Tag Archives: Mexico

Racist Stereotypes At The Lupe Pintos Chili Cook-Off

By Guest Contributor Beth Frieden

[Editor's Note: Racialicious was contacted Monday morning and asked to remove the photos seen here due to copyright concerns. This piece has been updated in keeping with the request. - AG]

Lupe Pintos is a Mexican, Spanish, and American imports store in Edinburgh and Glasgow that I have enjoyed visiting from time to time since I moved to Scotland from the US, but I got a bad feeling in the pit of my stomach when I saw a flyer for their Chili Cookoff in my local social centre. Lupe Pintos are well-known and popular, having been open in Edinburgh for 21 years now, and started celebrating their fourth annual chili cook-Off this year on October 20th in Edinburgh, and will be in Glasgow on October 27th. So what’s the problem with this celebration of delicious food?

The poster advertised “Come dressed as Cowboys, Mexicanos, Wild West, Day of the Dead.” Come dressed as Mexicanos? Really? From a store that specializes in Mexican food? You would think the owners would have had ample opportunity to realize that “Mexican” isn’t a costume but rather a present-day real identity.

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Afro-Latin And The Negro Common: An Interview With Dr. Marco Polo Hernández-Cuevas

By Guest Contributor Lamont Lilly

The author (L) with Dr. Marco Polo Hernández-Cuevas. Courtesy of the author.

Marco Polo Hernández-Cuevas is the Interim Chair of the Department of Modern Foreign Languages at North Carolina Central University, where his interests lie in Transatlantic and Diaspora Studies. He is the author of five books, including The Africanization of Mexico from the Sixteenth Century Onward (2010) and Africa in Mexico: A Repudiated Heritage (2007). He is the founder and director of the Mexican Institute of Africana Studies. Read along as we discuss: Colonialism, Gaspar Yanga, Ivan Van Sertima and Mexico’s Little Black Sambo.

Lamont Lilly: Dr. Cuevas, as only the second individual I know to describe themselves as Afro-Mexican can you share some insight on the cultural connections that exist within such a powerful ethic mix? And why have figures such as Gaspar Yanga and Emiliano Zapata been omitted from history’s reference of heralded freedom fighters?

Statue of Gaspar Yanga in Veracruz, Mexico. Courtesy: Black Art Depot Today.

Marco Polo Hernández-Cuevas: Well, the reason you haven’t heard many refer to themselves as Afro-Mexican is because this is a relatively new term that was first coined by Eurocentric scholars like Melville Herskovits. It was Gonzalo Aguirre Beltrán who coined it in 1945 in Mexico City, during the foundational meeting of the Institute for African American Studies. However, that doesn’t mean that a color consciousness didn’t exist in Mexico. Prior to that, we had a host of names such as “Casta,” “Chilango,” “Jarocho,” and “Boshito,” all terms that refer to the lack of blood cleanliness of non-white persons. That would explain why many people in Mexico do not identify themselves as Afro-Mexican. They refer to themselves as Casta, or any of the other names previously mentioned. Recently however, there’s been a movement in the South Pacific side of Mexico whereby Afro-Mexicans do not want to be called Afro-Mexican. They just want to be called Nĕgro — Black. It erases the science and intellectuality of such embedded complexities.
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An Open Letter To Ruben Navarrette, Jr.

By Guest Contributors Alexandro Jose Gradilla and David J. Leonard

U.S. Olympic silver medalist Leo Manzano. Courtesy: examiner.com

Dear Mr. Navarrette,

We are writing to you in regards to your recent piece criticizing American Olympic silver medalist Leo Manzano for waving his native Mexican flag alongside the U.S. flag following his performance in the men’s 1500-meter finals.

Like many people, we were struck by not only its divisiveness–its desire to undermine the life and successes of Manzano to make a political point–but your dismissive tone to anyone who doesn’t agree with you. We were also struck by your efforts to pathologize those who don’t agree with you, to seemingly mock and ridicule those who see the world differently than you (“Most Mexican-Americans I know would need a whole team of therapists to sort out their views on culture, national identity, ethnic pride and their relationship with Mother Mexico”). We were also struck by the simplicity of your discussion of history, immigration, and sports, which you seem to think is outside the realm of politics.

