by Guest Contributor Monica Roberts, originally posted at TransGriot Pecah Lobang is a documentary by…
An ugly blame game ensued after the passing of California’s Proposition 8, which restricted the definition of marriage to a union between a man and a woman. With exit polls reporting 70 percent of Blacks and 53 percent of Latinos/as supporting the ban on gay marriage, many white members of the LGBT community blamed people of color for the ban’s success.
The December issue of gay news magazine The Advocate stepped into the fray. The cover of the issue provocatively announced, “Gay is the New Black.” Although the cover story’s author, Michael Joseph Gross, dismissed blaming Black voters as a “false conclusion” and a “terrible mistake,” comments posted to the site took him to task for other reasons. Most comments strongly disagreed with Gross’ Black/gay comparison, but many others asked why communities of color and queer communities are still considered mutually exclusive in the mainstream LGBT rights movement.
A comment posted by “Greg J,” pointedly charged, “Gays of color, transgender, and yes, even lesbians are missing from the larger discourse of the gay rights struggle – primarily the gay marriage issue. The gay right’s movement was and remains the ‘gay, white, middle class’ movement!”
The Prop 8 fallout shows how much work remains to be done to connect the LGBT rights movement with other struggles for social justice across a spectrum of issues. Unfortunately, it may have taken the brutal murder of Ecuadoran immigrant Jose Oswaldo Sucuzhañay to highlight the invisibility of queer people of color – particularly queer immigrants – in LGBT rights discourse. His murder will hopefully provide an impetus for coalition building.
Jose Sucuzhañay and his brother Romel were attending a Sunday evening church party on December 7, 2008. They later decided to end the night with some drinks at a local bar in the Bushwick section of Brooklyn. The two brothers left the bar at 3:30 a.m. and walked home arm-in-arm to support each other. Three men drove up to the Sucuzhañay brothers, one man got out of the car and began to shout anti-gay and anti-Latino slurs at them. Read the Post When Xenophobia Meets Homophobia
By Special Correspondent Arturo R. García
Editor’s Note – While checking out tips from readers, evaluating episodes of Daddy’s Little Girls, and checking up on The Real World, something kept grating on my nerves. The heavily promoted Bromance dances into decidedly homo-erotic territory – but the wink and nudge protestations from the cast members (complete with “Dude, that’s so gay” remarks to keep people in check) I started to wonder what was up. I asked Arturo to take a quick peek at the show. – LDP
The question of male friendship and how “gay” it may or may not be is getting a little extra scrutiny these days, with new projects from Brody Jenner and Paul Rudd.
In the wake of Prop. 8’s passage in California, Jenner’s Bromance is taking MTV’s new approach to dating shows: same-sex humiliation. Produced by Momma’s Boy’s mastermind Ryan “I was Metro when that was still another word for subway” Seacrest, the show is Entourage by way of The Bachelor, with several dim-witted if sort-of-well-intentioned young men competing for a spot at Brody’s side. And really, who wouldn’t want to hang out with a professional do-nothing and his friend Sleazy T and Frankie Delgado — especially after their “initiation” involved getting dragged out of their beds wearing nothing but their boxers (or less) and a black bag over their head? My buddies and I play Gitmo Gotcha all the time!
The show’s challenges answer that question: money, and random women. Each of the show’s skill challenges features two or three random white female ornaments. The lone exception, of course, was the “Dating Game”-style game which cross-promoted Lauren Conrad – she’s random enough on her own. The contestants’ first task, in fact, was to bring “hot chicks” to a lingerie party. (It also should be noted that seemingly 75 percent of the women who were convinced to go were Caucasian blondes.) Read the Post Off-Topic: Ain’t Saying He’s A Gold Digger: Looking At Bromance & I Love You, Man
by Guest Contributor M. Dot, originally published on Model Minority
Yesterday the internet was abuzz with the fact that Prince might be homophobic.
Carmen from New Demographic commented on Twitter that this didn’t make sense. She wrote ,
“I’m still amazed that Prince is a homophobe. I mean, isn’t there a good chance he’s been gay-bashed in his life? (Even if he’s not gay).
I responded back saying that she presumed that possessing a “fringe Black masculinity” would make him more likely to be tolerant. I added that tolerance, like hate is taught. She responded saying she agreed, but it was still sad.
Even before I read the evidence of what Prince said, I suspected that if Prince was being intolerant, then perhaps may have something to do with his interpretation of the tenets of his faith practices.
