the issues I have with militarism, or this country’s campaigns in Iraq and Afghanistan, I’m all for cheering for female pilots (yea, bada&& flying ladies!). What I can’t just can’t stand by and let slide is this “your women are oppressed, but ours are awesome” rhetoric, a rhetoric which only illuminates how–both actually and metaphorically–racism, xenophobia, and imperialism so often play out on women’s bodies around the world.

To me, this photo represents how blithely and blindly women from the Global North allow ourselves to be used as (actual and metaphorical) weapons of war against women from the Global South. In fact, that offensive caption isn’t significantly different from comments I’ve been hearing this week like, “These are countries where women have very little value.”

Sadly, the place where I’ve been hearing such phrases isn’t on some conservative TV program or website (where I think that all-woman pilot photo originated), but rather, on the PBS film Half the Sky: Turning Oppression into Opportunity for Women, a well-publicized neo-liberal “odyssey through Asia and Africa” hosted by everyone’s favorite white savior New York Times reporter, Nikolas Kristof.
Read the Post “Your Women Are Oppressed, But Ours Are Awesome”: How Nicholas Kristof And Half The Sky Use Women Against Each Other

August 8, 2012 / / academia

By Guest Contributor Dr. Tanisha C. Ford

Southern Methodist professor Willard Spiegelman, from New York Times “Class Acts” spread. Courtesy: New York Times.

A New York Times Magazine spread titled “Class Acts,” featuring six professors styled in designer fashions, recently resurfaced in the social media sphere largely due to the media’s budding interest in fashion in unexpected workplaces. Initially, I was thrilled to see the NYT acknowledge that we professors could be stylish, too. But, as I removed my rose-colored Burberry glasses to examine the slide show again, I saw that there were no professors that looked like me. No professors of color.

I instantly took to my Twitter and Facebook pages to post the “Class Acts” spread for my diverse group of colleagues to weigh in on. Their responses ranged from a sarcastic “… apparently black professors can’t be fashionable” to an admonishing “A truly pathetically pale slide show … shame on you NYTimes.” I felt vindicated that they shared my concerns that faculty of color were not represented. We began comprising our own list of “fierce and fly” faculty of color, including (but certainly not limited to)  Mimi Thi Nguyen, Darlene Clark Hine, Davarian Baldwin, Amrita Chakrabarti Myers, Siobhan Carter-David, Treva Lindsey, and Jeffrey O.G. Ogbar.

But even after our insightful social-media venting session, I was still bothered by the spread. And it wasn’t simply because “we” weren’t included. It was because the spread ignored the battles related to dress and adornment that African Americans have endured, both inside and outside of the academy. A brief look at major moments in Black history reveals how battles over race, class, and adornment have majorly influenced mainstream American fashion trends.

Read the Post Haute Couture In The ‘Ivory Tower’