The new fall show line ups are hitting the internet, and via Jezebel, I see New York Magazine wants us to rejoice that there are women on television.
At this point, it should go without saying that all the women referenced are white, as per usual. But whatever! Victory! More women on television is a reason to be thrilled, right? That is, until I see what’s being lauded:
Cummings’s multi-cam sitcom, Whitney, has an awful pilot, full of cynical innuendo, and yet one scene—sexual role-playing gone south—showed a glimmer of something, a dank, self-mocking Sandra Bernhard–esque allure. Sue me, but I can’t help rooting for Cummings, who seems to have something to say about the survival skills of damaged women, even if she hasn’t quite figured out what it is yet.
Luckily, Cummings’s other show, CBS’s 2 Broke Girls, which she produced with Sex and the City’s Michael Patrick King, has more potential. It stars the luscious Kat Dennings (from Nick & Norah’s Infinite Playlist) and Beth Behrs, playing waitresses at a greasy spoon in Williamsburg. Dennings wears knee-high boots and a working-class sneer; Behrs is a newly broke heiress. As the self-reliant cynic, Dennings is fantastic, making the most of acrid punch lines like “That’s not what rape feels like!”
Now, where have I heard about 2 Broke Girls, before? Oh, that’s right – Racebending:
The character, “Rice Lee,” is portrayed as a stereotypically backward and socially stunted Asian immigrant, who is repeatedly mocked and corrected by his white co-workers (including Max, one of the titular “broke girls.”) Read the Post Between a Racial Rock and a Gender Hardplace [Fall TV Rant]