Tag Archives: Luke Cage

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Marvel, Please Cast An Asian-American Iron Fist

By Guest Contributor Keith Chow, cross-posted from The Nerds of Color

Yes, I am proposing that a major comic book institution change the race of one of its popular characters as it transitions to a new form of media. In this case, I want Marvel Studios to cast an Asian American actor to play the lead in the upcoming Iron Fist show it is developing for Netflix. It seems logical enough to me, though as always, there are fans who are urging Marvel to resist changing his race.

Now, I know the topic of cross-racial casting has come up time andtime again here at The Nerds of Color. And while there are a contingent of fans who don’t think such things matter — or worse, arevehemently opposed to such casting choices — I can’t help thinking that Iron Fist gives Marvel a chance to add even more diversity to its interconnected cinematic universe. Not to mention that this is a case where changing the race of the character has the potential to actually add layers of depth to the story of said character.

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The Racialicious Links Roundup 11.14.13: Sleepy Hollow, Renisha McBride, Luke Cage, Rememberance Day, YA Lit

Years ago, an actor/writer working on a pilot episode for Fox told me she suspected a 2010 session just led producers to transform tertiary white characters into ethnic minorities, with no change in the scripts to acknowledge the shift in race or culture.

But then came this fall’s sleeper hit, “Sleepy Hollow,” Fox’s tale about the modern-day adventures of Ichabod Crane. Ichabod somehow awakens in modern times after a 250-year sleep. The story unfolds like “The X-Files” meets “A Connecticut Yankee in King Arthur’s Court” (except the Yankee moves forward in time rather than back). Crane teams with a young cop to tackle supernatural weirdness related to the return of the Four Horsemen of the Apocalypse.

And the young cop, Abbie Mills, is played by Nicole Beharie, an up-and-coming African-American actor who made a splash as Jackie Robinson’s wife this spring in the film “42.” Suddenly, the show was anchored by a strong black woman who gets to kick down doors, tote a trusty sidearm and play skeptical Dana Scully to Ichabod Crane’s witchcraft-wise Fox Mulder (for the uninitiated, that’s an X-Files shout-out).

When the show featured a storyline centered on Mills’ sister, we got to see two black women in an action/adventure setting, fighting the bad guys instead of waiting to be rescued or seduced. It was exactly the kind of diverse casting I had been waiting for since 1999, when the issue hit a crisis point as the broadcast networks offered a fall slate of new TV shows without a single character of color.

We have been here before. Our history becomes our present so often it becomes difficult to distinguish the two. Politicians and cable news hosts and the naïvely colorblind ask us to forget, most of the country obliges, and black people, again, are left to piece together the fragments of history, suffering, rage, and pain so that we may have hope for something better.

Again we advocate for justice. Again we question what justice would even look like. Again we demand that black life be valued. Again we wonder why it never was in the first place. Again we weep, we pray, we march, we raise our voices. Again we prepare ourselves to be let down. And again we ask when will the moment come where we won’t have to go through this again.

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The Do’s And Don’ts Of A SHIELD TV Show

SHIELD logo via IndieWire.com

By Guest Contributor Kendra James

All right…as critical fans, our issues with Joss Whedon are well documented, so you can understand why ABC’s announcement that they’ve greenlit a primetime S.H.I.E.L.D. pilot written and directed by the man himself inspires more of a cautious excitement rather than all out jumping for joy.

We don’t know much, aside from it having been described as a “high-concept cop show,” that presumably takes place in the SHIELD of the Marvel Cinematic Universe (shown, so far, in Iron Man, Thor, Captain America, The Incredible Hulk, and Whedon’s Avengers). Unfortunately, the following character descriptions released this week seem to harken back to tropes and characters he’s already written. And written again.

  • Skye: This late-20s woman sounds like a dream: fun, smart, caring and confident–with an ability to get the upper hand by using her wit and charm.
  • Agent Grant Ward: Quite the physical specimen and “cool under fire,” he sometimes botches interpersonal relations. He’s a quiet one with a bit of a temper, but he’s the kind of guy that grows on you.
  • Agent Althea Rice: Also known as “The Calvary,” this hardcore soldier has crazy skills when it comes to weapons and being a pilot. But her experiences have left her very quiet and a little damaged.
  • Agent Leo Fitz and Agent Jemma Simmons: These two came through training together and still choose to spend most of their time in each other’s company. Their sibling-like relationship is reinforced by their shared nerd tendencies–she deals with biology and chemistry, he’s a whiz at the technical side of weaponry.