Ruben, you write, “This country took you in during your hour of need. Now in your moment of glory, which country deserves your respect–the one that offered nothing to your parents and forced them to leave or the one that took you all in and gave you the opportunity to live out your dreams?”

Waiter, can we have a side of facts with this hyperbole and cliché?
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Voices: RIP Chavela Vargas (1919-2012)

By Arturo R. García

They came to lay Chavela Vargas to rest at Plaza Garibaldi Monday night. And that was just in person. When word spread of the Costa Rican native’s passing this past Sunday, they mourned not only in her adopted home country of Mexico, but in Spain, in Cuba, and anywhere they still feel ranchera music.

In nearly a century, she was an LGBT trailblazer; a gender role provocateur; a friend to artists like Frida Kahlo and Diego Rivera and a muse to others like Federico García Lorca and Pedro Almodóvar; she performed at Elizabeth Taylor’s wedding and at Carnegie Hall; she recorded 80 albums and came out at the age of 81. She beat addiction to become an institution. And they raised their glasses to her Monday night.

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The Friday Mixtape – 6.29.12 Edition

With Mexico’s presidential elections coming up this Sunday – under no shortage of shadiness, mind you – let’s kick off this week’s edition with Molotov’s “Gimme Tha Power,” (nsfw – language) which still resonates a decade after its original release:

Our next track is a find by our own Andrea Plaid: Esperanza Spalding, who we’ve featured before, teams up with jazz great Joe Lovano for a cover of Michael Jackson’s “Can’t Help It,” in a clip that winds its way thru NYC. And if you’re a fan of Wicked or Rent, keep an extra-close eye on her co-star …

Speaking of finds by friends, the dynamic duo at Disgrasian turned us on to this cross-continental collab between Japanese beatbox wiz Hikakin and Nonstop, a U.S.-based dancer:

Remember “Sh-t Men Say To Men Who Say Sh-t To Women On The Streets”? Check out this Egyptian counterpart, which was posted earlier this month. Directed by Anum Khan with help from HarassMap, “What Men Say to Men Who Harass Women on the Streets” packs an equally potent message.

One more track with a message to close us out: Jasiri X and Rhymefest went to the source when making the video for “Who’s Illegal?,” traveling to Alabama and Arizona and getting a view from the ground-level at the immigration fight in each respective state. The track is currently available as a free download on Jasiri’s Bandcamp site.

Victorianism Without Victoria: On Mexican Steampunk

By Guest Contributor Hodson, cross-posted from Beyond Victoriana

Note: This article is also available to read in Spanish on El Investigador’s website / Este artículo está disponible para leer en español. Thanks go out to El Investigador’s Editor-in-Chief Araceli Rodríguez, and magazine writers Hodson and Miguel for their time and effort in getting this piece together for Beyond Victoriana.

There are many reasons why the Victorian era is considered the Golden Age of the British Empire. Not only the economic and social stability came at a time where social inequalities were as big as scientific advances, but the huge explosion of advances in production, communications, and transportation allowed the existence of a global colonial government facilitated by the ability to improve the response time of all regional governments.

At a time when the great modern empires grew and spread across five continents populated by man, Victorianism quickly became the spirit of the time. The idea of progress and mastery of time through greater efficiency in transport and production was a constant among all the nations of the world, and those who had the power to launch big technology and conquest ventures had secured a bright future in the international area.

The Victorian era was undoubtedly the light bulb that shines light upon this century. It was the time when big government combined a vision of the future and the present into an immediate moment that inspired prosperity and development.

For those living in First World countries, it is easy to imagine a glorious past that never ceased to be, and it is done through an alternate technologically advanced reality. Whether it’s a world of steam or of world war, to imagine that moment of past glory is not a particularly difficult endeavor.

