by Carmen Van Kerckhove Ewww… In case you needed convincing that freshly-made guacamole is the…
by guest contributor Tariq Nelson, originally published at Tariq Nelson
There have been soooo many articles about Hispanics/Latinos (particularly Latinas) and their interest in Islam. Nothing else to write about? Why not yet another article on Latin Muslims? One has to wonder why so much emphasis has been put on Latino Muslims in the media lately.
I suppose since the biggest media issues have been Muslims and Mexican illegal immigration, this would be the perfect hybrid story. It’s just that they’ve gone there so many times…
With her hijab and dark complexion, Catherine Garcia doesn’t look like an Orlando native or a Disney tourist. When people ask where she’s from, often they are surprised that it’s not the Middle East but Colombia.
That’s because Ms. Garcia, a bookstore clerk who immigrated to the US seven years ago, is Hispanic and Muslim. On this balmy afternoon at the start of Ramadan, the Islamic holy month, she is at her mosque dressed in long sleeves and a long skirt in keeping with the Islamic belief in modesty. “When I was in my country I never fit in the society. Here in Islam I feel like I fit with everything they believe,” she says.
Garcia is one of a growing number of Hispanics across the US who have found common ground in a faith and culture bearing surprising similarities to their own heritage. From professionals to students to homemakers, they are drawn to the Muslim faith through marriage, curiosity and a shared interest in issues such as immigration. Read the Post Latino Muslims: the media’s latest obsession?
by guest contributor Rachel Sullivan, originally posted at Rachel’s Tavern
I saw this great post on the All Things Considered Blog about love scenes in the top grossing movies. The author, Steven Barnes, reviewed love scenes in the 350 films that have earned more than $100 million dollars. Barnes found that 50 of these movies had loves scenes, which he operationalizes as scenes that insinuate sex, but not one of those scenes included a male actor who was not white.
If you scan the same list for American films with non-white leads (again, there are about 50), you’ll find love scenes in zero percent. That’s right, zero. No blacks. No Latinos. No Asians. Hollywood makes such films; you can find them further down on the list. But America won’t watch them.
Barnes goes on to make an argument that I don’t agree with. He says that the problem is about “male territorial behavior,”
I’m convinced that the problem is not just “Hollywood executives.” They’re no better or worse than the rest of us. They simply try to keep track of what the audience wants and rejects, as measured by box office receipts.
And I don’t believe there’s something especially twisted or limited about the white majority. I think this little statistical blip has to do with human perception itself — and most specifically, male territorial behavior.
When confronted with this statistic, some people ask why I don’t count movies such as Will Smith’s delightful Hitch. Simple: There are no love scenes. Hugs and kisses don’t make babies. I suspect that it’s the depiction of specific reproductive behavior, even at a genteel When Harry Met Sally level, that triggers the most powerful negative response, especially in male alpha-warrior types.
This is where he and I part ways. This can’t just be reduced to male on male competition, and better analysis would incorporate the structures of race, gender, and sexuality.
I think one of the primary ways that groups are marginalized is through control of their sexuality. The control can be exercised directly through sexual violence (i.e. rape), forced breeding, and coercion. It can been done indirectly through stereotyping and erasure. I think one of the primary ways that Black, Asian, Latino, and American Indian sexuality is controlled today is through what Patricia Hill Collins calls controlling images. Popular movies, TV programs, music, and almost every other major form of popular culture contribute these controlling images when they avoid showing African Americans in intimate, loving relationships. Not only are people of color not shown in loving relationships, we also rarely see intimate family relationships. Read the Post Hey Hollywood, Black, Asian, and Latino Men Do Fall In Love!
by Carmen Van Kerckhove Oh boy. First we had Burger King depicting Asian men as…
by guest contributor Maia, originally posted at her blog, Capitalism Bad; Tree Pretty
I’ve started watching Grey’s Anatomy really regularly (they’re repeating Season 1 in NZ), I’m not quite sure why – because I don’t really like it that much. I don’t think it’s well-written, by half-way through season two I hated almost all the characters. But watch it I do, if nothing else it gets things to blog about it.
Shonda Rhimes (Creator of the show) said that she wanted Grey’s Anatomy to look like America, and she did quite well. Of the four authority figures we see most regularly, three are african-american, and one of those is female. This is a world where you can live in a trailer park and grow up to be surgeon. Rich or poor, male of female, Korean, African-American or white – anyone can work at Seattle Grace.
Compare this to Scrubs, the authority figures are all white men, and while you can be a doctor and female or a doctor and African-American, the women of colour are all nurses.
There was this episode of Scrubs where all the main characters were speaking to the camera about their lives. I don’t remember the reason but Carla (the Latina Nurse) was telling a story about when she was a girl, and how she came to be in the job she was in. She was in a store and someone was injured in some way and a doctor came in and saved the patient. Her segment ended with her saying “That’s when I realised I wanted to be a doctor.”
The show didn’t have to tell us why Carla didn’t become a doctor, because it was really clear. What I loved about Scrubs is that it showed a society where racism, sexism, and the class system were all problems. Read the Post Grey’s Anatomy vs. Scrubs*: Or the Limits of Representation
by guest contributor HighJive, originally published at MultiCultClassics For Blacks, Ford presented a man discussing…