Maybe I’m too familiar with Whedon’s work, but this reads as a potential recasting of Firefly. And while the roles are all listed as open ethnicity and nationality, I’m willing to bet the “fun, smart, caring, and confident” Skye is cast as white while the “damaged, hardcore soldier” goes to a woman of color.

If Michelle Rodriguez’s agent isn’t all over this, they’re not doing their job.
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Race + Comics: Three Characters Of Color Who (Probably) Won’t Benefit From The Avengers’ Success

Courtesy artwallpapers.biz

By Arturo R. García

Ok, so The Avengers–pardon me, Marvel’s The Avengers–is a well-made summer blockbuster-type movie, well worth catching at least once. To no one’s surprise, the film’s gargantuan opening weekend has made a sequel inevitable. Which means it’s officially time to start speculating on which characters will be next to make the jump to the big screen.

This would be a great chance for Marvel to give fans a more diverse super-team, right? Maybe include Black Panther or Luke Cage? It’s a nice thought, but with the comic-book industry involved, it’s … best not to get too optimistic. Still, it’s not hard to see the opportunities Marvel is almost assuredly going to neglect because of some behind-the-scenes moves.

Ultimate Janet Van Dyne
Way back in 2008, Samuel L. Jackson’s surprise appearance as Nick Fury in Iron Man served as an elegant signal to viewers and readers: the nascent Marvel movieverse would be adapting material from the company’s Ultimate line of comics, which presented more diverse versions of the company’s core characters. Ultimate Nick Fury’s character design, for example, was specifically modeled after Jackson. And Ultimate Janet was depicted as an Asian-American woman.

Over the years, however, the company has transferred that corporate synergy toward its primary line of comics: Tony Stark looks more like Robert Downey Jr; Hawkeye looks more like Jeremy Renner; and most recently, a black Nick Fury was introduced in the Battle Lines miniseries.

If that pattern holds, it’s not hard to imagine Ultimate Janet not getting a movie counterpart, while her Caucasian counterpart gets the nod. But if Joss Whedon returns to direct an Avengers 2 movie, here’s to hoping he can do right by another Dollhouse alum–blink and you’ll miss Enver Gokaj as a cop in Avengers–and cast Dichen Lachman instead.

Miles Morales
It’s worth noting that Marvel doesn’t own the film rights to the Spider-Man brand; right now they’re controlled by Sony Entertainment. And even if the upcoming Andrew Garfield vehicle The Amazing Spider-Man doesn’t do well at the box office (which isn’t likely; it honestly doesn’t look bad at all), all Sony has to do is keep making movies to retain those rights. Which is bad news for fans of Miles, who was introduced in Ultimate Spider-Man last year, when he took up the mantle of the dead Ultimate Peter Parker.

Even if we indulge in some wild speculation, and argue that Marvel and parent company Disney can use some of that Avengers money to buy back the Spider-Man and Fantastic Four brands, it won’t help Miles. After all, the traditional Peter Parker is still alive and well, and a featured player in two Avengers titles.

Courtesy Marvel Comics

Monica Rambeau
Monica is perhaps still best known for being the second character to take on the name Captain Marvel (in Marvel canon, anyway), and for being written to not only appear in the Avengers comic book in the 1980s, but become the team leader.

As we’ve mentioned before on Racialicious, the key words there are “being written to ____.” Because ever since her run with the Avengers, not only have Monica’s appearances dwindled to a few miniseries, but she’s been written to give up her superhero name twice to the original Captain’s son, Genis-Vell, leading to Monica getting rebranded from Captain Marvel to Photon to Pulsar, with less emphasis on her along the way.

That doesn’t figure to change with the news that there will be a new Captain Marvel series, where Carol Danvers, the character formerly known as Ms. Marvel, will get the benefit of not only the Captain Marvel brand, but a new costume, and Marvel’s promotional muscle behind her. In other words, the Danvers character is being positioned to be all but a cinch for inclusion in the next round of Marvel films.

