By Andrea Plaid
Of course, when I think of this week’s Crush from the standpoint of my childhood, he’s forever Lieutenant Hikaru Sulu, looking calmly into the starry universe and co-steering the USS Enterprise through it on the reruns I’d watch with my mom on Saturday afternoons. In my adult life, he’s the criminally underutilized character, Kaito Nakamura, on Heroes. And a helluva of a social media user and activist, boldly using the former for the latter.
The US government forcibly relocated Takei’s family from their home in Los Angeles to an interment camp in Arkansas in 1942, when he was 5 years old, and then to another internment camp in northern California. After World War II ended, his family moved back to Los Angeles. In junior high school Takei was voted student body president; he was also a Boy Scout at his Buddhist temple. After the jump is an interview in which he recalls his childhood:
By Arturo R. García
The Mixed Roots Film & Literary Festival contacted us with the heads-up: the submission period has opened for this year’s event, scheduled to run June 16-17 at the Japanese American National Museum in Los Angeles.
There is no submission fee for entries sent before Feb. 15, but entries submitted between Feb. 16 and March 15 must be accompanied by a $50 fee. We’ve got information on each category, and links to the required submissions forms, under the cut.
By Guest Contributor Quentin Lee, cross-posted from You Offend Me You Offend My Family
Exactly. Why not start your own film festival if you have movies to screen that didn’t get into other film festivals? I have to say that’s the best motivation to start a film festival—having that passionate need of showing films (whether your own or others) that other film festivals neglected.
That’s how Slamdance started. It was a reaction against Sundance not accepting several filmmakers’ features. Those rejected filmmakers went to Park City in 1995 and started their own festival–Slamdance–which has become a bit of an institution of its own.