By Guest Contributor Kendra James
There are five stories I would love to see added to Supernatural Canon:
- A Gettysburg battlefield ghost haunting focusing on one of the many Civil War era tales.
- Anything dealing with the Salem Witch Trials and Tituba.
- A Gullah or Southern African-American story, like The Talking Eggs that takes Sam and Dean to the Cape Fear region or lower, into South Carolina.
- Anything that deals with a haunting dating back to the days of slavery, in the vein of The Legend of Pin Oak.
- A trickster story where the trickster isn’t a white male, but some personification of Anansi, or Br’er Rabbit. (Or, in my wildest dreams, a Heyoka personification, but that is neither here or now and probably far too complicated for network television…)
Unfortunately, after six seasons I’ve given up on ever seeing these or anything that reflects the folklore and legends I grew up with as an African-American kid.
For those of you not in the know, Supernatural is a show about two brothers, Sam and Dean Winchester, who travel across America with an arsenal in the back of their old ’67 Impala so that they can battle various supernatural beings across the country. Aside from the good looking male leads — a staple of any CW show, here played surprisingly well by Jensen Ackles and Jared Padalecki — the thing that kept me coming back when I started watching was the focus on playing around with American Folklore and its use of America itself as a setting. For a show shot in Vancouver it captures the essence of the country with a surprising attention to detail. From the fabled western highways to the roadside diners to the small country towns, America is as much of a character as the characters from her folklore.
Well, part of America, anyway, and therein lies my problem.