Tag Archives: media

Want To Land A Knight Fellowship?

Calling all journalists, documentary filmmakers, freelancers, and media makers of color!

And hey Racialicious crew! It’s been a while. I know I have a million and one things to write about. I still have to write my “Coming to Stanford” post, a post about Argo, finish the Octavia Butler book club, and some hanging posts about fandom, film, and Afro-Asiatic allegories.  And I won’t even tell you my Knight to-do list because it is starting to give me hives.  But if you are even thinking of maybe applying to this awesome fellowship, please join us on a call Tuesday.  The details (that I conveniently snatched from the NABJ Digital blog):

Join the NABJ’s Digital Journalism Task Force, along with the Asian American Journalists Association, the National Hispanic Journalists Association and the Native American Journalists Association for a conference call on Tuesday, Oct. 30 at 8:00 p.m. Eastern time to discuss the application process for the 2013-14 class of John S. Knight Journalism Fellows at Stanford University.  The program is actively seeking a more diverse talent pool and is reaching out to journalists of color.  The call will feature one current and two past Knight fellows:

Knight Fellowships director Jim Bettinger will give an overview of the program and introduce the fellows. The fellows will discuss their application process, the work they did during their 10 months at Stanford and offer tips for those who may consider applying.  We’ll then open it up to questions.
The call will be recorded for those who can’t make the live call. You can also tweet your questions to @NABJDigital or email questions to auntbenet AT Gmail DOT com.Dial-in Number: 1-213-226-0400
Conference code: 878554

Application link: http://knight.stanford.edu/news-notes/2012/be-a-knight-fellow-applications-now-open/

I also want to point out that The John S. Knight Fellowships is currently kicking ass on diversity, as reported by Richard Prince:

Less than a week after the Knight journalism fellowships program at Stanford University chose a fellowship class comprising more than half journalists of color, the Nieman fellowships at Harvard University announced an incoming class that appears to be devoid of African Americans. […] In the current Nieman class, Jonathan Blakley, an African American foreign desk producer at NPR, is the only U.S. journalist of color.

But it could always be better. So please, come hang on the call.  And if you are worried that you aren’t quite right for this fellowship, I encourage you to reconsider.   I’ve put my journalistic bio under the jump, the one I actually submitted. And my fellow Fellows include filmmakers, comic artists, bloggers, and one awesome person who was basically running “Lifestyles of the Rich and Famous” for famous Arabs. Your idea is the most important thing here. So go check it out.  And if you have questions, jump on the call.   Continue reading

The Bourne Legacy And Manila’s Militaristic Mapping

By Guest Contributor Bryan Ziadie

I’ve heard a few friends’ opinions so far about The Bourne Legacy, the latest installment in the Bourne film franchise. The last set of sequences in the film got particular attention. Those scenes take place in Manila. It seems to be the case here in the Philippines that people, at least those I know, managed to stay immersed in the film up until that point. After this, a feeling of strange misrecognition of the landscape took over. This may be because what we’re shown through the camera work in the Manila scenes suggests a perception of the Philippines not unfamiliar to a militarized American pop-culture industry that’s easy to identify with it until you find that familiar spaces have become the focus of the camera’s lens.


One thing that I’ve noticed about First World action sequences that take place in Third World settings is the position of the camera. You often find it hovering above, looking down on metal, shanty-town rooftops as protagonists run across, leaping from one roof to the next either in pursuit of, or escape from, the enemy. A couple examples that come to mind can be found in Edward Norton’s Incredible Hulk and, in Inception, the scene that takes place in Mombasa. I can’t actually remember the movie Quantum of Solace very well, but the video game features a shanty-town, rooftop-hopping stage.

(Don’t watch the whole video, it’s actually pretty boring)

But, to say on track, here’s an illustrative scene from Bourne.

