Under the cut you’ll find the panels and presentations for Thursday and Friday at San Diego Comic Con 2013. Arturo and I will be live-tweeting panels throughout the four days (follow the official Racialicious account @Racialicious, Art @aboynamedart, and myself @wriglied to stay on top of things), and providing wrap ups and pictures afterwards. Asterisked events indicate things we’re definitely planning on attending, while the others are recommendations that just look interesting or fun.
If you’re just planning on wandering around and you happen to see either of us don’t hesitate to say hello! For my part, I’ll be the exhausted looking Black girl dressed as either a Captain America USO girl, a Teen Wolf lacrosse player, Maxine from Batman Beyond, or Indiana Jones.
Let us know in the comments if you have questions for specific panels via the comments, and stay tuned for Saturday and Sunday programming coming later today.
At one point during this year’s Black Panel, artist Denys Cowan said what maybe everybody in the room was thinking: “It’s strange being here without him.”
Though the trademark sardonic humor of host Michael Davis still emerged on occasion (“I guess this don’t happen at the White Panel,” he said when he experienced some tech difficulties) this time around, Davis led Cowan and the other panelists in sharing their memories of the late Dwayne McDuffie – not just as one of the men behind Milestone Media, or as a prolific comics and television writer, but as a friend, colleague, and more.
“Dwayne was my writing mentor, my best friend, he was the godfather to my kid,” said Matt Wayne, a frequent collaborator of McDuffie’s. “Milestone was the best time of my life.” Continue reading →
The San Diego Comic-Con’s growth shows no signs of slowing down, even before its’ host venue, the San Diego Convention Center, begins its’ own expansion. As things stand, however, you can expect virtually all of downtown San Diego to be awash in SDCC-related events of their own. With that in mind, this year’s guide will run in two installments, while also covering some of the extracurricular festivities and celeb sightings.
Case in point: if you’re a Whedonista getting into town before Preview Night on July 20, you should go see singer Jane Lui in a stage adaptation of TEH JOSS’ Dr. Horrible’s Sing-Along Blog. The show premieres July 17 and runs thru July 30 at the Tenth Avenue Theatre. Tickets are available here, and you can see Lui talk about her transition to acting here:
With that in mind, click under the cut for a look at the POC-centric stuff going on and around SDCC. Highlighted panels will include the full description from the SDCC program. Continue reading →
Thanks to Racialicious reader Tomas for tipping us off to this: this May, Dynamite Entertainment’s Green Hornet comic-book line will focus on the titular hero’s companion in Kato: Way Of The Ninja. The Kato character has been part of Hornet canon since the character’s beginnings in the radio era, but his most memorable incarnation came in the 1960s, when he was played by Bruce Lee. Even there, though, Lee’s character had to play second banana. Ninja writer Jai Nitztold Newsarama that in the comics, Kato is played more as the Hornet’s equal, and this particular mini-series will take him places the Hornet can’t go.
Nitz also said the story will focus on Kato’s somewhat-forced racial ambiguity:
The first actor to play Kato on the Green Hornet radio program was a Japanese actor named Raymond Hayashi, and Kato was explicitly referred to as “Japanese”. Then Kato was ambiguously changed to Filipino as American/Japanese relations deteriorated in the face of World War II (remember, Pearl Harbor wasn’t the first blow struck in the escalation to WWII, it was the last). Then after Pearl Harbor Kato was explicitly Filipino (and you have to remember the closeness of the Philippines and the US at the time to understand why). Whew. All that said, [Green Hornet: Year One writer] Matt Wagner sets Kato as a Japanese soldier that becomes disillusioned with how the Japanese conduct themselves during the war with mainland China. But, like the real-life radio dilemma, Kato hides his identity, in our story as Korean, when he and [the Green Hornet] return to the States due to the tensions with Japan.