“Gabourey, how are you so confident?” It’s not easy. It’s hard to get dressed up for award shows and red carpets when I know I will be made fun of because of my weight. There’s always a big chance if I wear purple, I will be compared to Barney. If I wear white, a frozen turkey. And if I wear red, that pitcher of Kool-Aid that says, “Oh, yeah!” Twitter will blow up with nasty comments about how the recent earthquake was caused by me running to a hot dog cart or something. And “Diet or Die?” [She gives the finger to that] This is what I deal with every time I put on a dress. This is what I deal with every time someone takes a picture of me. Sometimes when I’m being interviewed by a fashion reporter, I can see it in her eyes, “How is she getting away with this? Why is she so confident? How does she deal with that body? Oh my God, I’m going to catch fat!”
What I would say, is my mom moved my brother and I to my aunt’s house. Her name is Dorothy Pitman Hughes, she is a feminist, an activist, and a lifelong friend of Gloria Steinem. Every day, I had to get up and go to school where everyone made fun of me, and I had to go home to where everyone made fun of me. Every day was hard to get going, no matter which direction I went. And on my way out of the house, I found strength. In the morning on the way out to the world, I passed by a portrait of my aunt and Gloria together. Side by side they stood, one with long beautiful hair and one with the most beautiful, round, Afro hair I had ever seen, both with their fists held high in the air. Powerful. Confident. And every day as I would leave the house… I would give that photo a fist right back. And I’d march off into battle. [She starts crying] I didn’t know that I was being inspired then. On my way home, I’d walk back up those stairs, I’d give that photo the fist again, and continue my march back in for more battle. [She pulls a tissue from her cleavage and dabs her eyes] That’s what boobs are for! I didn’t know I was being inspired then, but I was. If they could feel like that, maybe I could! I just wanted to look that cool. But it made me feel that strong.
– Full transcript available at Vulture
By Special Correspondent Nadra Kareem
Editor’s Note: In this feature, we’re bringing back some of our favorite stories from Racialicious history. This week, in honor of the First Lady’s 50th Birthday, a 2008 piece defending her as she entered the national spotlight
Should white feminists be taken to task if they don’t defend Michelle Obama from the misogynistic attacks sure to continue coming her way as the presidential campaign unfolds? Not necessarily, say Corinne Douglas and Jacquelyn Gray, who wrote an editorial called “The Cost of Silence” at the Root.com.
In the article, Douglas and Gray argue that black women remained silent when Hillary Clinton suffered a litany of misogynistic attacks. Therefore, white women can’t be held accountable if they refuse to defend Michelle Obama from the evils of sexism. Douglas and Gray write:
The misogynistic savaging of Hillary Clinton was one of the most inexcusable elements of the primary campaign, and the silence from black women in the face of those attacks, because they supported Obama, was, at least, a tactical mistake. It is entirely unacceptable to go along with unfair attacks against women simply because you disagree with the particular woman under attack.
But here the authors make a number of assumptions. For one, not all black women supported Sen. Obama. High profile black women such as California Congresswoman Maxine Waters and author Maya Angelou supported Hillary Clinton. There were also black women, such as writer Rebecca Walker, who backed Sen. Obama while exposing the sexism targeted at Hillary Clinton. Walker, the goddaughter of feminist icon Gloria Steinem, even pointed out the ways in which Obama himself exhibited sexist behavior. Political commentator Donna Brazile is another example, as she was adamant about being a representative for both women and blacks during the primaries and did not publicly back either Clinton or Obama during that time. As for those black women who were not vocal about the sexism Sen. Clinton experienced, the assumption can’t be made that they did not speak out simply because she was Obama’s opponent.
By Andrea Plaid
Some folks choose online names–be it a blog title, a Twitter handle, a Tumblr URL–of an attribute they want to aspire to. Then there are those whose monikers fit exactly what they are. Ainee Fatima’s Tumblr name fits her perfectly–she is, indeed, a Badass Muslim Girl.
She’s an award-winning spoken-word poet, a woman who makes her Muslim community her priority, and a cartoonist with a scathing wit–and she’s folded of these into her 21-year-old life-in-progress. We caught up with each other between her classes, where we chatted about femme feminism, Gloria Steinem, and “smelling white feminism.”
1) OK, Ainee, that comic of your smelling white feminism had me on the floor screaming in laughter! What inspired that? And are you planning to continue the comics?
Thank you! Well, earlier that day in my Race and Ethics class, we were categorizing traits or groups of people who were considered the Majority and Minority groups in America. We ended up with the Majority containing Race: White, Gender: Male, Sexual Orientation: Cis Heterosexual, Religion: Christian, Class: Middle-High Class. Then, my teacher proceeded to ask which of these categories are the most prevalent in Western society. One of the boys kept insisting that gender was the hot topic, another girl was saying that race was the most prevalent issue.
But the thing is, we can’t really discuss race without discussing class or gender and that’s what intersectional feminism is all about–fighting more than one cause at a time because it’s more than just women’s rights. The thing is, the stigma attached to being white in general is a privilege, which doesn’t really make it a stigma at all. Once you delve deeper into feminist theory, you’ll encounter resistance to whiteness. I mean, try having a Black president only to have people call him the n-word, mention his Arabic middle name and wish for his assassination, or any of the other daily microaggressions that people of color face.
Spark Summit published an article talking about how race is a feminist issue, but not only race–sexism, homophobia, and any other type of discrimination. It’s something that is often forgotten early feminist movements actually excluded women of color just to gain a wider audience, as the article says.
I think that a great way to make the idea of intersectional feminism even more prevalent is with the comics I made: it’s humorous and light-hearted but always packs a punch in the message–and yes, I do plan on making more!
By Sexual Correspondent Andrea (AJ) Plaid
As I said on Twitter, Gloria: In Her Own Words, the new documentary about feminist activist Gloria Steinem running exclusively on HBO this month, is a “precise” work on her life and The Second Feminist Movement (and what I mean by this is the mainstream Second Wave Movement) in the last 60+ years.
Dana Goldstein took the doc to task in The Nation for not addressing race and racism in the movement Steinem helped shape:
Though there are interviews in Gloria about how upper-middle-class, straight feminists came to embrace lesbian rights and economic justice for poor women, there is no explicit discussion of an equally enduring and arguably more fraught issue: the relationship between feminism and struggles for racial equality. The film does feature archival footage showing 1970s white feminists arguing that men’s only bars are the equivalent of Jim Crow lunch counters. Doesn’t that contention cry out for debate, for analysis—for something? We see Steinem appear alongside her 1970s “speaking partners,” the black feminists Flo Kennedy (pictured above–Ed.) and Dorothy Pitman Hughes, but we don’t hear much about how these women (who were so often overshadowed by the more famous Steinem) navigated their dual identies as women of color within the feminist movement.
Steinem notes that her own brand of feminism was more radical than that of her elders, women like Betty Friedan, who were concerned mostly with the plight of white, college-educated housewives. Yet there are no interviews with either Steinem or other movement veterans that reflect explicitly on the relationship between feminism and civil rights. We hear about how Steinem’s sexy good looks helped propel her to prominence, but not about how her whiteness helped make feminism seem less threatening. We also learn nothing about the sophisticated set of critiques women-of-color, such as Angela Davis and bell hooks, have long made regarding mainstream feminism: that its focus on abortion detracted from their own struggle for maternal rights and that the assumption that women represent a united interest group often downplayed the struggles of non-white women in overcoming racism.