(Watch the whole video. It’s actually pretty badass.)
Continue reading

Hate Crimes Always Have A Logic: On The Oak Creek Gurudwara Shootings

By Guest Contributor Harsha Walia

Candles at the Vigil. Photo: Overpass Light Brigade via DailyKos.

The Oak Creek Gurudwara is my brother’s and frequently my parent’s sangat. Over the years, they have described to me how, with deep love and commitment, the community came together to build the Gurudwara. How every week the Gurudwara provided a refuge, a sanctuary, a sense of home, a sense of belonging from the isolation of being an accented brown-skinned immigrant living in Wisconsin. When I heard about the shooting at Oak Creek Gurudwara, I happened to be facilitating at an immigrant and refugee youth camp. Dozens of young middle-school and high-school aged racialized immigrants and refugees from Latin America, Asia and Africa were describing being taunted and bullied at school, feeling discriminated against by their teachers, the hardships of systemic poverty, daily fears of detention and displacement, and feeling like “unwelcome and unwanted parasites.” As young people in British Columbia, Canada they were articulating an experience of racism similar to that which my family faces living in the Midwest of America.

While these murders were abhorrent, they were not ‘senseless’. The ad nauseaum suggestion that the killings were senseless attempts to construct the shooting as random and without logic, when in fact racist hate crimes operate through the very deliberate and precise logic of white supremacy. Continue reading

Jay Smooth on #OccupyWallStreet and Outing the Ringers

Jay breaks down OWS, and its hidden benefit. According to Jay:

It reveals to us all who the ringers are at Wall Street’s 3-Card Monte Table. […] Every three card monte set up has a ringer. The ringer’s job is to pretend they’re an objective outside observer commenting on the game, when they’re actually a part of the hustle who is there to help bamboozle the public into thinking this game is legitimate.

So naturally, if we stand next to the game and start telling everyone the game is rigged, the ringer is going to flip on us and start doing everything they can to make sure nobody listens to us. They’re going to tell everyone that we’re a bunch of losers who are just hating because we don’t know how to play the game, we’re a bunch of card-game hating socialists. They’re gonna try everything they can to discredit us, so they can protect that game they are so invested in.

And it feels like that’s what we’ve been seeing all month with Occupy Wall Street.

Four minutes and nineteen seconds of awesome. Go check it out.

Farewell to Asian Pop

Jeff Yang


Long time friend of the blog, Jeff Yang, has just lost his far reaching and influential column, Asian Pop. He writes in today’s farewell post:

So this is it, I guess: The final installment of “Asian Pop.” After nearly eight years beneath the masthead, the Gatekeepers have decided that “the economics of our business have changed in a way that doesn’t support online-only columns.” (And maybe not offline ones either: These are parlous times for the news biz.) […]

As you might guess from its title, Asian Pop began with a focus on Asian media and entertainment, treating “Asianness” as something alien to the American experience, and “pop” as a reflection of passing fancies and ephemeral trends.

Over time, however, with the encouragement of three successive terrific editors, the column moved beyond those original boundaries, transforming Asianness from a spectacle into a perspective, and making “pop” shorthand not for popular but for populi.

Last week, I accompanied Doris Truong to drop Jeff off at the airport, one his way to a retreat to go walk up a mountain and think about things. Knowing Jeff, he will come back bursting with excitement and ready to embark on a bunch of new projects. But this decision by the powers that be to kill his column (and all other online-only long form columns) is heralding more bad business to come. I’ve been engaged in journalism work for the last two years, ever since Poynter made the decision to make me a Sense Making Fellow. In many ways, I’ve had a front seat to watching the freefall of legacy media. Diversity was one of the first values on the chopping block as expendable. Continue reading

Baratunde Thurston on Donald Trump, Obama’s Birth Certificate, and the Degradation of Americans

By Andrea (AJ) Plaid

With all of the jokes about “Birthers” and Donald Trump’s toupee as well as the leftysphere excoriating the mainstream media for not taking Trump to task for his antics, Jack and Jill Politics’ Baratunde Thurston breaks down what we lost due to Trump’s BS.

