Tag Archives: M.I.A.

M.I.A. And The Real ‘Bad Girls’

By Guest Contributor Thanu Yakupitiyage, cross-posted from Hyphen Magazine

Courtesy of TheGrio.com

By now pretty much everyone knows M.I.A. as the bad girl who flipped off the Super Bowl halftime camera. But her fans are more preoccupied with her new music video, “Bad Girls”, in which BMWs and Mercedes Benzes race in a desert we presume to be in the Middle East, tires burn in nameless oil states, Bedouin-styled men ride stallions à la Casablanca, brown rebel-types tote guns, and backup dancers appear in not-quite-accurate hipsterized niqab and hijab.
Continue reading

Venus Iceberg X and the Ghe20 Goth1k Crew Call Out DJ Diplo for Musical and Cultural Imperialsm

by Latoya Peterson

MIA, Diplo, Cash

Around April Fool’s Day, I got this tip from friend of the blog Christina:

So, (queer) (Latina) DJ VenusxGG got in a Twitter fight last week with well-known but kinda slimey bass producer/DJ Diplo. Venus accused Diplo of being imperialist in his appropriation of musical forms (something he’s been accused of lots of times) and it ended up as a pretty entertaining/interesting public discourse for the bass community.

THEN today, XLR8R (another big bass magazine) decided to tap this for their April Fools joke…except they got Angela Davis involved. Kinda sloppy.

According to Fader’s Naomi Zeichner, who documented the tweet stream, the twitter fight began after Diplo came into one of their parties and began recording part of a set on his cellphone. @Ghe20Goth1k’s issue is extremely clear:

I told @diplo to stop and he was embarrassed by now we won’t get ant [sic] credit and he keeps making $$$ I can’t pay rent lol

Now, apparently DJ Diplo has developed a reputation for cultural appropriation – a term we’ve discussed often here, without much resolution. Since culture, by nature, is fluid, it is difficult to pinpoint when an homage or inspiration ends and appropriation begins. Diplo is best known for taking the sounds of other cultures and presenting them as hip consumables for a western audience. He rose to prominence alongside collaborator M.I.A. – and interestingly enough, even that story was steeped in appropriation of the work of a woman of color to advance his own ends. Despite being friends, Diplo (née Thomas Wesley Pentz) revealed to Drew Tewksbury:

“With M.I.A., we made a pop song totally by accident,” Pentz says. “We didn’t aim to have a big record. But she’s so cool, and that resonated with people.” He loaned a baile funk beat for her song “Bucky Done Gun” and got much of the credit for producing the whole album, which he says isn’t exactly the truth. “Back then, I told people that I produced [Arular], to get them to know who I was, but that was a total lie,” Pentz says.

Just another Diplo hustle. Continue reading