I’d like to call this blog “Twerkin’ in the U.S.A.”
Now, lately Miley Cyrus has been putting herself ass first into the hip-hop scene. And you won’t guess where that ass showed up next. Big Sean has this song called “Fire,” and I like this song. You know, he raps about overcoming adversity and manages to avoid saying “ass” 30 times for the chorus. SO the message and the lyrics are nice and the beat is pretty on point to match it.
Then there’s the video, which is basically just Miley Cyrus in different slightly revealing clothes, some fire and an exploding flower. Now the visuals are dope and Miley Cyrus is attractive, but that doesn’t really have much to do with the actual song itself. Oh but luckily he explains via Twitter. He says “Miley is symbolic of strong women overcoming heartbreak.”
Vato, you ain’t fooling nooobody with that shit. Let’s be honest that’s not why you did it. Cause plenty of actresses, models, stars, whathaveyou could’ve easily filled that metaphor. Megan Good, Adriana Lima, and apparently Levy Tran is down to do whatever type of music video gig.
So I will give it to you, those visuals were sick and at the very least you didn’t use an exaggeratedly muscular WWE create-a-wrestler version of yourself for your music video. (see Kanye West’s Blkkk Skkkn Head music video) But let’s be real. Big Sean. Miley. Y’all used each other. Sean, you used Miley Cyrus for the fact that she’s currently a buzz word in pop culture right now. So what did Miley get to use from this? Continue reading →
by Guest Contributor Lakshmi Gandhi, originally published at The Aerogram
Huma Abedin with Anthony Weiner. Image from NY1 via the Aerogram.
As you’ve probably noticed, much of the media’s focus in its coverage of the current Anthony Weiner scandal has been on the candidate’s wife Huma Abedin. Over the past few weeks, it’s seemed like the media just doesn’t know how to cover the Michigan-born, Saudi Arabia-raised, South Asian former aide to Hillary Clinton. Each day brings another story full of assumptions about Abedin’s background and upbringing and endless speculation about how those biographical details have affected her personal choices.
Without further ado, here are the top 5 worst of the worst.
Pulitzer Prize winning New York Times columnist Maureen Dowd:
When you puzzle over why the elegant Huma Abedin is propping up the eel-like Anthony Weiner, you must remember one thing: Huma was raised in Saudi Arabia, where women are treated worse by men than anywhere else on the planet.
Huma is a Muslim. In that regard, Weiner ought to be able to get away with anything. Muslim women don’t have any power, right? Muslim women are beheaded, stoned, whatever if they drive, have affairs. In certain countries, Muslim women, if they’re raped, are killed — it’s their fault.
By Guest Contributor T. F. Charlton; originally published as Grace is Human
A couple nights ago I made an offhand comment on Twitter about the conflation of “Black” with “African American” – the two aren’t synonymous – in response to a tweet referring to Nelson Mandela, y’know, the Xhosa, South African Nelson Mandela, as “African American.” It touched off a long and really interesting conversation about race, ethnicity, and identity, which is Storified and shared below.
A conversation on blackness, ethnicity, nationality, and identity. Not in strict chronological order – somewhat rearranged so the conversation flows more logically.
By Guest Contributor Sarah J. Jackson; originally published at Are Women Human?
Naming and Politics
In February 1964, Cassius Clay became the heavyweight champion of the world. A month later, he changed his name to Muhammad Ali. For months–in some cases years–journalists, members of the boxing establishment, and occasionally his competitors refused to call Ali by his new name. Grant Farred (2003)contends that Ali’s name change was “simultaneously an act of negation (denial of his slave name) and self-construction (adoption of his Islamic name), both…the acquisition of an unprecedented ideological agency.” (28)
The controversy that erupted over Ali’s name then hinged largely on the perceived ideological danger of a black man in America refusing “safe” narratives of black masculinity and politics. Ali’s choice to rename himself, alongside his conversion to Islam, and later refusal to serve in Vietnam were treated as anti-American, threatening, and unstable. The social and economic consequences were years of denigration in the press, alongside a formal ban from boxing in the United States.