Transcript after the jump.

Continue reading

Aiyana Stanley-Jones, South Philadelphia High, and Solving the News Problem

by Latoya Peterson

Earlier this month, I was mulling over a piece in The Atlantic about the decline of the news, and Google’s attempts to assist the ailing industry. I found this tidbit fascinating:

“If you were starting from scratch, you could never possibly justify this business model,” Hal Varian [Google’s chief economist ] said, in a variation on a familiar tech-world riff about the print-journalism business. “Grow trees—then grind them up, and truck big rolls of paper down from Canada? Then run them through enormously expensive machinery, hand-deliver them overnight to thousands of doorsteps, and leave more on newsstands, where the surplus is out of date immediately and must be thrown away? Who would say that made sense?” The old-tech wastefulness of the process is obvious, but Varian added a less familiar point. Burdened as they are with these “legacy” print costs, newspapers typically spend about 15 percent of their revenue on what, to the Internet world, are their only valuable assets: the people who report, analyze, and edit the news. Varian cited a study by the industry analyst Harold Vogel showing that the figure might reach 35 percent if you included all administrative, promotional, and other “brand”-related expenses. But most of the money a typical newspaper spends is for the old-tech physical work of hauling paper around. Buying raw newsprint and using it costs more than the typical newspaper’s entire editorial staff. (The pattern is different at the two elite national papers, The New York Times and The Wall Street Journal. They each spend more on edit staff than on newsprint, which is part of the reason their brands are among the most likely to survive the current hard times.)

Krishna Bharat (Distinguished Researcher at Google) puts an even finer point on the problems with the existing news model. Bharat runs Google News, the aggregator that sifts through “25,000 sources in some 25 languages” daily. And considering he has watched the type of news trends that receive coverage, his next comments are old news to many of us dissatisfied with how our communities are portrayed in the mainstream media, but hopefully illuminating to those in the industry:

In this role, he sees more of the world’s news coverage daily than practically anyone else on Earth. I asked him what he had learned about the news business.

He hesitated for a minute, as if wanting to be very careful about making a potentially offensive point. Then he said that what astonished him was the predictable and pack-like response of most of the world’s news outlets to most stories. Or, more positively, how much opportunity he saw for anyone who was willing to try a different approach.

The Google News front page is a kind of air-traffic-control center for the movement of stories across the world’s media, in real time. “Usually, you see essentially the same approach taken by a thousand publications at the same time,” he told me. “Once something has been observed, nearly everyone says approximately the same thing.” He didn’t mean that the publications were linking to one another or syndicating their stories. Rather, their conventions and instincts made them all emphasize the same things. This could be reassuring, in indicating some consensus on what the “important” stories were. But Bharat said it also indicated a faddishness of coverage—when Michael Jackson dies, other things cease to matter—and a redundancy that journalism could no longer afford. “It makes you wonder, is there a better way?” he asked. “Why is it that a thousand people come up with approximately the same reading of matters? Why couldn’t there be five readings? And meanwhile use that energy to observe something else, equally important, that is currently being neglected.” He said this was not a purely theoretical question. “I believe the news industry is finding that it will not be able to sustain producing highly similar articles.”

I’ve been thinking about this in light of the Stanley-Jones tragedy, and in light of South Philadelphia High School. Continue reading

The Lady Is A Tramp: Aiyana Stanley-Jones at the Altar of the Media

by Special Correspondent Andrea Plaid, originally published at Bitch Magazine

I’m taking a moment from my usual sexing-it-up posts because of the little girl pictured above.

For those who don’t know, her name is Aiyana Stanley Jones. And she’s dead. Her family just buried her this week.

She didn’t die from leukemia or in a drunk-driving accident or at the hands of an abusive or negligent parent or guardian.

She died for the sake of entertainment. Continue reading