This isn’t a knock on the new Marvel’s creative team, writer Kelly Sue DeCormick and artist Dexter Soy. But Marvel editor Steve Wacker did shed some light on the company’s thought process in this piece by Comics Alliance’s Laura Hudson, where he told Hudson he “has been trying to get this name change since my first day editing the book about five years ago, so this has been a long time coming.”

Think about that for a second. Wacker had been working on raising the Danvers character’s profile for five years. All the while, Carol has been written to be a part of at least one Avengers team, on top of getting her own solo series. Has anybody given such consideration to an audience for Rambeau, even as she was part of the cult hit miniseries Nextwave?

Apparently not, because ever since Nextwave, Rambeau has only been written as a supporting players in miniseries like Marvel Divas, Heralds, and Young Allies, none of which was promoted as a major event by Marvel. Why could that be?

Oh, right. Silly me.

Aside: I feel it’s absolutely necessary to point out that while the Avengers film is good for what it is, but none of it would have been possible without the efforts of Jack Kirby, who co-created many of the characters featured in it and won’t see a dime of the box-office take. CA’s David Brothers has an excellent column detailing how little Kirby received for his contributions to Marvel Comics:

For most artists, the form was a one-page contract. For Kirby, it was four pages. You can read the form here on The Comics Journal site, and get a good background on the fight for Kirby’s artwork by Michael Dean here. Marvel offered to return eighty-eight pages to Jack Kirby. Kirby’s regular schedule for in the ’70s was fifteen pages a week, depending on how much outside animation work he was doing. But even then, he’d worked for Marvel for years, generating thousands of pages of work. There is a gulf as wide as the Grand Canyon between what Kirby was legally owed and what Marvel offered. Marvel’s offer was an insult, at best.

In exchange for those 88 pages, Kirby would have to give up several rights. Here’s an incomplete list of Marvel’s requests:

  • Kirby was to agree that Marvel was “the sole and exclusive owner of all copyright in and to the Artwork throughout the worid,” and if the art somehow wasn’t already copyright Marvel, Kirby was to cede copyright to Marvel for that, too.
  • Kirby was to receive no royalties for future use of the work by Marvel.
  • Kirby was forbidden from assisting others in questioning Marvel’s copyright.
  • Kirby was forbidden from objecting to future use or modification of his work, no matter the form it took.
  • Marvel was to receive the rights to Kirby’s name, likeness, and biographical info to use in their marketing or publishing as they wished.
  • Kirby was not allowed to copy, publicly display, or even give away any of his artwork.
  • Kirby was to give Marvel unfettered access to the artwork at Marvel’s sole discretion.
  • Kirby was forbidden from saying that Marvel had possession of any more of his art.

In light of this injustice, I’d like to invite our readers to make a donation to Avengers to The Hero Initiative, a non-profit group that helps comics creators pay for medical aid and other essentials as needed. Another standout piece from CA on why this matters can be found here.

Marvel Does Right By Runaways

By Arturo R. García

Good news from Racebending yesterday: Marvel Studios responded to questions over the casting of Nico Minoru in the best possible way.

As you’ll recall, the character is one of the core characters of Marvel’s Runaways comic-book series. But the original open call, while specifically asking for African-American actors to audition for Alex Wilder, left Nico’s description open, aside from the problematic description of “uniquely beautiful.”

But as posted on Racebending Thursday, the company sent them this statement:

Thank you for reaching out regarding your concerns over Marvel’s recent casting notice for THE RUNAWAYS. We appreciate your interest in our production and with Marvel Entertainment.

To address your concern over casting for the role of Nico, as we do with all of our films, we intend to stay true to the legacy and story of the comic when casting these parts. Thus, our goal is to cast an Asian American actress as depicted in the comic series and the casting notice will be adjusted accordingly.

We thank you again for your correspondence and the opportunity to clarify our process.

Marvel Studios

And it’s true: the film’s casting call website now specifies that the “Girl 1″ character is not only “uniquely beautiful” (whatever that means), but Asian-American. Also, the audition deadline has been pushed back to Sept. 15 to give applicants more prep time. So why does this matter? As we did in the case of The Last Airbender, we’ll let Racebending break it down:

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