Tag: hollywood

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by Guest Contributor Shane Thomas, originally published at Media Diversity UK

There are few names as globally recognisable as Nelson Mandela. And likely even fewer whose name generally invokes strong feelings of warmth and goodwill.

Mandela was recently in the news as a result of his ill health, with elements of the online world and news networks partaking in an emetic game of “Nelson Mandela death watch”. Mercifully, at the time of writing, Madiba is still with us, and he has become a talking point again by proxy, due to the release of the trailer for Mandela: Long Walk to Freedom.

The aforementioned is a movie biopic, traversing Nelson Mandela’s life. Early indications suggest that it is being positioned as strong contender for the 2014 Academy Awards. If the release date of January 3rd next year isn’t a sign to this effect, then the fact that the film’s production company is The Weinstein Company certainly is.[1]

On face value, this would seem to be a positive sign for diversity in Hollywood. After all, it’s a film where black characters are front and centre, without – as Jamilah King succinctly put it – needing a “white co-pilot”. And if you don’t think that this is an issue, more often than not, when films are made about communities of colour, the proviso is that a white character is a key cast member.[2] Read the Post Idris Elba is Hollywood’s Troublemaker

By Guest Contributors Zach Stafford and Nico Lang

Choscar
Illustration: Joseph Lamour.

Over the years, people of color have had the hardest time breaking into the ‘biz’ or just simply being recognized for the work that they have done on the silver screen.

It was in 1939 that the first African American person–Hattie McDaniel–won an Oscar for her supporting role in Gone With the Wind. It took 30 years for another African American person to win again: Sidney Poitier won Best Actor in a leading role for Guess Who’s Coming to Dinner?, a film that tackles racial divides and interracial dating at the onslaught of integration. But how much have we integrated since then?

In their 2011 New York Times article, “Hollywood’s Whiteout,” staff film critics Manohla Dargis and A.O. Scott wrote, “[Race] in American cinema has rarely been a matter of simple step-by-step progress. It has more often proceeded in fits and starts, with backlashes coming on the heels of breakthroughs, and periods of intense argument followed by uncomfortable silence.” Their article came out in response to the 2010 Academy Awards where zero African Americans were nominated, which struck many as peculiar within this Obama Era where ideals around post-racism circulated from sea to shining sea.

The lack of people of color at the Academy Awards was a stark reminder that Hollywood was still very much divided. Let’s play a game: Can you name a prominent black actor under 30? Someone that, if you walked up to a random person on the street, they would know who you are talking about? Didn’t think so.

Read the Post The Business Of Diversity: Why Hollywood Needs Integration