by Latoya Peterson
Ok first things first I’ll eat your brains/
Then I’mma start rocking gold teeth and fangs/
‘Cause that’s what a muthafucking monster do
— Nicki Minaj, Monster
Article after article, tweet after tweet, I watched the conversation about Kanye and all the dead women in “Monster.”
But if you watch the actual video, you’ll notice something interesting. All the dead women are white, with the possible exception of the second model in the bed. There are eight or nine brown* women in the video, all with prominent roles – and all of whom are alive.
Black woman with mutilated eyes who screams at the opening? Alive. The brown twins staring while sitting on the couch? Alive. Brown woman eating the server’s remains? Alive. The two monsters in the hall during Jay-Z’s verse? Alive. The zombie girls working the jump rope? Alive. (Or, at least, currently animated.) Nicki’s alive. The black were-woman? Alive.
In some ways, the conversation around dead women in Kanye’s video reminds me of the conversations that happen around feminism and black women. The reality of black women is assumed to be exactly the same as white women – if it is mentioned at all. The fact that the majority of the women pictured lying dead where white, while black women are all part of the monster crew is generally not mentioned.
So, I’m not surprised that no one has looked at the very specific positioning of white women in the video as opposed to black women, which dives deeply into the history and construction of black women as beast-like and fearsome, the sexualization of violence, and how the video is a win for both normalized misogyny and upholding the ideals of white supremacy. Read the Post Black Monsters/White Corpses: Kanye’s Racialized Gender Politics