by Carmen Van Kerckhove The King Kong-esque imagery on the latest cover of Vogue is…
Tag: interracial relationships
by Racialicious special correspondent Wendi Muse
(. . . Continued from Part 1)
The hypothetical situation I posed above is clearly as far-fetched as Jensen’s advocacy of ending masculinity, but in the long run, especially with so many supporters of the eradication of race and the installation of colorblind institutions, could an erasure of race as we know it lead to an altering of our fantasies and their portrayal on screen?
My answer is a definite yes.
Without a doubt, the use of race in fantasy scenarios aids the process of arousal. Taboo elements in porn assist in the option of living vicariously through the actors/performers on-screen. Particularly with regard to race, as one’s race is basically immutable, certain attributes assigned to the actors’ respective sexual prowess or lack thereof are also seen as immutable, rendering porn actors/actresses of color mere props in a fantasy, just like whips, chains, or clamps would be in an S&M flick. Their race, as set by the film’s theme or as interpreted by the viewer, becomes a vehicle for the fantasy, used solely for the sake of helping the viewer achieve orgasm. Race becomes a fetish element, if you will, and porn writers, producers, and the actors involved use essentialization as a key part—without it, the fantasy of interracial sex dissolves.
The very fact that interracial porn is a genre in itself is telling. With porn categories often catered to the specifics needs (or assumed needs) of its viewers, sex between a black man and an Asian-American woman, as an example, becomes comparable to sex between a dom and a sub, simply another image to fulfill the sexual desires of the audience, though through considerably dehumanizing means. For example, just as women in straight porn films are often degraded, usually supplying self-deprecating speeches to mirror the verbal abuse of her male partner, interracial porn performers must do the same, often spouting out racist rhetoric that would make a Neo-Nazi blush, solely to bolster the element of fantasy.
Stereotypes replace basic dialogue, with the characters often addressing each other in race-based sexual terms, most particularly those which employ synecdoche (i.e. a black man may be referred to simply as “big black d*ck” or, as commonly seen in films featuring American men with Brazilian female sex partners, a Latina may be referred to solely by the size and shape of her bottom). And just as in “mono-racial” porn, third person becomes the most common form of address, with the actors often self-narrating, giving some of the actions a more disturbing meaning if the dialogue is racist (i.e. lines like “watch me make this Asian b*tch my little Geisha whore”). Violence is often combined with sex in hardcore interracial porn, closely correlating with mono-racial porn, yet when added with racism and verbal abuse, interracial sex in porn takes on a unique meaning, that being mainly that in order to have proper sex with someone of a different race, or to enjoy that fantasy, defilement is essential. And again much like its mono-racial counterpart, interracial porn employs exaggeration as a device to enhance scenarios further, though in a racial context, often with stereotypes, race-based monikers, and objectification at a heightened level. Even the racial differences themselves are greatly exaggerated and, many times, inaccurate (much like mainstream Hollywood films), with people of color fitting a specific and predictable description physically (Latinas tend to have dark hair, olive skin tones, and physical proportions that weigh heavily on the lower half, black actors/actresses usually have dark skin as to provide a color contrast with their non-black sex partner, etc), transforming race into not only a prop, as mentioned previously, but also as a costume and a landscape upon which the cinematographic foundation relies for stability. Read the Post Interracial Porn: Holding Us Back While Getting Us Off? (Pt. 2)
by Racialicious special correspondent Wendi Muse
I am by no means an expert on porn, nor do I pretend to be. Yet considering the volume of hits on xtube.com or youporn.com that could be traced back to my IP address, one would assume so. If not that, one would at least be able to mentally file away my name with all the other people in the “creepy” category. Some of you may be wondering about this new obsession of mine that has developed during my period of hiatus, but I can fortunately hold someone else partially responsible.
In November of 2007, Courtney, a contributing blogger for Feministing, reviewed a book aptly titled Getting Off: Pornography and the End of Masculinity by Robert Jensen. Much like fellow feminist theorist, the late Andrea Dworkin, Jensen considers pornography a visual manifestation of misogyny—hatred of women captured on film. With sexual arousal distracting the viewer, acts of violence and subjugation of women are interpreted through a different lens than, say, if they were portrayed minus the element of sex. Yet also like Dworkin, Jensen’s work borders on misandrist, stating as his major thesis that “If men are going to be full human beings, we first have to stop being men.” Using pornography as a microcosmic representation of the world as a whole, at least insofar as relationships between men and women are concerned, Jensen proposes that masculinity must be abandoned altogether as, in his opinion, it is inextricably linked to a world in which women are viewed as stupid, submissive, and deserving of abuse.
I agree with Courtney in her mention of the many loopholes within the book, in particular her comments regarding women who enjoy submission or even pain during sex. I also concur with regard to her discussion of images and scenarios within pornography playing out in real life. Many once-taboo subjects and sex acts, including, but not limited to, threesomes or multi-partner sex, anal sex, BDSM, and even the use and purchase of sex toys, have become mainstream. Porn is not entirely the culprit, but its proliferation has certainly aided Americans in their burgeoning sexual open-mindedness. With an orgasm only a click away, pornography has experienced a similar transformation to that of the music industry, with the creation of mp3s and pirate sites, and the film and tv industry, with the onslaught of youtube and bootleg dvds of sidewalk entrepreneurs.
After reading Courtney’s review of Getting Off (which you can read, in full, here) I wanted to take Jensen’s argument a bit further. Despite my disagreeing with him on some points, I felt that Jensen’s thoughts on gender roles in porn could be easily applied to the use of race in porn, particularly interracial porn. Following his thesis, in short, that masculinity by definition supports a system of misogyny, a characteristic clearly demonstrated in (straight) pornography, and the only way to progress beyond this conveyance of hatred toward women is to eradicate masculinity in its entirety, I came up with the following: Read the Post Interracial Porn: Holding Us Back While Getting Us Off? (Pt 1)
by guest contributor Luke Lee Ugh. Who would’ve thought that a conversation about pheromones and…