Tag Archives: LL Cool J

Target Audiences: LL Cool J And Marvel Comics Work The Spin Cycle

By Arturo R. García

There’s a lot to unpack from LL Cool J’s recent appearance on The Tonight Show: his statements that “you can’t fit 300 to 400 years” into a song like ‘Accidental Racist,’” and that he would never compare the Confederate flag to a do-rag–despite his linking the two in the line, “If you don’t judge my do rag, I won’t judge your red flag.”

But his insistence on defining the “conversation” (read: nearly unanimous critical disdain) around the song around “extremes” stuck out for the wrong reasons for me. It smacked of the same kind of defensiveness the comics industry has been deploying more and more in recent years.
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The Racialicious Links Roundup 4.11.13

The same week that a dozen defiant senators threatened to filibuster any new gun control legislation, Paul ventured across Washington to historically black Howard University and gave a speech aimed at outreach and bridge building.

The man is mulling a presidential run after all.

The speech was a dud. It was a clipped-tail history lesson praising the civil rights record of the pre-Southern Strategy Republican Party, while slamming the concurrent record of the Democrats.

It completely ignored the past generation of egregious and willful acts of insensitivity by the G.O.P. toward the African-American community.

“We are not expecting LGBT families to be included in the Gang of 8 [sic] bill,” Immigration Equality director Rachel Tiven told the Washington Blade yesterday. “That in our minds means that of course the bill is incomplete.”

In January, the White House urged Congress to include same-sex couples in legislation. Its proposal on immigration reform recommended “[treating] same-sex families as families by giving U.S. citizens and lawful permanent residents the ability to seek a visa on the basis of a permanent relationship with a same-sex partner.”

But Republicans who champion immigration reform have been clear from the start of this round of deliberations that they wouldn’t support rights for same-sex couples. Gang of Eight member Sen. John McCain, R-Ariz., called the provision “a red flag” in a January interview on CBS.

I can understand why an artist like Paisley would be attracted to an artist like LL Cool J. I can’t for the life of me understand why he’d choose LL Cool J to begin “a conversation” to reconcile. Rap is overrun with artists who’ve spent some portion of their career attempting to have “a conversation.” There’s Chuck D. There’s Big Daddy Kane. There’s KRS-ONE. There’s Talib. There’s Mos Def. There’s Kendrick Lamar. There’s Black Thought. There’s Dead Prez. And so on.

In an artform distinguished by a critical mass concerned with racism, LL’s work is distinguished by its lack of concern. Which is fine. “Pink Cookies” is dope. “Booming System” is dope. “I Shot Ya” is dope. I even rock that “Who Do You Love” joint. But I wouldn’t call up Talib Kweli to record a song about gang violence in L.A., and I wouldn’t call up KRS-ONE to drop a verse on a love ballad. The only real reason to call up LL is that he is black and thus must have something insightful to say about the Confederate Flag.

The assumption that there is no real difference among black people is exactly what racism is. Our differences, our right to our individuality, is what makes us human. The point of racism is to rob black people of that right. It would be no different than me assuming that Rachel Weisz must necessarily have something to say about black-Jewish relations, or me assuming that Paisley must know something about barbecue because he’s Southern.

The magazine is throwing a “New Guantanamo” party in conjunction with Le Baron, the New York City nightlife brand run by Andre Saraiva. The party has been roundly criticized on Twitter and on fashion blog Refinery 29, which wrote on Monday, “Flaunt Magazine tends to be pretty great when it comes to thinking creatively, but its recent invite to a Guantanamo-themed party (yes, seriously) quickly shifted from fun to completely absurd.”

The party invite promises “pleasurable torture” by makeup brand Smashbox Studios, and the poster features models carrying large machine guns.