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Excerpt: Politics365 On The Rise Of The ‘Mexican Spring’

Courtesy: Los Angeles Times

Less than ten years after losing control of the executive branch, and by extension, the country, the PRI won effective control of the lower house of the legislature, a broad swath of the country’s largest cities and five out of six gubernatorial races. The PRI’s electoral success automatically converted their most elected official and party leader, Enrique Peña Nieto, a front-runner in the 2012 presidential campaign. Polls demonstrated voters believed the PRI had not changed.

But they didn’t care. Millions of Mexicans felt nostalgia for the “functionality” of the old, antidemocratic regime, and still do.

As of last week, a Mitofsky poll confirmed that Peña Nieto remains comfortably in the lead. And as such is predicted to win the presidential election, returning the PRI to Los Pinos (Mexico’s White House).

But Mexico’s young people are especially incensed that victory by Enrique Peña Nieto on July 1 is often portrayed as a fait accompli. Thousands of students have poured into the streets of Mexico City for the second time in a week to protest the way the nation’s upcoming presidential election is being run and, more specifically, covered in the Mexican media. The young people taking to the streets come from a wide range of schools—public, private, leftist, rightist, and Catholic. They are decidedly anti-Peña Nieto, an unmistakable, unifying sentiment expressed by the banners and signs they carry. Nevertheless, these manifestations, like the Occupy movement erupting from Zuccotti Park, go beyond partisan politics, and represent a broader questioning of the status quo.

- From “Yo Soy 132 and the Mexican Spring,” by Unai Montes-Irueste

In His Own Words: Carlos Fuentes (1928-2012)

By Arturo R. García

Courtesy: Associated Press

It was only fitting, in this modern age, that news of the death of Mexican author, diplomat, and social critic Carlos Fuentes, spread via Twitter. And it was just as befitting of his stature that the person who broke the news was the President of México himself, Felipe Calderón.

That kind of acknowledgement from the highest political circles might’ve amused Fuentes; as recently as the 1980s, his name and works were practically verboten in the public-school curriculum mandated by the country’s ruling party of seven decades, the Institutional Revolutionary Party (PRI). Far from being a loyal party subject, Fuentes, the son of a diplomat, resigned from his post as Mexico’s ambassador to France in 1977 after the PRI named Gustavo Díaz Ordaz–the former president who sanctioned the 1968 massacre of student protestors at Tlatelolco Plaza in Mexico City–to be his colleague. The party also hovered over one of his more celebrated works, The Death of Artemio Cruz.

“There was no need to mention the PRI,” he once told The Associated Press. “It is present by its absence.”

In his absence, Fuentes’ presence will be remembered not just because of his sheer dedication–he published more than 50 works spanning literature, theater, and film,  beginning with La Región Más Transparente (Where The Air Is Clear) in 1957–but because of his influence on the other writers who would fuel the Latin American “Boom” movement. As University of California-Riverside Professor Raymond L. Williams told the AP, Fuentes was responsible for galvanizing other preeminent authors, like Gabriel García Márquez, Julio Cortázar, and Mario Vargas Llosa into a collective.

“It took Fuentes’ vision to say if we unite forces and provide a common political and literary voice, we’ll have more impact,” Williams told the AP. “His home in Pedregal (an upscale Mexico City neighborhood) was the intellectual center what brought a lot of writers together.”

Fuentes was creative, almost literally, to the very end: not only is his latest book, Vlad, scheduled for release this July (“I loved the old Dracula movies,” he told Publishers Weekly)–but an essay he penned on the recent presidential elections in France was published in the Mexican newspaper Reforma the day he died, just 24 hours after his interview with the Spanish newspaper El Día was printed, in which he revealed that he had completed another book, and planned to start another.

So, it’s only fitting to let this consummate man of words speak for himself. Under the cut are selections and videos from several interviews Fuentes has given over the years. Today, we join readers, writers, and fans of the written word all over the world in celebrating Fuentes’ singular vision.
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