There’s a lot to unpack from LL Cool J’s recent appearance on The Tonight Show: his statements that “you can’t fit 300 to 400 years” into a song like ‘Accidental Racist,'” and that he would never compare the Confederate flag to a do-rag–despite his linking the two in the line, “If you don’t judge my do rag, I won’t judge your red flag.”
But his insistence on defining the “conversation” (read: nearly unanimous critical disdain) around the song around “extremes” stuck out for the wrong reasons for me. It smacked of the same kind of defensiveness the comics industry has been deploying more and more in recent years. Continue reading →
Alex Summers, a.k.a. Havoc, delivers his team’s mission statement in Marvel Comics’ Uncanny Avengers. Image via ComicsAlliance.com
As a fan of both the X-Men franchise and some of his past work, I’d like to believe the best from writer Rick Remender’s online apology over his mishandling of the recent criticism surrounding his latest issue of Uncanny Avengers.
Unfortunately, regardless of intentions, “sorry” needs to be the first word in these discussions, not the last. And his statements both before and after apologizing don’t engender any more trust in his ability to properly explore the theme his story introduced. Which is a shame. Continue reading →
Before we get to criticisms, let’s start on a positive note: Overall, I loved attending New York Comic Con this past weekend. Entrenched in one giant convention center with my fellow geeks, I was mostly able to ignore the fact that most of us had no way to contact the outside world…or the friends we got separated from in the massive crowds.
Waiting in line for panels was actually the best way to escape the crowds at NYCC which seemed to take over all of midtown Manhattan (I was nearly hit by a van on 10th Ave driven by what looked like Daenerys and Spider-Man) and, as suspected, Saturday’s panels proved most exciting. Here’s a brief wrap up of two major panels and some general NYCC news and observations for those who weren’t able to attend:
All three covers for Marvel Comic’s “Avengers” #1. Via Newsarama.com
While Marvel Comics seems intent on doubling down on racefail within the X-Men titles, the new writer guiding portions of the company’s Avengers line has been promising a more diverse line-up.
As Kendra noted in her New York Comic-Con preview, Jonathan Hickman has gone on record as saying he wants half of his eventual 24-member cast to be comprised of PoC or women.
“One of the first things we all agreed on is that the roster should look more like the world,” he told Comic Book Movie.com. Looking at the line-up thus far, that “or” is a troubling distinction on what would otherwise be an admirable effort to follow through on his pledge. Continue reading →
Okay, so there’s not going to be anything Avengers-sized at this year’s New York Comic Con. That said, I’m still thrilled to be spending the weekend down at the Javits Center on behalf of The R. I’ll be on site Thursday through Sunday covering panels, celebrity sightings, and other general Con-ness. There aren’t as many panels as we had back at this summer’s SDCC, but the way I see it that just makes it easier to hit up more great stuff!
Longtime readers will remember the infamous Twitter discussion between Son of Baldwin and Marvel Comics editor Tom Breevort, where Breevort proceeded to demonstrate how limited the comics industry’s thinking can be when it comes to race.
Not that things have gotten markedly better all of a sudden, but it was pleasant to have a good conversation on the subject vis-a-vis DC Comics’ Superman last night with one of the more notable writers in the industry, Mark Waid, who tackled the character in the Superman: Birthright miniseries, and more recently has earned praise for his work on titles like Irredeemable,Insufferable and Marvel’s Daredevil.
I put together a Storify for the chat, which can be seen under the cut. One note, however: the discussion centers around the representations of the character prior to DC’s reboot last year. So, no short cape and jeans talk here. Continue reading →
T'Challa, The Black Panther. Courtesy: Marvel Comics.
Since we’re all on an Avengers high, now is the perfect time for a close look at the fascinating sometimes-Avenger: The Black Panther, Marvel’s first black (/African) superhero. Specifically, let’s look at the 2010 BET animated TV series, Black Panther, because the politics in it are, frankly, stunning.
What politics? Well, here’s the premise: The Black Panther is the leader of the fictional African nation, Wakanda. Wakanda is the exclusive home to a precious mineral called vibranium, an impenetrable metal with exceptional properties, and so The Black Panther’s job is to protect Wakanda’s borders from bastards that want to invade and exploit its riches. This includes French colonialists, ruthless mercenaries and, in the TV series, the modern U.S. government.