I received a note this morning from a friend of a friend. She lives in the UK, although her family didn’t arrive there by choice. They had to flee Chile, like thousands of others, when it was under the thumb of General Augusto Pinochet. If you don’t know the details about Pinochet’s blood-soaked two-decade reign, you should read about them but take care not to eat beforehand. He was a merciless overseer of torture, rapes and thousands of political executions. He had the hands and wrists of the country’s greatest folk singer Victor Jara broken in front of a crowd of prisoners before killing him. He had democratically elected Socialist President Salvador Allende shot dead at his desk. His specialty was torturing people in front of their families.

As Naomi Klein has written so expertly, he then used this period of shock and slaughter to install a nationwide laboratory for neoliberal economics. If Pincohet’s friend Milton Friedman had a theory about cutting food subsidies, privatizing social security, slashing wages or outlawing unions, Pinochet would apply it. The results of these experiments became political ammunition for neoliberal economists throughout the world. Seeing Chile-applied economic theory in textbooks always boggles my mind. It would be like if the American Medical Association published a textbook on the results of Dr. Josef Mengele’s work in the concentration camps, without any moral judgment about how he accrued his patients.

Pinochet was the General in charge of this human rights catastrophe. He also was someone who Margaret Thatcher called a friend. She stood by the General even when he was in exile, attempting to escape justice for his crimes. As she said to Pinochet, “[Thank you] for bringing democracy to Chile.”

These misogynistic jokes discredit Griner’s ability to play ball with men by tapping into old sexist ideas that women are always less than men and that their specific space in this world is wherever men are not. The very act of getting on Twitter and saying misogynistic things about such a popular female sports star is an act of desperation. It means to set right the balance that was upset when Cuban floated the idea of allowing Griner to try out for the NBA.

With an irony not apparent to these commentators, the belief that Griner is “not manly enough” to play in the NBA is flatly opposed by the other offensive method people used to insult her: that she is a man. This is a classic transphobic trope, or a fear that her gender presentation does not “match” the sex she was assigned at birth. For example: “she possesses man parts, so why not?”“Griner has a penis and would fit right in”“She looks and sounds like a man.” For much more, if you need it, in this vein, just check out the hashtag.

These transphobic jokes, like the misogynistic ones, devalue Griner because we live in a society that denigrates trans people in general and chafes whenever confronted by someone who does not fit into a neat box of “feminine woman” or “masculine man”. Because athletes are seen as “masculine”, female athletes, by being athletic, are no longer feminine.

Let Me Break It Down for You: Brad Paisley’s “Accidental Racist”

by Joseph Lamour

I, like the rest of the internet and world (outside of the Arista Nashville offices, apparently), think “Accidental Racist” is an absolutely awful song. With a title that sounds more like a play by Neil Simon than a country-rap crossover, this misguided attempt at finding racial common ground is so terrible because it’s just so ill-considered from both sides of the duet. Being like I am, though, I try to give people the benefit of the doubt when things like this happen. I try to figure out why that actor called that other actor that homophobic slur. I hold on hope for fallen starlets for about a year longer than everyone else. But, because I  also Like being appalled (it gives me an excuse to make this face), I often break it down the whole process when something like this happens.

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The Extra-Large Racialicious Guide To San Diego Comic-Con 2011, Part I

By Arturo R. García

The San Diego Comic-Con’s growth shows no signs of slowing down, even before its’ host venue, the San Diego Convention Center, begins its’ own expansion. As things stand, however, you can expect virtually all of downtown San Diego to be awash in SDCC-related events of their own. With that in mind, this year’s guide will run in two installments, while also covering some of the extracurricular festivities and celeb sightings.

Case in point: if you’re a Whedonista getting into town before Preview Night on July 20, you should go see singer Jane Lui in a stage adaptation of TEH JOSS’ Dr. Horrible’s Sing-Along Blog. The show premieres July 17 and runs thru July 30 at the Tenth Avenue Theatre. Tickets are available here, and you can see Lui talk about her transition to acting here:

With that in mind, click under the cut for a look at the POC-centric stuff going on and around SDCC. Highlighted panels will include the full description from the SDCC program.
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