Tag Archives: Kreayshawn

“I’m Just A White Girl In This World” — On Hip-Hop’s White Girls and Internet Novelty

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Screen cap of Kreayshawn’s “Gucci Gucci” music video.

By Chelsea Upton originally posted at Not A Neophyte

In the “Ay Shawty 3.0″ video, a soft lense captures Kitty’s flower halo as she walks through a field, sundress and all. For the “rap game Taylor Swift” this imagery is not uncommon. The coy femininity — eyes darting away from the camera while she leisurely spits rhymes — are part of what made her breakthrough, “Okay Cupid,” such a massive Internet sensation. “Okay Cupid” was a disconcerting juxtaposition of teenage girl iconography and veiled suggestions, Kitty rapping about receiving three a.m. thirst calls from men, while she and her friends lounge in a room decorated with Hello Kitty and various heart shapes. The success of “Okay Cupid” (and perhaps, Kitty in general) is attributed to novelty, with a young, innocent-looking white girl rapping about cocaine with a carefully-placed bow in her hair. Kitty was 19 when “Okay Cupid” was released, but her refusal to talk about her age led people to speculate that she was younger.

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Quoted: Clutch Magazine on Kreayshawn


Note: Audio NSFW

White rappers aren’t the problem. Exploitation of Black culture is.

Black culture is diverse with various meanings; and how one defines Black culture varies from individual. In the case of Kreayshawn, I’m referring to her misinterpretation of what she thinks Black culture and hip-hop is.

One could argue she is exactly what hip-hop has become–gimmicky, devoid of substance, whack, the glorification of a street life, sexualized and talentless. If that’s the case, is she appropriating Black culture or just a part of a watered down genre?

I don’t believe for one second her image is authentic. It is one derived of the stereotypical “sister girl” trope we’ve seen time and time again. Understand, I’m not arguing whether “sister girl” actually exists. I’m not even arguing that the “sister girl” is to be shunned. But Kreayshawn’s image, how she carries herself, her lyrics are all derivative of her very limited view of Black culture.
- From “Kreayshawn: Another Case of Appropriating Black Culture,” by Bene Viera, June 6