Tag Archives: Marvel Entertainment

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Web of Spider-Men: Will Marvel Use Miles Morales To Stick It To Sony?

By Arturo R. García

As of Wednesday morning, the mantle of Spider-Man has changed hands in both the comic-book and movie realms. And while Marvel Comics scored a win on the diversity front, it’s fair to wonder if the move could pay dividends in another realm.

Because while it’s notable enough to see Miles Morales, the Black Latino character introduced in an alternate comics universe nearly four years ago, named as the protagonist in Marvel’s new Spider-Man title, it will be particularly interesting to see how the company handles both him and his predecessor, Peter Parker, after a series of moves de-emphasizing characters who, like Peter, are not part of the Marvel Cinematic Universe (MCU).

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Why History Supports The #DiversifyAgentCarter Campaign

By Arturo R. García

It’s telling that, within minutes of ABC quelling weeks of suspense and announcing that Marvel’s Agent Carter was getting a second season, many of the well-wishes were mixed with a call for the show to introduce more characters who weren’t cis-white hetero, a campaign that quickly gained traction under the tag #DiversifyAgentCarter.

It’s also telling that “fans” of Marvel Entertainment and/or the show quickly rolled out the same tired, insidious arguments against it becoming more diverse: that it would be “diversity for diversity’s sake;” or even worse, that it would be “historically inaccurate.”

We say “fans” because, even if you don’t question their enthusiasm for the show or for star Hayley Atwell, you have to wonder what kind of fandom they inhabit when they insist that people of color would be “unrealistic” in what Anna Cabe rightfully described last week as a show that was originated by the fight between a chemically-enhanced US serviceman and a German antagonist with his own altered skull exposed to the world.

You also have to wonder about their particular worldview when they argue that seeing of people of color would be “unrealistic” in New York City at any point in recorded history — let alone the period following post-World War II.
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A Fridge Grows In Hell’s Kitchen: On Daredevil’s Major Misstep

By Arturo R. Garcia

Enough time has probably passed that most of us can now consider Marvel’s new Daredevil adaptation in full — both the good and the bad. And make no mistake, the good has been very good at times.

In fact, I suggested on the Lawyers, Guns & Money podcast that this show, along with Orphan Black, The Flash and arguably Arrow, has introduced enough non-mainstream “prestige” shows that calls for a set of separate sci-fi/fantasy Emmys should be taken seriously.

But, like a hurdler tripping and landing chin-first near the finish line, Daredevil’s 12th episode closes on a note that is less “shocking” than it is disappointing. And par for the course with the comics industry in all the wrong ways.

SPOILERS under the cut.
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An Empty Panel: On The Nightly Show’s Diversity In Comics Discussion

By Arturo R. García

You would think that a discussion of comics and diversity on The Nightly Show would be a home run.

You would be wrong.
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Black Panther and Beyond: The (potential) Winners And Losers of Marvel’s Phase 3

By Arturo R. García

It was easy to approach Marvel Entertainment’s Phase 3 announcement Tuesday morning somewhat skeptically. After all, the 24 hours leading into it were consumed by the rumor that Benedict Cumberbatch had been cast as Doctor Strange.

Then came the news:

Coupled with the news that Marvel was finally moving forward with a Captain Marvel film, the day ended with not only widespread anticipation, but the question: where do we — fans of diversity in the superhero movie realm — go from here?

Let’s try to answer that question by asking another: Which actors and character/brands benefit from Tuesday’s news?
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Flapping In The Breeze: The New Captain America Faces Challenges From Within

By Arturo R. García

The Falcon is going to be the new Captain America! Great! But then what?

Oh, you expected this to stick? History says otherwise. But there’s a potential problem ahead.

SPOILERS under the cut

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Marvel, Please Cast An Asian-American Iron Fist

By Guest Contributor Keith Chow, cross-posted from The Nerds of Color

Yes, I am proposing that a major comic book institution change the race of one of its popular characters as it transitions to a new form of media. In this case, I want Marvel Studios to cast an Asian American actor to play the lead in the upcoming Iron Fist show it is developing for Netflix. It seems logical enough to me, though as always, there are fans who are urging Marvel to resist changing his race.

Now, I know the topic of cross-racial casting has come up time andtime again here at The Nerds of Color. And while there are a contingent of fans who don’t think such things matter — or worse, arevehemently opposed to such casting choices — I can’t help thinking that Iron Fist gives Marvel a chance to add even more diversity to its interconnected cinematic universe. Not to mention that this is a case where changing the race of the character has the potential to actually add layers of depth to the story of said character.

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Is Agents Of SHIELD really an interracial family show?

By Arturo R. García

Skye (Chloe Bennet) meets her mentor, Agent Coulson (Clark Gregg) in “Agents of SHIELD.”

THIS POST CONTAINS SPOILERS

Not to get all Morpheus on you, but: what if some of us Whedonistas have been approaching Agents of SHIELD off focus, just a bit?

Sure, I’ve been among the fans who have been critical of the show during most of its’ freshman season, with a good deal of that dissatisfaction aimed at the ostensible audience POV character, Skye (Chloe Bennet) — and this was before we found out she might be an extraterrestrial sort-of object of considerable power, on top of being a super-hacker.

But, over the weekend a colleague of mine at The Raw Story, Scott Eric Kaufman brought me up to speed on at least one more way to approach the series. It might not excuse some of the story choices in Agents thus far, but it sheds new light on how we might consider Skye and her cohorts.
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