by Guest Contributor Cheryl Lynn, originally published at Digital FemmeFrank Ocean publicly addressed his sexuality recently, with the same deftness, eloquence, and gentleness that is evident in the manner he approaches his music. I was elated at his announcement and at the warm reception he received. I was glad to see that another young man had the strength of character and the purity of spirit to share his true self with the world and to show that queer men of color have been a part of our community and have contributed immensely to our culture. However, I was also pleased for more selfish reasons. I had hoped that if the straight and straight-identified men of hip-hop could openly love and embrace the black men who resided in their hearts and their minds and their beds, that perhaps they could embrace the black women who inhabited those same regions as well. My hopes have been dashed, for I realize that the hatred of black women is so profitable and pervasive and has such a tenacious hold on mainstream hip hop that the men of power and/or influence in hip hop would likely extinguish the culture entirely before relinquishing it.
And yet, strangely, due it its current ubiquitousness, hatred of black women is not a tenet of hip-hop, is not necessary for hip-hop to thrive, nor was it present at its birth. Though the arena was dominated by men, women were given a clear voice in the genre via ladies such as Roxanne Shanté. Hip hop in its earliest days was an even field where men and women of color could have an open dialogue—one that was teasing and playful. The words of black women were considered and sought for inclusion. Black women were not depicted as a monolith and had multiple roles available to them—sister, wife, and lover; trophy, thief, and soldier; adversary and confidant. No, not all of these roles were beneficial. However, there was diversity and choice. That choice is long gone, quietly usurped during the late nineties and aughts with the onset of the commercialization of gangsta rap and its permeation of hip-hop. Read the Post Troubled Waters