By Guest Contributor Neelanjana Banerjee
Soon-to-be-made indie film Farah Goes Bang, co-written by Laura Goode and Meera Menon, follows three friends in their twenties–one Persian, one Indian, and one white–who hit the road to campaign for John Kerry in 2004. One of them is also on a quest to lose her long-lingering virginity along the way. The writers describe the film as “a valentine to contemporary feminism, youth in revolt, and the passionate politics of idealism,” but most of all it represents the pair’s common “bottom line” in storytelling, one not very popular in mainstream media today: to represent women in art as women see themselves in life.
Despite their common interests, Meera and Laura hail from very different backgrounds and artistic points of view. A filmmaker born and raised in New Jersey, Meera is a first-generation Indian American of Malayali descent; her father, Vijayan Menon, is a prominent film producer in her family’s home state of Kerala. Laura, a novelist, poet, essayist, and dramatist of primarily Italian and Irish descent, grew up outside Minneapolis, MN; her 2011 young-adult novel Sister Mischief, examines, among other things, this white-dominated suburban setting.
Here they discuss their different approaches to representation and how the script for Farah Goes Bang tries to build bridges, and how you can help make this film a reality.