In what can only be described as a combination of social and political progress and severe historical amnesia, Ali is now commonly lauded as an American hero with little acknowledgement from the media of the ways he was socially disciplined for his decisions. Contemporary constructions of Ali rarely discuss in any detail the anti-colonial politics that lead to his dissent around Vietnam or the domestic racial politics that lead to his identification with the Nation of Islam and name change. Ali’s identity then continues to be shaped by forces outside of himself, but the necessary negotiations around it have left a lasting mark on the way our country understands sports, politics, and race.
I am total a geek. Who’s a geek here? That’s probably a rhetorical question at a TED conference, right? I love Star Wars, I collect action figures, and my favorite biography is the biography of Strunk and White’s Elements of Style–for God’s sake, I read a book about the writing of another grammar book. How about those geek credentials?
I’m here today to talk about grammar, but not the “gotcha” grammar of split infinitives and the misuse of “whom” because frankly, I hate it when grammar is used to belittle others. I am here to talk to you how grammar is a tool, to be used like a pair of glasses. When employed at the right time, grammar can bring the world into sharp focus, and when used at the wrong time, it can make things incredibly blurry. And this all starts with the subjunctive. I remember talking to my dad about the subjunctive, and because he wasn’t a native English speaker, he didn’t understand all the nuances of the subjunctive. “Listen, Dad. You can say something like ‘If it hadn’t rained, we would have gone to the beach.’” And his response? “That’s a stupid thing to say. Why are you talking about something that didn’t happen?” (A staunch reader of non-fiction, my father has a similar opinion of fiction. “Why do you want to read books about people who never existed doing things that never happened?”)
Here’s a quick refresher of the subjunctive: in English, we have three moods: indicative, subjunctive, and imperative. If we use the indicative mood in writing or speaking, we view the verb’s action as factual: “I am talking at a TED conference.” And the subjunctive mood is used when we view the action as nonfactual: “I might shit my pants.” The imperative mood is used when we view the action as a command: “Bring me a change of clothes.” The subjunctive comprises all the nuances of non-fact: potentiality, possibility, and contrafactuality.
The subjunctive mood allows us to look into the future and see multiple, highly nuanced possibilities with just a little sprinkling of could’s, would’s and might’s. Similarly, it also allows us to look into the past, to envision a world that didn’t happen but could have happened. The subjunctive is the most powerful mooda time-space dream machine that can create alternate realities with the idea of “would have been” or “should have been.”
And within this idea of “should have” is a Pandora’s box of regret and hope.
Growing up in Pennsylvania as a Vietnamese refugee, I would sometimes think about what would have happened if my family hadn’t escaped Saigon in 1975. Would we have been imprisoned like my father’s cousin, who spent years in re-education camp being tortured and sentenced to hard labor, or would we have been killed like countless other South Vietnamese unable to escape that April? The night we were fleeing Saigon, my entire family–grandparents, parents, aunts, uncles–were scheduled to board a bus. As the bus was loading passengers to go to the airport, I begin crying, shrieking uncontrollably–so much so that the entire family decided to wait for the next bus. And as that bus pulled away, it was struck by artillery fire, exploded, and killed everyone on board. As a young kid, I thought a lot about our good fortune and about what could have happened. I didn’t know it then, but I was pondering things that my parents couldn’t ponder–all because of the English subjunctive. Continue reading →
Four baby girls are born in China to families who are unable to keep them, largely because of China’s “One Child Policy.” Instead of being raised by their biological parents, the baby girls are raised in orphanages, and then eventually adopted by American families to be whisked halfway around the world to the United States. There, they grow up with Sesame Street, hip-hop, and Twitter. They describe themselves as “bananas”: white on the inside and yellow on the outside. All is well, until they hit their teen years, when their pasts pull at them, and they begin to wonder, “Who am I?”
All four know they were probably “given up” because they were girls (they are understandably uncomfortable with the word “abandoned”), and grapple with issues of race, gender, and identity more acutely than most their age.
