By Guest Contributor Spectra
Wait a minute, not all lesbians in movies are white, rich or middle-class with no bills to pay? You mean “life” doesn’t get put on pause so that all gay people can experience the thrill of coming out at summer camp? And, there are other LGBT issues worth talking about besides marriage? Gasp! And Hallelujah for Spike Lee protégé Dee Rees’ Pariah, a film women of color (and other marginalized groups) can truly relate to.
On the surface, Pariah is a coming of age story about an African-American lesbian, Alike (pronounced “Ah-LEE-kay”) in Brooklyn. But dig deeper, and you’ll see a smart and layered tackling of gender, sexuality, religion, and even class — an essential layer of complexity needed to accurately portray the diverse experiences of queer people of color, long been absent from mainstream LGBT films. Rather than depicting homophobia as the only kind of oppression experienced by the LGBT community, Pariah’s world is a varied socio-cultural landscape in motion featuring an all-POC cast, led by Nigerian actress Adepero Oduye’s performance as 17-year old Alike.
Pariah’s urban setting almost eliminates the need to discuss race at all (or, as in popular case of experiencing race through white characters, explain it). The audience is plopped, un-apologetically, right in the middle of a story filled with black characters, making way for intersectional observations about class and gender roles within the story’s cultural context.
SPOILERS UNDER THE CUT