This Prince moment also reminded me that our generation has a hard time accepting the fact that victims can be perpetrators. Read the Post Can Victims be Perpetrators?
by Guest Contributor Adele Carpenter
I am writing because I am disturbed by the string of articles, blog entries, and list serve threads that have come out in the last few days suggesting that the high turnout of African American and Latino voters for the presidential election was responsible for the passage of California’s proposition 8, which dealt a heavy blow to LGBT families by banning gay marriage in the state’s constitution.
These articles mistakenly imply that the struggles for civil rights for LGBT people and communities of color are separate or even at odds with each other. They deny the work that LGBT people of color do to combat homophobia and transphobia in their families and communities, often while facing racism within the queer community as well. These articles deny homophobia among white people. They displace blame away from those who actually have the power to consistently deny others civil and human rights, and instead, charge that when communities that have long been disenfranchised and alienated from political processes participate, that the results with be negative for LGBT people.
I believe all communities need to be held accountable for their homophobia and transphobia. I want to acknowledge the suffering and hardship that the passage of Proposition 8 has caused for LGBT couples and families. But, while the media casts blame on communities of color for the passage of Prop 8, it is imperative that we struggle against the logic that tells us that struggles for LGBT civil rights and racial justice are separate—that we re-examine our strategies for advancing LGBT civil rights and gay marriage and, in particular, look at places where LGBT communities have failed to align our struggles for civil rights with ongoing struggles for racial justice. Read the Post Open Letter: Resisting the Racist Blame Game Post Prop 8
by Latoya Peterson
Well, look at what slipped under the radar.
The New York Press’ Armond White has a thought provoking review on the significance of the movie, titled “MEET THE BLACK CARRIE BRADSHAW – LOGO’s Noah’s Arc makes the jump to the big screen—showing a completely different African-American experience”:
Noah’s Arc’s quartet of young black men counteracts the prevailing image of gayness as a young, rich, white male phenomenon. The title refers to Noah (Darryl Stephens), an L.A.-based aspiring screenwriter whose love and social life resist Hollywood storybook cliché. Noah may dress in couture like Carrie Bradshaw (he enters Jumping wearing a Russian toque, cape and calf-high boots) but his style is provocative; he flouts ideas about masculinity, blackness and class. If you accept Noah (his gentle, gazelle-like demeanor stresses effeminacy), his friends still test your tolerance: Chance (Doug Spearman) is a snooty, over-enunciating university professor; Alex (Rodney Chester) is a plus-sized drama queen who likes to cook when not dispensing counsel at a gay men’s health center; and Rickey (Christian Vincent) is incorrigibly promiscuous. Read the Post Noah’s Arc: Jumping the Broom Movie Plays to Modest Success
by Guest Contributor M. Dot, originally published at Model Minority
Zane sells because her fiction allows Black women to be sexual in a culture that refuses to acknowledge that we are sexual, a culture that calls us hos if are so inclined to be sexual, talk about sex, or even look like we are human and have a sexual appetite.
When was the last time you saw a Black woman have a love interest and sex in a movie?
Or a tv show?
Yesterday, I was doing all this reading of Hortense Spillers, Tricia Rose and Hegel (whom I struggle with tremendously), as I am developing an outline for a writing sample.
When instantly, Zane’s popularity clicked for me.
Professor Spillers essay titled, Intercises: A Small Drama of Words discusses, the position of Black women’s sexuality in American culture.
Our sexuality remains an unarticulated nuance in various forms of public discourse as though we are figments of the great invisible empire of womankind.
If I attempted to lay hold to any fictional text-discursively rendered experience of Black women, by themselves- I encounter a disturbing silence that acquires paradox, the status of contradiction.
by Guest Contributor Monica Roberts, originally published at Transgriot
The highly anticipated debut of America’s Next Top Model Cycle 11 premiered last night on the CW with all eyes on Isis, the show’s first open transgender contestant.
She was featured in the background of a photo shoot in a previous cycle and is a legitimate contestant competing in this one. Y’all know I’m rooting for sis to win.
The fact that Isis is competing became big news to most of the world, but it’s not a surprise to me. Top Model has long had rumors of possible stealth transwomen contestants and they decided to come out of the closet with a secret that fashion industry insiders have long known.
A few of the girls strutting their stuff on the catwalk are transwomen. Read the Post Isis’ History Making Debut