Documentaries have been made before about international adoption, but they have always been from the point of view of the adoptive, Caucasian parents, or the adult adoptee. Young women’s voices are rarely heard—especially young women of color. SOMEWHERE BETWEEN lets four teenaged girls—Fang, Haley, Ann, and Jenna—tell their own stories, letting the film unfold from their points of view and shedding light on their deepest thoughts: about their families, their feelings of being “other,” and their powerful connections to a past that most of them cannot recall.
The film captures nearly three years in the lives of these four dynamic young women.
Two days ago I was walking on my way to work and, as always, I have my coffee on Flinders Lane in central Melbourne. While waiting for my coffee, a well-meaning Australian came up to me and asked me what my ethnicity was. I had no idea who he was nor did I know what he wanted. Who is he, and why is he so enthusiastic to ascertain my identity–where I come from?
Did I find him racist and condescending? Yes.
Was there a power dynamic inherent to this question? Yes, there was.
On this occasion, I pondered the situation silently, which put the questioner in an awkward position. “Here we go again,” I told myself. Do I answer this, or tell him what I think, that he is just another racist trying to judge people by where they come from or what they look like? If I were to question or argue with him, would my actions be interpreted as reverse racism on my part? I chose to simply walk away rather than answer the question. Continue reading →
I stepped out of my car, pink skies streaking dusky blues overhead. The hot desert heat stung my skin while the temperature simultaneously dropped dramatically, stirring up that Maghrib winds that conjures up images of swooping invisible jinns snatching at your uncovered hair. Apprehensively I stood, looking first at the large American flag gracing the chain linked fence of the house across the street. I then looked at the mosque, which was really just a 1970s California ranch style house that was being used as a mosque–the Al Nur Mosque located in Ontario, CA. It was hard to think that this was the “scary Mozlem temple” that elicited three pig feet being thrown in the driveway only days earlier by two women in a white truck during the sacred late night Ramadan prayers.
Last time I had been in a mosque was last year when my mother had died, and the last time I had been in this mosque was for the special prayer we held 48 hours after her burial. It was the most spiritually connected moment of my life. I hadn’t been that connected since then, and it held me paralyzed as I stood breathlessly by my car. I wondered how I’d be accepted in this space, showing up alone without my Mom by my side. She was my community conduit. The mosque was created and attended by the Bangladeshi immigrant community that raised me but I was an adult now and building my own communities. But the events of the week weighed down terribly on me, and I knew that I had to be present in this particular mosque as a show of solidarity–or maybe more as a statement. I practiced my Islam defiantly, wore my religion on my brown skin politically. I was Muslim, despite America’s fear.
I stepped into the backyard. I was greeted by foldable tables lined up in rows, paper tablecloths whipping in the wind. The tables were covered with plates of pakoras, channa, dates, and glasses of rose flavored pink drink. Men in white kurtas and thupees sat on one side of the yard, women with dupattas wrapped around their heads sat on the other. The imam caught my eye and smiled at me in recognition. I meekly smiled back. Last time I had seen him we had gotten into a fight over my insistence of having the women’s prayer section up front next to the men’s section for Mom’s funeral prayer instead of hidden in a back room. My Islam was radical in that way.
The mood was calm, normal even. There was no fear hanging in the air, nor were there giddy pleasantries. It felt placid. People saw me and nodded wordlessly, as if after all these years, they’d been expecting me. It had been a long hot day of 109 degrees and people were ready to break their fast. Somewhere in the house, the imam began azaan and the call for prayer. Dates were eaten, water sipped. The tables emptied quietly as people filtered in to pray and as if on cue the desert wind kicked up, knocking pink drinks all over the paper lined tables. The calm mood struck me as odd, but it made sense given the context. If there’s something you learn from a day of fasting in long and hot weather, it’s that you have no time for bullshit.
I, on the other hand, was festering from the weight of the Islamophobia of the week. Continue reading →
Race, Culture, and Identity in a Colorstruck World