Tag: heroes

February 25, 2014 / / Entertainment

By Arturo R. García

Just as we’re getting used to having a show about zombies around again, NBC went one step further and dug up a show that is a zombie.

Yes, Heroes is apparently returning from the grave, with original showrunner Tim Kring in tow, sometime next year. As sensible longtime readers might have bleached out of their brain, the series’ first iteration ended, mercifully, with a pre-Nashville Claire-Bear outing the metahuman population to the world after Team Benetrelli saved the world from a group of angry carnival workers. Which gives just a little more heft to this bit of spin from NBC Entertainment President Jennifer Salke:

Until we get closer to air in 2015, the show will be appropriately shrouded in secrecy, but we won’t rule out the possibility of some of the show’s original cast members popping back in.

Sure, on one level that can be interpreted as a polite way for Salke to say, “PLEEEEEEEASE HAYDEN COME BACK,” but if the show really is a continuation and not just a “reimagining,” it puts Heroes in a very interesting position.

The genre television renaissance it helped define is mostly floundering; sure, Arrow gets its fair share of good reviews, but Agents of SHIELD has struggled to gain its footing and the British cult favorite Misfits has concluded. With Smallville long gone, Supernatural nearing the end of its run, Doctor Who surviving on a spread-out schedule and the CW’s Gotham and Flash projects looking unsteady, Heroes can reasonably expect to attract fans hoping for a return to its Series One risk-taking prime.

But for Reborn to truly thrive will take not just new blood, but picking the right (affordable) old faces to bring back. And more than anything, it is going to require Kring to learn from some of his costliest mistakes in the first go-round.
Read the Post The Heroes We’d Like To See Most In Heroes: Reborn

May 17, 2010 / / diversity

Hosted By Special Correspondent Arturo R. García


The show has lost its’ direction, its’ heart, and most damningly of all, it’s lost its’ point.
May 4th, 2009

Ever wanted to mourn something but just couldn’t? That’s about how I felt Friday afternoon, when the word got out: Goodbye, Heroes.

Really, nobody should’ve been surprised. Not to wish anybody out of a job, but really this show should’ve been canned after the conclusion to Volume Three, when its’ last really intriguing idea – dueling Companies – sputtered to a halt after a year when … well, when Mohinder almost turned into The Fly. That about sums it up. And it’s worth noting that we ended our reviews and Roundtables for this show in the middle of last season because readers were asking us to ditch it for FlashForward – which is a whole other matter, one we’ll discuss on Thursday. For now, though, we gather the ‘Table again, not to praise Tim Kring, but to bury a vision that started out with a lot of promise, only to see it buried in waves of privilege and peroxide.

Your first reaction to the news?
Andrea: “Oh.” Nothing more, nothing less. Because there was nothing left to the show…or I reached the last stage of mourning over it. I accepted that it was crap by Tim Kring’s design.
Mahsino: Well they’ve been threatening to cancel it for a while now, so my reaction was “Finally”.
jen*: It’s about time. That and wondering what ZQ will be doing next. (Star Trek 2 isn’t coming out fast enough for me.)
Diana: Meh. Whatever. Read the Post The Racialicious Roundtable: R.I.P. Heroes

February 10, 2010 / / diversity

By Special Correspondent Arturo R. García


This is the end, my beautiful friends, the end.
– The Doors, “The End”

Keep the cameras on me.
Lady Claire Hilton Be-Be-Benetrelli

The ratings make it increasingly likely that “Brave New World” was Heroes’ last stand. Though there’s still “hope” for a Dollhouse-like reprieve, pulling 13 million less viewers than Two And A Half Men doesn’t bode well for the show. But first, let’s catch up a bit. As they say on tv, Previously On Heroes:

* After getting mind-schtupped and finding, then losing, Charlie, Hiro survives brain tumor surgery thanks to his mom.
* After permanently winning control of his body, then going to Claire for answers, Sylar asks Parkman to purge him of his powers, but gets trapped inside his own mind.
* After burying his brother, Peter learns that his new girlfriend might be responsible for a massacre. Gaining further insight through his mother’s ability, he journeys to Parkman’s home to rescue Sylar – the only person who can save her – and ends up reconciling with him.
* After briefly joining the Carnival and reconciling with Gretchen, Claire discovers Samuel arranged for Lydia’s murder as part of a bigger agenda. She and Noah are then trapped underground in a trailer by Samuel.

