Why Tweeting MLK’s “I Have a Dream” Speech Now Constitutes Civil Disobedience (Slate) As part…
By Guest Contributor Hodson, cross-posted from Beyond Victoriana
Note: This article is also available to read in Spanish on El Investigador’s website / Este artículo está disponible para leer en español. Thanks go out to El Investigador’s Editor-in-Chief Araceli Rodríguez, and magazine writers Hodson and Miguel for their time and effort in getting this piece together for Beyond Victoriana.
There are many reasons why the Victorian era is considered the Golden Age of the British Empire. Not only the economic and social stability came at a time where social inequalities were as big as scientific advances, but the huge explosion of advances in production, communications, and transportation allowed the existence of a global colonial government facilitated by the ability to improve the response time of all regional governments.
At a time when the great modern empires grew and spread across five continents populated by man, Victorianism quickly became the spirit of the time. The idea of progress and mastery of time through greater efficiency in transport and production was a constant among all the nations of the world, and those who had the power to launch big technology and conquest ventures had secured a bright future in the international area.
The Victorian era was undoubtedly the light bulb that shines light upon this century. It was the time when big government combined a vision of the future and the present into an immediate moment that inspired prosperity and development.
For those living in First World countries, it is easy to imagine a glorious past that never ceased to be, and it is done through an alternate technologically advanced reality. Whether it’s a world of steam or of world war, to imagine that moment of past glory is not a particularly difficult endeavor.
By Guest Contributor Fabienne Flessel, cross-posted from Global Voices
Just weeks after the debate surrounding the election of Miss Black France 2012, another question is being discussed by French people of African descent: the cancellation of the release of the American movie Think Like A Man in movie theaters.
How does an American movie find a place in the French social debate?
Surprising as it may be, the answer lies in the fact that the film has an all-black cast. French cinema is often pointed at for not fairly displaying all components of the country’s multiethnic population. Although the recent success of the movie Les Intouchables, which earned French African actor Omar Sy the Cesar award for Best Actor in 2012, caused great pride and hope among French nationals from Africa and the Caribbean, it was not to be the turning point for a deep and lasting change.
by Guest Contributor Sonita Moss
I’m back, America.
I have been home, on U.S. soil, for the past 3 weeks, and it has given me some time to reflect on being a black woman in U.S. vs. being a black American woman in France. Living in France for the second time was rather colder than the first but a bit more illuminating in terms of race. That can be attributed to the fact that while Aix-en-Provence, the first city that introduced me to the entrancing world of French culture, is an international student-city in the sunny south, Vannes is situated in Bretagne, in the rainy north-west of the country. Aside from the nonstop rain, Vannes was whiter than white. Not to say I didn’t see black people – indeed, I noticed black women on my daily bus route to work, but many public spaces, like the port, the library, and the grocery store were lacking in color. Admittedly, there were actually two black hair stores and a café Afrique that shut down while I was there, but that was about it.
Binta, the young Senegalese woman who did my hair, broke it down for me one day, “There’s no black people here because it’s too small because there are no jobs. But a lot of them marry French.” By “French”, she meant white men, and her sister, the owner of Ebene Cosmetique, was one such example. I noticed, with a certain amount of chagrin, that many Europeans of color refer to their privileged compatriots as the standard of that country, while they are specifically marked by their race. “English” are white, but English blacks are, well, black. The same goes for conversations I have had with German blacks. I suppose we hold the same standard in America, but because of our sordid misdealings with the social construction, although blacks may not be considered true “Americans” we do not refer to our white counterparts as simply “Americans”. Indeed, we are obsessed with race but rarely given the proper tools to talk about, much less acknowledge, our race problems. And white Europeans know it, effectively allowing them to ignore their own issues, I discovered.
When I first arrived in Vannes, I befriended a couple of local boys, and we often went out to bars since there is little else to do in the city. Amazed at the utter whiteness of the venue, one night I asked my friend, “Do you ever notice that there are essentially no black people here – why is that?” and he said, “There are some, just not many. But it’s very different in France, we are much less conscience of race in France than Americans.” He smoothly side-stepped my question and turned the focus to America’s racism. Because America is a popular topic in the media, the nightly French news frequently reported breaking American news. Thus, the world beyond our borders is informed of how race issues are part and parcel to American culture. Read the Post America, the Scapegoat [Youth Correspondent Tryout]
By Arturo R. García
Not to be outdone by the Council of Conservative Citizens, right-wing bloggers have found a new cause for umbrage: DC Comics’ newest member of the nascent “Batman Corps” is French, an Algerian immigrant, and – cue the melodrama – a Muslim.