Tag Archives: K-pop

PSY And The Acceptable Asian Man

By Guest Contributor refresh_daemon, cross-posted from init_music

 The song of the hour.

So, by now, pretty much everybody who covers Korean music and a batch of mainstream international publications have had something to say about PSY’s “Gangnam Style”, which has, as of the writing of this post, had over 190 million views on YouTube, become an internet sensation, led to Psy getting airplay over the radio in some larger metropolitan cities in the US, and even got him signed to the record label that represents Justin Bieber. And while everyone I know that follows Korean music knows PSY, even my friends and peers who otherwise don’t care a thing about Korean or Asian media know about PSY and holler “Oppa Gangnam Style” along with him.

Much has been said about the viral sensation, breaking down the best moments of the video, examining whether or not this is a boon to Korean music’s attempts to break into one of the most lucrative music markets in the world, and some pieces even went deep into the actual meaning of “Gangnam Style.” And I was happy to let everyone else talk about “Gangnam Style” and its place in our world…except that I still have yet to read an article that hits one particular reason why I think “Gangnam Style” is so acceptable to Western audiences when every Korean and Japanese pop artist that tried to make it in America before has failed.
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PSY’s “Gangnam Style” And “Gangnam Oppa” In “Architecture 101″ (1)

By Guest Contributor Jea Kim (aka Onsemiro), cross-posted from My Dear Korea

  1. What the Heck Is Gangnam Style?

PSY finally set the world on fire with a song, Gangnam Seutail (강남스타일, “Gangnam Style”), written and performed by himself. The song is the title track of his sixth studio album, Yukgap (육갑), which can be interpreted two ways: (i) the word originally  means “the sexagenary cycle;” but (ii) it is mostly used in a derogatory way as meaning “a total retard.”  However, PSY chose this word to express his hope that his sixth (육(六), “six”) album would be the best (갑(甲), “best”). He made a wish and his wish came true.  In fact, the song turned out to be a greater success than he had hoped; it became an instant YouTube, and iTunes hit upon its release and also has immediately become a worldwide phenom.  And people are beginning to wonder what the heck is “Gangnam style.”

Generally speaking, “Gangnam” is the south of the Han River in Seoul while “Gangbuk” is the north of the river, in which gang means “river” (that is, the Han River); nam is “south,” and buk is north.  More specifically, though, it refers to the areas that include Gangnam-gu and Seocho-gu districts as seen below.  (Note that Songpa-gu can be considered to be part of Gangnam in a broader sense.)
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Feminism and K-Pop: Why 2NE1 Matters

By Guest Contributor refresh_daemon, cross-posted from Init_Music

Even though I’ve been able to mildly appreciate the various idol pop songs that are produced by the mainstream Korean pop industry, it’s only been in the last couple months that I’ve been particularly drawn to any particular idol group and its music. This group is YG Family’s 2NE1, a girl idol pop quartet, which debuted in 2009.

Interestingly enough, I first encountered 2NE1 via an introductory post regarding the discussion about cultural appropriation on Racialicious and before anything else, I was struck with the group’s eye-popping wardrobe and surprisingly found myself appreciating the production and songwriting of “Fire”, but soon after, my awareness of the group faded until Anna/helikoppter at IndiefulROK pointed towards a cover of 2NE1′s “I Don’t Care” by folk songstress obsession of mine, Osoyoung.
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