By Arturo R. García
Friday brought some surprising news, as Comedy Central announced that Daily Show longtime “Senior Black Correspondent” Larry Wilmore had been picked to take over the valuable post-Daily slot starting next year from Stephen Colbert, with the show being retitled The Minority Report With Larry Wilmore.
Besides hosting the show, Wilmore will also serve as executive producer, with the Report maintaining its production link to its predecessor through Jon Stewart’s Busboy Productions.
The network’s release did not shy away from the significance of Wilmore getting this spot, either:
“The Minority Report with Larry Wilmore” will provide viewers with a distinct point of view and comedic take on the day’s news from a perspective largely missing in the current late night landscape. Hosted by Larry Wilmore, the series will feature a diverse panel of voices currently underrepresented in comedy and television.
But, the concern’s already rung out on Twitter: Does the title already point toward self-limitation on Wilmore’s part? What do you think of Wilmore’s hiring and the show’s prospects?
By Arturo R. García
One of the arguments surrounding the #CancelColbert campaign has been that it has effectively given some white people “passes,” among them the target of the Stephen Colbert “Foundation” bit that inspired the tag in the first place, NFL owner Dan Snyder.
And that’s a fair point. But it’s also inaccurate to suggest that the campaign did not deal with “real racism.” Because, as we’ve seen over the past few days, a quite verifiable strain of hatred — at times veering into racism and misogyny toward activist Suey Park, as well as others discussing the issue — on the part of people who claim they’re not just defending Colbert, but comedy itself.
(Note: This post is image-heavy, with coarse and NSFW language under the cut.)
The Dunn verdict is really the cherry on top of the sh*t sundae that is Black History Month. First, We got assigned February — the month nobody wants, the only month that contains the letters ‘F’ and ‘U.’ And then, in case we didn’t get the message, they round out the month by letting another white guy off for gunning down a Black kid. You do know Black History Month isn’t like deer season or turkey season, right? It’s not the month when you’re allowed to shoot Black people.
Sure, [Jordan Davis and his friends] looked unarmed to us. And to the police, and to the other eyewitnesses. But that’s because we’re not wearing fear goggles. That’s the lens through which chronically terrified white people look at Black kids. Like, say, a guy who carries a gun in his glove compartment and thinks Florida juries favor Black people.
Once you put on fear goggles, you’ll hit anything with a bullet.
By Arturo R. García
I won’t lie – I was skeptical when I first heard George Lucas was appearing on The Daily Show to promote his new Tuskegee Airmen story Red Tails. On the surface, it represented a missed opportunity: the film centers around four black characters, with a cast that includes Terrence Howard, Cuba Gooding Jr. and Ne-Yo – why weren’t any of them getting some face-time with Jon Stewart?
Lucas’ appearance ended up being a pleasant surprise. But, both he and Stewart left one important question hanging.
Via Maurice Cherry, we get this Daily Show mashup of Don Lemon and his mounting frustration with fake news stories.
by Latoya Peterson
CNN anchor Rick Sanchez was tired of being the butt of everyone’s joke.
He was done with hiding things. He was fed up with playing corporate games. So last Friday, Rick Sanchez went on Pete Dominick’s Sirius hosted XM radio show to get a lot of things off his chest.
Sanchez came out firing – and hit two targets, his own leg, and a few passerby.
His comments on the biased nature of news media were dead on until they veered into bigoted territory. His attacks on Jon Stewart, specifically about his ethnicity, veered fully into old antisemitic tropes. This led to Sanchez’s firing from CNN on the day the news broke.
The reactions around the media world are a mess, and unpacking the issues behind the situation becomes a wild ride through the dynamics of oppression, kyriarchy, professional passing, media conglomerates, and prejudice. Continue reading
By Thea Lim, cross-posted from Bitch Magazine
While I was writing our weekly True Blood roundtable with my Racialicious peeps on Tuesday, Tami Winfrey Harris said:
Watching King Russell go rogue on national TV made me think of the dread many POC feel when the media spotlights a member of our race doing something bad, dysfunctional or stereotypical–that sense that the bad behavior of another will stick to you in a society that lumps every brown person together. I just pictured vamps across the States watching Russell and shaking their heads. Aw, shit! This motherfucker…My neighbor is going to be giving me all kinds of side-eye tomorrow!
Don’t worry if you don’t get the King-Russell-going-rogue reference: what I wanted to share with you was Tami’s observation that people of color often feel anxious, sad, angry or personally hurt when a member of their race does something stereotypical in public.
I rarely feel this way, despite the fact that I proudly identify as a woman of color. The reasons for this are various—the shorthand version is that, in the genetic lottery that was my parents’ interracial English-Irish-Chinese-Singaporean union, I came out looking pretty ambiguous. Unlike my sibling who looks pretty mixed but also clearly Chinese, I have Inverted Chameleon Face: wherever I am, I look like I’m from somewhere else. People can tell I’m mixed, but they’re not totally sure what I am. (So yes, this means that many a time people have asked me what are you?… the worst time was when dudes at a bar where I worked placed bets on “what I was” and then called me over to settle the debate.) Thusly, growing up in Singapore, folks always thought I was white. Now that I live in North America, I am never really sure if people read me as Asian, white, or Other.
So, I don’t know whether or not others associate me with any public bad behavior carried out by my people. And usually, because I identify as a mixed race woman of color, I feel equally steamed about racist or sexist or racist sexist behavior directed against any group—and this is why I write for Racialicious, pan-ethnic space for people of color extraordinaire—whether it’s the Oscar Grant verdict or the politics of transracial adoption. But I rarely feel personally hurt.
And then I came across Olivia Munn.
So I decided to write Olivia a letter.