Step 3: Play the ‘Middle’ Between Rational and Frothing Racist
You know how mainstream news shows discuss global warming by pairing an actual scientist who points to decades of consistent research with an oil-company shill who says global warming can’t be real because Al Gore said something dumb once? And you know how the news anchor moderating the discussion gets to occupy the “rational” “middle” ground by saying “more research is probably needed”? You’re that guy now. Crackpots don’t get people fired, people who validate crackpots do, so get to work.
Let me get you started on your “common-sense” blog post, article or mainstream interview: “We can all agree that the behavior of these Internet trolls is unconscionable. However, let’s not discount their concerns because of a few bad apples…”
You’ve got some primo poli-sci Overton Window triangulation going on now! By assigning the Internet trolls one end of the alignment spectrum, you’ve successfully shifted the terms of the debate from, “What can be done about rampant unjust outcomes for women and people of color?” to “How many racial epithets is it OK to fit in a tweet?” Also, don’t moderate the comments on your blog post, even if they overtly threaten women and people of color. That would be, like, censorship.
Hun Loo “Lincoln” Gong, a self-made billionaire who designed the first chip that enabled laptops to automatically read both Apple and PC software in Chinese and English, was rejected from Harvard in 1981.
He has never forgotten that, nor the fact that it’s impossibly difficult for Asian Americans to get beyond the limitations of top institutions with increasingly high percentages of Asian American students.
“Schools just don’t want to go beyond 30-40 percent Asian,” said Gong. “It’s true for private schools like Harvard or even public schools like UC Berkeley. But think what kind of student body you can have with all those Asian American rejects.”
That’s when the light went off in Gong’s head.
“I never forgot when I was rejected from Harvard, I got a scholarship to attend Lincoln University in Pennsylvania,” Gong said. He didn’t realize it was a historically black school at the time, but applied because his immigrant father would only let him go to a school named after the family hero.
One has to wonder why mainstream black music, once rich with R&B that promoted love, tenderness and substance, now includes one of two types of songs: vapid pop numbers by artists who sound more like robots than real people, and commercial rap tracks that glorify violence, materialism and misogyny. It’s hard not to conclude that this shift in style, one that minimized music of positivity and substance, was orchestrated by record label and radio executives in an effort to re-shape the sound of black music, and perhaps the perception of black people.
So Timberlake’s success, while well-deserved, inherently speaks to the limitations and pressures placed on black artists in comparison to the artistic freedom granted to white artists. It forces us to question whether Timberlake, if he was black, would be given the latitude to explore pop, funk, rock, soul and R&B, all while blending retro elements with futuristic sounds, or if he would be pressured by label bosses to conform to the same watered-down, generic pop standard so many one-time R&B artists now call home because “that’s what listeners want.”
On what he has risked by coming out. A lot. I miss being private.
On being more closely identified with Latinos than Filipinos. I really am grateful that my name is Jose Antonio Vargas. I could have been named something like…I have family members whose last name is Batuyong. That’s very Filipino. But my name is very Hispanic, Latino. The Filipino community was like is he not proud of being Filipino? I got a lot of that. I am adobo- cooking, TFC-watching, Sharon Cuneta-Vilma Santos listening (Filipino). I’m as Filipino as they come. I speak Tagalog fluently. I understand Sambal, which is the dialect of Zambales where my grandparents come from. So if you think I’m not Filipino that’s your problem. That’s not my problem.
It was here that a group of Indian activists aired their grievances against the government with a forcefultakeover in 1973 that resulted in protests, a bloody standoff with federal agents and deep divisions among the Indian people.
And now the massacre site, which passed into non-Indian hands generations ago, is up for sale, once again dragging Wounded Knee to the center of the Indian people’s bitter struggle against perceived injustice — as well as sowing rifts within the tribe over whether it would be proper, should the tribe get the land, to develop it in a way that brings some money to the destitute region.
James A. Czywczynski of Rapid City is asking $3.9 million for the 40-acre plot he owns here, far more than the $7,000 that the deeply impoverished Oglala Sioux say the land is worth. Mr. Czywczynski insists that his price fairly accounts for the land’s sentimental and historical value, an attitude that the people here see as disrespect.
“That historical value means something to us, not him,” said Garfield Steele, a member of the tribal council who represents Wounded Knee. “We see that greed around here all the time with non-Indians. To me, you can’t put a price on the lives that were taken there.”
Speaking on HuffPostLive, Martin–who was recently let go by CNN–said that he had come to the network with every intention of getting his own show. He added that it was never made clear to him why that wasn’t happening, but that he suspected race had something to do with it.
“You have largely white male executives who are not necessarily enamored with the idea of having strong, confident minorities who say, ‘I can do this,'” he said. “We deliver, but we never get the big piece, the larger salary, to be able to get from here to there.”
Martin said that he hosted highly-rated specials for CNN, so he didn’t understand why he wasn’t rewarded.
“If it’s a ratings game, and we won, how is it I never got a show?” he said.