What follows is an example of the series’ depressing consistency – “World” is long on blondes but desperately short on action. Read the Post Nothing To See, Move Along: The Racialicious Review of Heroes 5.18

November 24, 2009 / / diversity

By Special Correspondent Arturo R. García


If you think that Racism and Sexism are thematically integrated in HEROES then you may want to check your intelligence before worrying about it being insulted.
Jim Martin, Heroes writer and assistant to Tim Kring, on a (since-deleted) tumblr post

Dear Mr. Kring,

It’s been about a month since I stopped watching your program. As you’re no doubt aware, my friends and fellow reviewers at this site and myself are far from the only ones who have left Heroes behind; just look at the ratings, right?

But I’m not writing to gloat about your commercial and critical misfortune. I’m writing to suggest that your staff isn’t helping the problem. Consider the statement from Mr. Martin’s tumblr. Sure, he deleted it, but you know us sneaky internet people – we’ll save things when you’re not looking and remember them, and share them.

So consider this a tip for your future endeavors (because Heroes is almost assuredly ending this season, isn’t it?): You want to continue engendering good will from your fanbase? How about you work with people who won’t issue statements like this:

* Anyone who thinks they can do better… I dare you. Go ahead. :) I’d love to see it.
* Look up the diversity programs for writers in tv. Ask anyone in the tv world. There is a distinct disadvantage to be a white male when trying to be a staff writer.
* I’m fully aware of what you are referencing, but I don’t think its a problem on Heroes and I don’t think white privilege is an issue in Hollywood at this point.

Clearly, Mr. Martin hasn’t been reading Fade In Magazine. Read the Post Memo To Tim Kring: You Are Who You Work With

November 17, 2009 / / celebrities
October 19, 2009 / / diversity

By Special Correspondent Arturo R. García


rebecca1There goes the neighborhood: for the first time in what feels like ages, three POC characters were directly involved in the key goings-on in Heroes – and all of them lived!

At the center of the big twist, including the salvaging of what Roundtable member x called the Claire Gone Mild plot, was Rebecca, who, it turns out, has been making Gretchen look more murderous than creepy, in an effort to push Claire-Bear into the open arms of The Mysterious Samuel and the Carnival.
Read the Post Meet Rebecca: The Racialicious Review for Heroes 4.5

October 13, 2009 / / diversity

By Special Correspondent Arturo R. García

You know it’s sad when even the good episodes of Heroes spur a lukewarm response. Somewhat amazingly, there’s actually a campaign going to save the show from cancellation – no, really. More tellingly, even the little bits of good on the show don’t hold much water anymore, as we’ll see here …

Like I said in the review, the Hiro & Tadashi storyline was very strong when it could’ve been very badly handled by other writers *cough*TimKring*cough* … what’d you make of it?

Mahsino: It made me crack a smile a bit in spite of myself. I wish he would’ve thrown in the towel a bit sooner, but that’s just me. Unfortunatley I feel that at this point, any glimmers of good writing are just a horrible set up for a bad filler episode. Remember, for every decent story, there’s about 6=2 0episodes of filler-y crap.
Diana: Quite frankly, I wanted to go through my tv screen an push Tadashi over the edge myself. This could have been an opportunity to make Hiro’s character grow more seriously, but frankly the source of Tadashi’s “shame” was so trivial it mad me ill. Maybe it was an effort at humor, but I didn’t think it was funny. I would rather they had spent more time on Hiro confronting his sister over his illness. Read the Post The Racialicious Roundtable For Heroes 4.4

October 8, 2009 / / diversity

By Special Correspondent Arturo R. García


Finally, Fuller, not filler.

Could you tell it was Bryan Fuller writing “Acceptance”? What was your first tip-off? The lack of boredom or the narratives that actually moved people along in recognizable characterization? It’s too soon to call this a turning point, but at least we got to jump into this season’s Big Reveals in satisfactory fashion, with nearly everybody getting the wrong end of the stick for the right reasons.

Nate1The biggie, of course, is the apparent undoing of SyNate, the victim of his own goodwill after ‘fessing up to his mother’s role in covering up the accidental death of former girlfriend Kelly. An admirable move, usually, but not when Kelly’s the daughter of Angela’s best frenemy, Millie. Faster than you can say “Break yourself,” “Nate” gets jacked out of his car and shot and left for dead.
Read the Post Do The Wrong Thing: The Racialicious Review for ‘Heroes’ 4.4